And doubles as a couch-fort for the drummer to hide in after he hears his takes!A.David.MacKinnon wrote:Again on the packing blanket thing - if you're working on the cheap and don't have packing blankets couch cushions do a remarkably good job. You can also avoid using mic stands as props because the cushions are usually stiff enough to stand and stack. Build a little house around the front of the kick and away you go.
Attenuating other drums from kick drum mic
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or a Joe Strummer style spliff bunkerInjured Ear wrote:And doubles as a couch-fort for the drummer to hide in after he hears his takes!A.David.MacKinnon wrote:Again on the packing blanket thing - if you're working on the cheap and don't have packing blankets couch cushions do a remarkably good job. You can also avoid using mic stands as props because the cushions are usually stiff enough to stand and stack. Build a little house around the front of the kick and away you go.
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Re: Attenuating other drums from kick drum mic
If you're happy and you know it you are done...Buddyrich wrote:Hello, i am new.
Could anyone offer advice on removing unwanted sounds from kick drum mics? I recorded a kit recently and luckily the client and i are happy with the results, although there is a lot of bleed from the whole kit on the front k/drum mic and a lot of under-snare noise on the rear kick mic. During recording I positioned the mics as best i could in terms of the sound i want versus excessive bleed.
As it is, the bleed isn't really affecting the sound and I have no need to compress either mic. But it did make me wonder how i would have tackled the bleed if it had been necessary to try and remove it.
I have messed around with side chaining a compressor (im working in cubase but couldnt really get it to work.
Any ideas (apart from gating which sometimes sounds too weird)?
Seriously, if the client and you are happy with the sound, you are done.
BLEED can be your friend.
Howling at the neighbors. Hoping they have more mic cables.
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Secure, too ^^^^. I love the rogue bars... (seriously... Mrs. Juke calls me "Capt. Safety").
Can I be Lee Scratch Perry, and stumble around the room dancing a funny skanking dance, while anointing the four corners of the room with white rum?
GJ
Can I be Lee Scratch Perry, and stumble around the room dancing a funny skanking dance, while anointing the four corners of the room with white rum?
GJ
Gregg Juke
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
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INFIDEL!!!!!!!!
Me use-a flyen' simbah ta breng di Fyah! ta da "Ol' Colony Masta House!"
FYAH frem di simbahs, me say!!! Buyaka!!!
Dem crazy no simbah beld' ehds...
GJ
Me use-a flyen' simbah ta breng di Fyah! ta da "Ol' Colony Masta House!"
FYAH frem di simbahs, me say!!! Buyaka!!!
Dem crazy no simbah beld' ehds...
GJ
Gregg Juke
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
I expect it's just that cymbals create odd harmonic reflections offa the rogue bars, right?
Azza aside, and seriously, I wanna mandate my drummers to use less (or at least hit 'em lighter) cymbals, yes, but more toms.
Ya know what would be marketing genius, mebbe?
Some drum-maker to sell a a "ride tom".
Azza aside, and seriously, I wanna mandate my drummers to use less (or at least hit 'em lighter) cymbals, yes, but more toms.
Ya know what would be marketing genius, mebbe?
Some drum-maker to sell a a "ride tom".
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