Poll - If you could only have one electric guitar
- weatherbox
- re-cappin' neve
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For me? Electric, a Tele w/ p90 in the neck or my ES330. Acoustic, a big ol' Gibson. J200, Dove, etc. Bass, a Ric 4003.
For a studio? That same Tele or a p90 SG. I like hollows/semis more, but those two guitars are just way useful. Acoustic suggestion stays the same. Bass, I'd probably go for the nicest old P I could find/afford.
For a studio? That same Tele or a p90 SG. I like hollows/semis more, but those two guitars are just way useful. Acoustic suggestion stays the same. Bass, I'd probably go for the nicest old P I could find/afford.
ofcourseRyan Silva wrote:Casio DG-20 Electric Guitar
It has built in drums
http://www.youtube.com/watch?v=JT5AQIlmM0I
trouble clef.
- >Mojave_Gary<
- alignin' 24-trk
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Post subject: Re: Poll - If you could only have one electric
Out of all the guitars I have owned and currently own, if I could only choose 1 it would still have to be my first, which is a '54 Fender Tele.
What the #*%@ is that BuZzInG sOuNd ??
On a board full of Tele users I'll add to the chorus.
If I had to let go of all of my guitars and the studio's guitars but one I'd keep my 62 Custom Telecaster reissue. Rosewood fingerboard, not terribly twangy, and capable of being really heavy through the right amp with the tone knob rolled back a bit.
I'm surprised (though not really surprised) to see that O'Hagan NightWatch mentioned. I have an O'Hagan Model 22 (the maple/walnut Flying V) and it is a great guitar. I've been looking around for a long time for a NightWatch or a Shark but haven't had any luck.
If I had to let go of all of my guitars and the studio's guitars but one I'd keep my 62 Custom Telecaster reissue. Rosewood fingerboard, not terribly twangy, and capable of being really heavy through the right amp with the tone knob rolled back a bit.
I'm surprised (though not really surprised) to see that O'Hagan NightWatch mentioned. I have an O'Hagan Model 22 (the maple/walnut Flying V) and it is a great guitar. I've been looking around for a long time for a NightWatch or a Shark but haven't had any luck.
- Kindly Killer
- gettin' sounds
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My "Only One" bass is a Fender Precision with a Jazz pickup I added in the bridge position. It has a Gotoh aftermarket bridge that still sounds pretty Fender, but deeper; i think the model number is 201. That bass can do all the classic Fender sounds, but strung with a bright SS string, it sounds very modern with both PUs wide open.
I have another one just like it except I made it fretless and left on the stock stamped bridge for maximum Jaco-ness.
BTW I said before that my fave one-for-all guitar was my homemade thing, but it occurred to me that my choice of guitar on my current casino circuit gig says something about what is really my fave guitar for the real world. I brought a killer parts strat as a backup, and my stage guitar is a Dot Studio (335 clone) with a homemade neck and homemade pickups that are voiced very vintage (low winds, A2 mag in bridge, slightly degaussed neck mag). It also has a GK pickup that I use to drive synths. That guitar is versatile. It sounds right on "Folsom Prison Blues", "Word Up", "Rockstar", and jazz standards. I mean it is spot-on for all that stuff - I wouldn't hesitate to record with it. It is the guitar I brought to my last recording session [as a player], which was a single R&B tune.
I know Larry Carlton used his Gibson 335 for all kinds of music in his career as a session man.
I will say that after years of buying, building, and playing electric guitars, I am convinced that it is the most low-tech, low-fi, low budget instrument there is, except for maybe improvised percussion. Ultimately I think any guitar that you love to play can be force-fit into the music. Effects and amps go further to shape the sound than things like wood choice and saddle material. E.g. both a Squier Bullet Strat and a Benedetto archtop are going to sound plinky into a clean Twin, but add any effect that compresses or shapes the attack (overdrive, amp gain, compression, slow gear) and it becomes something else.
I have another one just like it except I made it fretless and left on the stock stamped bridge for maximum Jaco-ness.
BTW I said before that my fave one-for-all guitar was my homemade thing, but it occurred to me that my choice of guitar on my current casino circuit gig says something about what is really my fave guitar for the real world. I brought a killer parts strat as a backup, and my stage guitar is a Dot Studio (335 clone) with a homemade neck and homemade pickups that are voiced very vintage (low winds, A2 mag in bridge, slightly degaussed neck mag). It also has a GK pickup that I use to drive synths. That guitar is versatile. It sounds right on "Folsom Prison Blues", "Word Up", "Rockstar", and jazz standards. I mean it is spot-on for all that stuff - I wouldn't hesitate to record with it. It is the guitar I brought to my last recording session [as a player], which was a single R&B tune.
I know Larry Carlton used his Gibson 335 for all kinds of music in his career as a session man.
I will say that after years of buying, building, and playing electric guitars, I am convinced that it is the most low-tech, low-fi, low budget instrument there is, except for maybe improvised percussion. Ultimately I think any guitar that you love to play can be force-fit into the music. Effects and amps go further to shape the sound than things like wood choice and saddle material. E.g. both a Squier Bullet Strat and a Benedetto archtop are going to sound plinky into a clean Twin, but add any effect that compresses or shapes the attack (overdrive, amp gain, compression, slow gear) and it becomes something else.
- shedshrine
- deaf.
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Flame top SG with custom lipstick pickup and mother of polcarbonate inlays on first four frets. This one gets a LOT of love in some circles..
flametop SG w transverse lipstick pu
flametop SG w transverse lipstick pu
Last edited by shedshrine on Tue Jan 29, 2008 4:59 pm, edited 3 times in total.
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