Mic Stands.
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- audio school graduate
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Mic Stands.
So, I am more than a little fed up with my cheap lightweight tripod stands, and need to up my collection anyways so I don't have to resort to using a tree branch and chewing gum. So I was wondering what kind of sturdy stands y'all use, and where you get them from? Also, any ideas of how to make the stands I do have less crappy?
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- ghost haunting audio students
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Wow, I really don't enjoy Atlas one bit. But then that's why there are different brands to suit different tastes.
For standard sized tripod-base stands and boom arms, I think Konig & Meyer make the absolute best. They are imported to the US by various companies including AKG and Ultimate, and pretty much every major mail-order place has them though they may be listed as an Ultimate product with a model number like "KM 21080". They are spendy, but worth it.
For round based, straight stands there is really nothing better than the Ultimate stackable mic stands. They are tough, sturdy, and you can stack 6 of them into the footprint of one for storage and transport. Pure genious, and really nice to use. Of course, if you purchase the 'one handed clutch' variety, keep in mind that it is really tricky to turn the stand into the mic clip - one tiny drawback, though the one-hand clutch is an option. Again, these are a bit more pricey than you're average no-name stand, but they last.
And for tall 'studio booms' I have to go somewhat cheaper because the bang-for-buck factor on the QuikLok A-50 is simply ridiculous. It's a massive stand that can reach about 7' high, and 7' more on the boom, either sideways or straight up to about 14'. It has a massive wheel base that is very stable and smooth to move, with locking casters. It streets at less than half the price of the Atlas, and is much smoother to operate.
Oh and just so you know, the smaller sized QuikLok stands are also the ones sold under the "OnStage" name and a few other store-specific brand names, and are likely the kind you've already used.
Hope that helps you out.
-Jeremy
For standard sized tripod-base stands and boom arms, I think Konig & Meyer make the absolute best. They are imported to the US by various companies including AKG and Ultimate, and pretty much every major mail-order place has them though they may be listed as an Ultimate product with a model number like "KM 21080". They are spendy, but worth it.
For round based, straight stands there is really nothing better than the Ultimate stackable mic stands. They are tough, sturdy, and you can stack 6 of them into the footprint of one for storage and transport. Pure genious, and really nice to use. Of course, if you purchase the 'one handed clutch' variety, keep in mind that it is really tricky to turn the stand into the mic clip - one tiny drawback, though the one-hand clutch is an option. Again, these are a bit more pricey than you're average no-name stand, but they last.
And for tall 'studio booms' I have to go somewhat cheaper because the bang-for-buck factor on the QuikLok A-50 is simply ridiculous. It's a massive stand that can reach about 7' high, and 7' more on the boom, either sideways or straight up to about 14'. It has a massive wheel base that is very stable and smooth to move, with locking casters. It streets at less than half the price of the Atlas, and is much smoother to operate.
Oh and just so you know, the smaller sized QuikLok stands are also the ones sold under the "OnStage" name and a few other store-specific brand names, and are likely the kind you've already used.
Hope that helps you out.
-Jeremy
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tama
Tama stands are great. They are drum hardware quality, sturdy as hell and pretty cheap. I got a pack of them from either musicians fiend or samass or something for a pretty good price.
I wouldn't hesitate to recommend them to anyone. They rock.
I wouldn't hesitate to recommend them to anyone. They rock.
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- re-cappin' neve
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Re: tama
No shit -- I love these things. I had a bunch of other ones that wore out/broke. The one that pissed me off the most was an AKG stand I paid almost a hundred bucks for that was no better than the quicklocks, all of which broke within a very short time.
exit2studios wrote:Tama stands are great. They are drum hardware quality, sturdy as hell and pretty cheap. I got a pack of them from either musicians fiend or samass or something for a pretty good price.
I wouldn't hesitate to recommend them to anyone. They rock.
- JGriffin
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Every Atlas stand I have is stripped or screwed up in some way. I will watchi this thread for helpful info, as I have none to offer.
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"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
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Great advice. Sometimes I think things are self apparent....drumsound wrote:Don't forget to get a bunch of short stands. Most of the sources we record are waist high or lower. Amps, snare, floor tom, sitting horn players, sitting acoustic guitarists etc, etc
I LOVE having the shortest stand for the job. Makes life much easier, and keeps the room easier to navigate.....
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I picked up some good ones at Guitar Center, back in the "pro" audio department. I think they said HR or HD on them. They are reall good. All of the wing-type nuts for tigntining were ergonomic and would stay tight without too much force. They were also a lot heavyer that the cheep quicklok ones (which i think means better).
I just looked on the GC web page for them and couldnt find this brand name. Anybody know who im talking about?
I just looked on the GC web page for them and couldnt find this brand name. Anybody know who im talking about?
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