basses

Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY

Moderators: drumsound, tomb

User avatar
Girl Toes
carpal tunnel
Posts: 1598
Joined: Thu Apr 08, 2004 2:06 pm
Location: In A Turkey Sandwich
Contact:

basses

Post by Girl Toes » Thu Dec 15, 2005 8:18 am

I've been noticing how many basses are just really crappy: almost most of them.

There are so many, including one of my own, that the E string comes out as a different volume than the rest of the strings. Its usually louder, though last night it was softer. A lot of these basses are also very muddy sounding. There is no other instrument I deal with regularly that has such a bad and consistent problem.


and so...

mjau
speech impediment
Posts: 4034
Joined: Mon Sep 29, 2003 7:33 pm
Location: Orlando
Contact:

Post by mjau » Thu Dec 15, 2005 9:14 am

The only basses I've played that sounded real even to me also sounded completely dead to me, without any character. With my P-Bass, I just pretty much try to avoid the dead spots and have learned to play that bass in a way that works for that bass.

User avatar
GrimmBrotherScott
gettin' sounds
Posts: 123
Joined: Wed May 07, 2003 7:55 am
Location: Near NYC
Contact:

Post by GrimmBrotherScott » Thu Dec 15, 2005 9:48 am

It helps tremendously to have the bass "set up" by someone who knows what they are doing. I don't (beyond quick intonation fixes, on the fly stuff) know how to crank the neck, optimize string action, etc...

I am not talking a Guitar Center quick fix, I am talking a luthier or experienced guitar tech. It will probably cost you $100-150 for the service (usually includes new strings, etc...) but it will last for a year or more.

Catoogie
buyin' a studio
Posts: 930
Joined: Thu May 22, 2003 12:28 pm

Post by Catoogie » Thu Dec 15, 2005 10:42 am

$100-150 for the service
Are they NY prices? I pay maybe $50 for a set-up on my P-Bass (I buy my own strings.........actually I should say I did....I have flatwounds on it and I don't change them). And as far as the set-up lasting a year or more, I haven't had it set-up in more than three years and everything is just fine.

User avatar
Girl Toes
carpal tunnel
Posts: 1598
Joined: Thu Apr 08, 2004 2:06 pm
Location: In A Turkey Sandwich
Contact:

Post by Girl Toes » Thu Dec 15, 2005 10:44 am

Yeah, Grimm, you need a new guy.

stinkpot
pushin' record
Posts: 283
Joined: Fri Dec 10, 2004 4:18 pm

Post by stinkpot » Thu Dec 15, 2005 10:53 am

There are so many, including one of my own, that the E string comes out as a different volume than the rest of the strings. Its usually louder, though last night it was softer. A lot of these basses are also very muddy sounding. There is no other instrument I deal with regularly that has such a bad and consistent problem.
Have you tried messing with the height of the pickups? I've been able to get my P-bass to even out a bit by doing that. It's not perfect, but definately manageable, and I didn't have to change the style of my playing.

Or you could get a Rick :hearts:

User avatar
Girl Toes
carpal tunnel
Posts: 1598
Joined: Thu Apr 08, 2004 2:06 pm
Location: In A Turkey Sandwich
Contact:

Post by Girl Toes » Thu Dec 15, 2005 11:05 am

Well, i still love my bass, and its only bad on one pick up. But its more an observation here than anything, I work with a lot of crappy basses from night to night, and its always the same problem. From a sound guy's perspective, its annoying.

User avatar
Scodiddly
speech impediment
Posts: 4012
Joined: Wed Dec 10, 2003 6:38 am
Location: Mundelein, IL, USA
Contact:

Post by Scodiddly » Thu Dec 15, 2005 11:11 am

For a P-bass it's mostly a matter of setup. You can really tweak the split pickup to even out the strings.

The rest of it is the player. :twisted:

jeddypoo
re-cappin' neve
Posts: 603
Joined: Thu Oct 07, 2004 10:24 am
Location: brooklyn
Contact:

w

Post by jeddypoo » Thu Dec 15, 2005 12:35 pm

I play a Fender 62' reissue Jazz bass and I'm very happy with it. It went for years without a proper setup, other than myself futzing around with allen wrenches, so when I did go to get it properly set up, I was told it would need TWO proper setups a few months apart to get it back to fighting shape. The intonation had gotten too wonky for me to repair myself at the time I had brought it in. Basses, probably do to the fact that there's that much more tension going on, despite the larger necks, fall apart a lot more quickly than most guitars, and it yeah, getting a really pleasing tone out of one live can be a real bitch. DI into the board seems like the only way to go a lot of the time. I've heard very few bass amps in my time that produced great sounds consistently.
I find adherence to fantasy troubling and unreasonable.

User avatar
Red Rockets Glare
tinnitus
Posts: 1132
Joined: Wed May 07, 2003 8:36 am
Location: Los Angeles
Contact:

bass talk

Post by Red Rockets Glare » Thu Dec 15, 2005 12:58 pm

anyone here do the Carol Kaye trick with the foam under and behind the bridge pickup for the extra woof and click?

I do it and it sounds great for some tracks.

jeddypoo
re-cappin' neve
Posts: 603
Joined: Thu Oct 07, 2004 10:24 am
Location: brooklyn
Contact:

s

Post by jeddypoo » Thu Dec 15, 2005 1:01 pm

gotta try that, thanks! She was a hell of a bass player.
I find adherence to fantasy troubling and unreasonable.

mjau
speech impediment
Posts: 4034
Joined: Mon Sep 29, 2003 7:33 pm
Location: Orlando
Contact:

Re: bass talk

Post by mjau » Thu Dec 15, 2005 1:01 pm

Red Rockets Glare wrote:anyone here do the Carol Kaye trick with the foam under and behind the bridge pickup for the extra woof and click?

I do it and it sounds great for some tracks.
I'll palm mute, use a heavy pick attack, and throw my little Maxon stompbox compressor in the chain and get a similar sound.

User avatar
wedge
tinnitus
Posts: 1088
Joined: Tue Jul 06, 2004 9:08 pm
Location: Washington, D.C.

Post by wedge » Thu Dec 15, 2005 1:55 pm

I did not know this until I pulled it apart to clean it, etc., but this bass that I just bought off-uh ebay came with a foam block underneath the bridge cover. I was *really* pleased to see that, becuase I love that type of tone. Never had one before but I'm looking forward to fecking with it...

http://cgi.ebay.com/ws/eBayISAPI.dll?Vi ... %3AIT&rd=1

User avatar
thunderboy
buyin' a studio
Posts: 993
Joined: Wed May 07, 2003 11:53 am
Location: ROC, NY, USA

Post by thunderboy » Thu Dec 15, 2005 2:20 pm

Girl Toes wrote:Yeah, Grimm, you need a new guy.
Actually, it sounds like YOU do, Lance.

jt
"most toreadors worth a damn are circumcized."
- Discs of Tron

User avatar
GrimmBrotherScott
gettin' sounds
Posts: 123
Joined: Wed May 07, 2003 7:55 am
Location: Near NYC
Contact:

Post by GrimmBrotherScott » Thu Dec 15, 2005 3:19 pm

Girl Toes wrote:Yeah, Grimm, you need a new guy.
That's for a one time total once over. That includes pulling all the electronics, testing them, cranking the neck properly (you are only supposed to crank the neck so much a day), etc...this guy is a luthier and when you bring it in and say "totally set this up", it is going to cost you some ducats. After the initial set up it will cost you $50-75/year.

I am an hour outside of NYC, so yes, it is a NYC price.

Post Reply

Who is online

Users browsing this forum: Google [Bot] and 72 guests