"Led Zeppelin" drum sounds have ruined rock 'n rol
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ANSWER #2: 3 of them... 1 to screw it in and 2 to say "I could do that better."Tatertot wrote:Q: How many bass players to change a lightbulb?
A: 1, 5, 1, 5, 1, 5, 1, 5 etc.
As a drummer myself I am more partial to the chalky sound of the funk era drummers of the 70's. crisp cymbal and high hat tones, rounded out toms, and a good but not overbearing kick.
Big drums however, if you don't like em' take every Nirvana album you own and burn it, Dave Grohl redifined the big drum sound, and it sounded great to me.
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Re: the zeppelin joke
Dude, Radiohead bored the shit outta me. Our bass player/singer always tries to get me to like it, and I try, but I hate it. I like two tunes, "paranoid andriod" and "karma police" but "creep" is gay grunge and I can live without sleepytime. But when I try to get him to like Deep Purple, The Darkness, or DRI, I get the same reaction. To each his own, I guess. But you are not alone> Radiohead is pretensious and boring. And U2 and Bob Seeger can jump in a lake.maxadocious wrote:DUDE... Zeppelin is a sweet band. The "joke" is just appreciating the campiness of the band. I believe what that other dude was referring to was that a lot of people take music really seriously, you know... people like Wilco fans. People who say they like Radiohead (I should give up on that one... I think I'm the only person who hates Radiohead); they think it's gotta be all dark and emo. They don't know how to just kick back and get the Led out. I mean "Whole lotta Love" is a good song, it's about a big dick, but it's awesome... that is to say AND it's awesome. I mean, shit! I wish I had the balls to write a song about that.
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More like the Joel O'Brien or Russ Kunkel on Tapestry (Carole King). I feel the earth move under my feet...Tatertot wrote: You mean like John Guerin on the Joni Mitchell albums?
But with a more poppy snare, and better sounding toms. I guess build it like so:
Dennis Chambers' Toms,
O'Brien or Kunkel's Kick and cymbals,
Terrence Higgins' (Dirty Dozen Brass Band) Snare
And that's... The game!
Last edited by Monkeyfist on Thu Aug 17, 2006 12:53 pm, edited 1 time in total.
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Re: the zeppelin joke
LZ pretty much ripped off the lyrics from a Willie Dixon tune ("You Need Love"). Plagiarism is the real heart of rock 'n' roll (regardless of what Huey Lewis says).maxadocious wrote:I mean "Whole lotta Love" is a good song, it's about a big dick, but it's awesome... that is to say AND it's awesome. I mean, shit! I wish I had the balls to write a song about that.
Re: the zeppelin joke
I think they said in the Song Remains the Same movie somewhere that they should have been pirates because they were so good at stealing. who cares...they were still kick ass and their stealing is nothing compared to hip/hop thievery.Hee-man wrote:LZ pretty much ripped off the lyrics from a Willie Dixon tune ("You Need Love"). Plagiarism is the real heart of rock 'n' roll (regardless of what Huey Lewis says).maxadocious wrote:I mean "Whole lotta Love" is a good song, it's about a big dick, but it's awesome... that is to say AND it's awesome. I mean, shit! I wish I had the balls to write a song about that.
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totally on the Grohl when it comes to the Killing Joke record he played drums on. fuck, those drums sound awesome and are played fucking ace.Monkeyfist wrote:ANSWER #2: 3 of them... 1 to screw it in and 2 to say "I could do that better."Tatertot wrote:Q: How many bass players to change a lightbulb?
A: 1, 5, 1, 5, 1, 5, 1, 5 etc.
As a drummer myself I am more partial to the chalky sound of the funk era drummers of the 70's. crisp cymbal and high hat tones, rounded out toms, and a good but not overbearing kick.
Big drums however, if you don't like em' take every Nirvana album you own and burn it, Dave Grohl redifined the big drum sound, and it sounded great to me.
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Shit! THAT'S what I've been doing wrong!Grady wrote:Personally I hate large drum sounds where the kick it totally fucking badass sounding and the toms are wide open. I strive for really thin dead drumsounds with 0 ambience.
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I remember Keith Richards saying a similar thing about the electric bass.
His theory was that in the early days of rock and roll, the guys who had drumkits often had swing and/or big band experience so they would bring that to the table.
The double-bass wasn't very loud so the drummer would just do his thing. Which often was to swing.
When the electric bass arrived on the scene, all of a sudden the drummer could hear the bass player, who would often be playing eighth-notes but since the drummer could hear the bass player, the drummer would switch from swing to straight-eights.
Which is allegedly what turned rock and roll into rock.
Who knows? Nice theory, though.
I think Led Zep drum sounds are good for Led Zeppelin. But I usually prefer the Charlie Watts ethic.
It's all good for something, though.
His theory was that in the early days of rock and roll, the guys who had drumkits often had swing and/or big band experience so they would bring that to the table.
The double-bass wasn't very loud so the drummer would just do his thing. Which often was to swing.
When the electric bass arrived on the scene, all of a sudden the drummer could hear the bass player, who would often be playing eighth-notes but since the drummer could hear the bass player, the drummer would switch from swing to straight-eights.
Which is allegedly what turned rock and roll into rock.
Who knows? Nice theory, though.
I think Led Zep drum sounds are good for Led Zeppelin. But I usually prefer the Charlie Watts ethic.
It's all good for something, though.
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Terrible comparison..:.impossible wrote: Brian Jones wore blouses and quit making music well before Plant was on the scene. It wasn't a joke.
Brian Jones was all about style and fashion. Chicago blues to Swingin' London. He understood the subtleties of context. Jones could actually get away with dressing like a peacock because he was an original.
It's like comparing Muddy Waters to Robert Plant as musicians.
But back to the thread.
Page is a great producer. I'm really glad he recorded drums that way. It acuallly took a while for the live drums in a room sound to catch on. When I first started working in studios in the late 70's drums were isolated and baffled, with tape all over the heads and wallets on the snare.
Re: "Led Zeppelin" drum sounds have ruined rock 'n
takeout wrote:Yeah, I said it. And I'm right. "Lead drums".
This thread is gonna be awesome.
Loop based song writing is killing music today! I think loops sound cool but when people base the song writing around em it's garbage, really sticks out, you can hear the lack of song.
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I wasn't comparing their music though. And I don't think blouses have anything to do with music or originality. I was comparing their penchant for women's clothing. Plant was not the first to do many things, wearing a blouse being one of them. Brian Jones as well for that matter.Frankie Swell wrote:Terrible comparison..:.impossible wrote: Brian Jones wore blouses and quit making music well before Plant was on the scene. It wasn't a joke.
Brian Jones was all about style and fashion. Chicago blues to Swingin' London. He understood the subtleties of context. Jones could actually get away with dressing like a peacock because he was an original.
It's like comparing Muddy Waters to Robert Plant as musicians.
But back to the thread.
Page is a great producer. I'm really glad he recorded drums that way. It acuallly took a while for the live drums in a room sound to catch on. When I first started working in studios in the late 70's drums were isolated and baffled, with tape all over the heads and wallets on the snare.
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