Subwoofer Wiring (turning into a mic)
- deadair
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Subwoofer Wiring (turning into a mic)
I've seen the various threads regarding turning a speaker into a mic, so i think i have the idea down.....
whats confusing me is that i was just given a subwoofer, i opened it up and there's two sets of terminals on it, i.e. 4 wires coming off the speaker, two from each side. i have no experience with subwoofers, so i don't know if this is common, but it confused me from guitar speaker experience only...... should i solder some of the cables together? ignore some of them? any suggestions would be appreciated. alternate idea being just get a new 15 to put in this cabinet.....
whats confusing me is that i was just given a subwoofer, i opened it up and there's two sets of terminals on it, i.e. 4 wires coming off the speaker, two from each side. i have no experience with subwoofers, so i don't know if this is common, but it confused me from guitar speaker experience only...... should i solder some of the cables together? ignore some of them? any suggestions would be appreciated. alternate idea being just get a new 15 to put in this cabinet.....
I wonder why there's four wires?......
Have you got a multimeter? Try for two which give roughly the impedance rating of the speaker - there should only be two real connectors - are you sure the wires aren't connected together? I think you'll be ignoring two of them.
Anyway, wire both wires to XLR pins 2 and 3 fix a wire to the speaker chassis going to XLR pin 1. If the phase is wrong, then swap the wires at pins 2 and 3 round.
You may get away running unbalanced using a speaker cable into a mic input though..... Depends how much effort you want to put in.
Have you got a multimeter? Try for two which give roughly the impedance rating of the speaker - there should only be two real connectors - are you sure the wires aren't connected together? I think you'll be ignoring two of them.
Anyway, wire both wires to XLR pins 2 and 3 fix a wire to the speaker chassis going to XLR pin 1. If the phase is wrong, then swap the wires at pins 2 and 3 round.
You may get away running unbalanced using a speaker cable into a mic input though..... Depends how much effort you want to put in.
- deadair
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well, maybe this will help. the speaker wiring on the outside of the box allows for an input left and right input and then an output to left and right speakers after passing through the sub. there's some capacitors back there too, which i'm wondering if act as some sort of a crossover? i don't know much about this stuff, so i'm sorry if this comes across as stupid, just my best guess.
confusing to me in all of this is that both the left input and output go to one set of terminals on the speaker, and then the right input and output go to the other set of terminals, if i remember correctly.
i don't know what the rating is ohm wise of the speaker, but perhaps i will try the multimeter.
confusing to me in all of this is that both the left input and output go to one set of terminals on the speaker, and then the right input and output go to the other set of terminals, if i remember correctly.
i don't know what the rating is ohm wise of the speaker, but perhaps i will try the multimeter.
- RodC
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If there isnt a set of fancy LEDs then its a dual coil SUB. Pretty popular, gives you a way to route left and right channels into the same speaker if you dont have a sub out. The 2 coils are not connected, sorta like 2 speakers sharing the same cone.
Some newer car woofers have LEDs, they will have 2 sets of terminals.
CORRECTION, after reading your post it sounds like they are for hooking up a parrallel speaker.
Some newer car woofers have LEDs, they will have 2 sets of terminals.
CORRECTION, after reading your post it sounds like they are for hooking up a parrallel speaker.
- RodC
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If there are some Caps that is a connection for a high range speaker, crossover. Dang I missed that.
See my correction, I think its just a parrallel connection for another speaker. Use the + and - that go directly to the voice coil. Hook them to an XLR connector.
Pin 2 on your XLR is +, pin 3 is negative.
I would reverse the polarity or keep it the same if you end up flipping your Bass drum polarity a lot. This will give you some thump, I like to combine it with a 57. Not may ppl I record want that kind of thump.
I like a 8" speaker, a normal speaker seems to move better than a sub. But the larger area def picks up more.
See my correction, I think its just a parrallel connection for another speaker. Use the + and - that go directly to the voice coil. Hook them to an XLR connector.
Pin 2 on your XLR is +, pin 3 is negative.
I would reverse the polarity or keep it the same if you end up flipping your Bass drum polarity a lot. This will give you some thump, I like to combine it with a 57. Not may ppl I record want that kind of thump.
I like a 8" speaker, a normal speaker seems to move better than a sub. But the larger area def picks up more.
- RodC
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Sorry if I confused you, its a mess here today, I'm working on my 3rd band today.
If there are caps in there its def a crossover, pretty common for subs.
Two of the terminals will go directly to the voice coil, this is the connection for the sub.
The other two terminals will be connected through a cap, this blocks the lows. THe cap prob goes from one + terminal to the other +.
If you use an OHM meter on the 2 terminals for the sub you will get between 3 to 8 ohms depending on the impeedance. The other set will be pretty high resistance due to the cap blocking the voice coil, dont use these connnections.
If there are caps in there its def a crossover, pretty common for subs.
Two of the terminals will go directly to the voice coil, this is the connection for the sub.
The other two terminals will be connected through a cap, this blocks the lows. THe cap prob goes from one + terminal to the other +.
If you use an OHM meter on the 2 terminals for the sub you will get between 3 to 8 ohms depending on the impeedance. The other set will be pretty high resistance due to the cap blocking the voice coil, dont use these connnections.
- RodC
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That is a crossover, but it is a dual coil sub. The crossover is there to feed the subs and the external speakers. (Caps for highs, Coils for the subs)
Ditch everything except the speaker and use the wire to try out diff connections.
You have 3 options:
1 Just use one coil, just use the + and - on one side 8ohms
2 wire them in series, this may sound the best because it would be 16 ohms and using all the coil wire avaliable. Just hook the + on one side to the - on the oppisite NOT the terminal right next to it. Just like 2 speakers. What you will have left un used will be a + and a - Use those terminals to hook to your XLR cable.
3 Wire them in parrallel, this will give you 4ohms and use all the coil. Just connect both + to each other and both - and use either + and - to go to the XLR connector.
You may want to try them all, should be pretty fast to see which sounds best.
Ditch everything except the speaker and use the wire to try out diff connections.
You have 3 options:
1 Just use one coil, just use the + and - on one side 8ohms
2 wire them in series, this may sound the best because it would be 16 ohms and using all the coil wire avaliable. Just hook the + on one side to the - on the oppisite NOT the terminal right next to it. Just like 2 speakers. What you will have left un used will be a + and a - Use those terminals to hook to your XLR cable.
3 Wire them in parrallel, this will give you 4ohms and use all the coil. Just connect both + to each other and both - and use either + and - to go to the XLR connector.
You may want to try them all, should be pretty fast to see which sounds best.
- deadair
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wired them in stereo, hooked it up to a d.i. damn it sounds sweet. very whooomp-y. the snare bleed etc sounds like its underwater, or like youre outside a club. but the kick mixed in is very nice. used it in a session today..... probably will tomorrow...... gotta give it the run through. thanks tapeoppers for coming through again.
ps - also tried micing bass and guitar with it the other night. interesting mixed in, hard/impossible to get the phase to seem perfect, but definately heavy sounding, albeit muddy on its own.
ps - also tried micing bass and guitar with it the other night. interesting mixed in, hard/impossible to get the phase to seem perfect, but definately heavy sounding, albeit muddy on its own.
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