WORST INSTRUMENT EVER
WORST INSTRUMENT EVER
I nominate tamborine.
Only because just today I borrowed a particularly sweet and dry sounding metal tamborine from a friend of mine and endeavored on a recording sesh. This particular track called for a 32nd note pattern at 144 bpm. I'll be damned if my arm wasn't halfway out of its shoulder joint by the 2nd chorus.. and whats worse, when I sat down to start editing, I realized I had given myself two massive blisters on my fingertips and palm from the shaking!
I start listening back and realize that because I've set up a spaced omni pair, the differences in where I was standing in each of the takes make splicing together the takes impossible. I donned some gloves and embarked on a redux of the first chorus (where the differences in location were most obvious) but realized that I now couldn't even keep time.
Learn from my mistakes folks! First off, don't do tamborine. At all. If this is impossible, don't use a metal tamborine for high speed, high volume hand bashing. In any case put an "X" of tape on the floor where the artist/athlete will perform the tamborine part. And start by wearing gloves. I'm sure if I had followed these steps I'd still be able to throw this tamborine across the room without causing intense pain to my arm, hand, and shoulder. Gah!
Mike
Only because just today I borrowed a particularly sweet and dry sounding metal tamborine from a friend of mine and endeavored on a recording sesh. This particular track called for a 32nd note pattern at 144 bpm. I'll be damned if my arm wasn't halfway out of its shoulder joint by the 2nd chorus.. and whats worse, when I sat down to start editing, I realized I had given myself two massive blisters on my fingertips and palm from the shaking!
I start listening back and realize that because I've set up a spaced omni pair, the differences in where I was standing in each of the takes make splicing together the takes impossible. I donned some gloves and embarked on a redux of the first chorus (where the differences in location were most obvious) but realized that I now couldn't even keep time.
Learn from my mistakes folks! First off, don't do tamborine. At all. If this is impossible, don't use a metal tamborine for high speed, high volume hand bashing. In any case put an "X" of tape on the floor where the artist/athlete will perform the tamborine part. And start by wearing gloves. I'm sure if I had followed these steps I'd still be able to throw this tamborine across the room without causing intense pain to my arm, hand, and shoulder. Gah!
Mike
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I have a little egg shaker in my car, and sometimes I'll play along with the radio or a cassette or whatever. It's surprisingly hard to keep a good beat with a simple percussion instrument. I even played a tambourine in the choir once when we did an African-American style gospel tune, and it was pretty tough to play a good groove, not screw up said groove, and sing my part all at the same time. A lot of respect to that Motown guy who always played the tambourine!
Lol, this does put up a good fight.drumsound wrote:How about having to weed through 6 takes of harminica noodles to make a comp track (on tape)?dynomike wrote:Doods, you have to include an anecdote about how it has personally wronged you to support your nomination!
Or living in a Mexican neighborhood on Cinco de Mayo?
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I nominate saxophone.
But it's all contextual... saxophones themselves don't sound bad, it's just that people who play them usually have no sense of tact or what's appropriate for the music. And they usually love to take solos.
Accordians and harmonicas are the same way. I happen to think they have an inherently beautiful sound, but trying to rock out on the accordian just sounds corny. As a backdrop, they can be quite nice an subtle.
Of course, I'm approaching this from the context of rock music.
But it's all contextual... saxophones themselves don't sound bad, it's just that people who play them usually have no sense of tact or what's appropriate for the music. And they usually love to take solos.
Accordians and harmonicas are the same way. I happen to think they have an inherently beautiful sound, but trying to rock out on the accordian just sounds corny. As a backdrop, they can be quite nice an subtle.
Of course, I'm approaching this from the context of rock music.
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Bagpipes! Play 'em in your hotel room, it's guaranteed to get you noticed.
BTW, did you hear about the guy who went to a shopping mall and left an accordion in the back window of his car? When he got back to his car an hour later, the back window was smashed out and there were 2 accordions there!
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Ferrari 365
BTW, did you hear about the guy who went to a shopping mall and left an accordion in the back window of his car? When he got back to his car an hour later, the back window was smashed out and there were 2 accordions there!
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Ferrari 365
Last edited by philbo on Sat Mar 19, 2011 11:41 pm, edited 1 time in total.
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