snare drum issues (sounds like butt)
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- takin' a dinner break
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snare drum issues (sounds like butt)
So were doing sound checks (as I type) and the drumers snare has the worst overtones I have ever heard (think of a jet landing on your house), we have pulled the top head twice and reseated and tuned it and have messed with the bottom as well, to no avail.
Can any one recomend a quick fix or a nice way to say: "hey, let's use another snare, cause this one sounds like butt"?
Drum is:
Mapex 5 or 6 inch deep, wooden drum w/ remo emperor-X top head.
Can any one recomend a quick fix or a nice way to say: "hey, let's use another snare, cause this one sounds like butt"?
Drum is:
Mapex 5 or 6 inch deep, wooden drum w/ remo emperor-X top head.
- jmoose
- suffering 'studio suck'
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Ask him if he likes that snare sound...if it's "his thing" or what they expect it to sound like when it's all said & done.
If the drum sounds like ass & they play you some clips of TOTALLY different sounding drums citing those sounds as the highwater mark, it's really easy to say something like, "Well, that's not going to happen with this drum. Here, try this one."
There's also the "This drum would sound MUCH better on this song" trick.
Sounds like maybe his strainer is bent or otherwise damanged. If you've swapped heads around & mucked around with tuning for hours, that's the only thing left.
If the drum sounds like ass & they play you some clips of TOTALLY different sounding drums citing those sounds as the highwater mark, it's really easy to say something like, "Well, that's not going to happen with this drum. Here, try this one."
There's also the "This drum would sound MUCH better on this song" trick.
Sounds like maybe his strainer is bent or otherwise damanged. If you've swapped heads around & mucked around with tuning for hours, that's the only thing left.
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- takin' a dinner break
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its the emperor x. Despite being one of the thickest snare heads made, it has more overtones than any other head ive ever heard. The regular reverse coated dot, or an ambassador should do the trick.
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- KilledByAlbany
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My two most often used snare fixes in that kind of situation are the old standby of gaff taping a wallet to the rim to kill some of the overtones, and to send the signal to a second channel, distort it (using a Boss DS-1 has surprisingly good results here), gate the hell out of it, so only the initial attack will open it, and bring this track up under the original. If none of that works, that's when I begin to look at different snares.
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- zen recordist
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i try and keep an ear on it throughout a session. that and the tuning in general. while the band is listening to a playback or eating or smoking or whatever i'll go out and tappa tappa tappa on the snare and tweak if necessary. the snare tension does make a big difference for sure. and like everything else it totally depends on the player and the tune...guys who beat the hell out of the snare can have way looser tension and it still goes crack. i'm more of a reserved kinda drummer so i like the tension alot tighter when i play...ckeene wrote:On a related note, how much time do you folks spend messing around with snare tension? I find that can make a big difference on whether a drum sounds choked or open. The trade off can be that you get more rattle, too. Boy, snares can really be a pain to get right.
Those "ringers"...
I use an old snare head that I've trimmed the hoop off and made in to a ring. Just like those "ringers" they sell but cheaper.
If you have a few different weights of these, you can probably come up with a good tight sound.
And as mentioned - snare tension is important too. But yes - a bitch to get it just right sometimes.
If you have a few different weights of these, you can probably come up with a good tight sound.
And as mentioned - snare tension is important too. But yes - a bitch to get it just right sometimes.
-- mrclean
- logancircle
- tinnitus
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j
THe quick-and-dirty method is drape a sock onto the head and tape it there, or tape a light wallet or any number of things. Ringo taped a cigarette pack, but you should really quit smoking.
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Studio and Field Recorder in NYC.
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Moongel is a godsend in the studio. i use it for all kinds of things. sometimes, large toms get 2 of them and so does the front of a kick drum occasionally. the problem is that you can eat up a little top end by using them, but overall it wins over "BONG!" any day.
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Freelance drum hookups available constantly
My music - www.myspace.com/kenadessamusic
Recording space - www.myspace.com/twinreverbsound
HOT soul music - www.enzoandthebakers.com
Freelance drum hookups available constantly
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- zen recordist
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I like to vary the snare tension with the tempo of the song. A slower song can have a looser strainer so the snares fill a little more space. When I'm playing live its my way of "estimating" the snare drum changes made on the record.ckeene wrote:On a related note, how much time do you folks spend messing around with snare tension? I find that can make a big difference on whether a drum sounds choked or open. The trade off can be that you get more rattle, too. Boy, snares can really be a pain to get right.
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