snare drum issues (sounds like butt)

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Ethan Holdtrue
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snare drum issues (sounds like butt)

Post by Ethan Holdtrue » Thu Sep 07, 2006 4:17 pm

So were doing sound checks (as I type) and the drumers snare has the worst overtones I have ever heard (think of a jet landing on your house), we have pulled the top head twice and reseated and tuned it and have messed with the bottom as well, to no avail.

Can any one recomend a quick fix or a nice way to say: "hey, let's use another snare, cause this one sounds like butt"?

Drum is:

Mapex 5 or 6 inch deep, wooden drum w/ remo emperor-X top head.

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jmoose
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Post by jmoose » Thu Sep 07, 2006 4:31 pm

Ask him if he likes that snare sound...if it's "his thing" or what they expect it to sound like when it's all said & done.

If the drum sounds like ass & they play you some clips of TOTALLY different sounding drums citing those sounds as the highwater mark, it's really easy to say something like, "Well, that's not going to happen with this drum. Here, try this one."

There's also the "This drum would sound MUCH better on this song" trick.

Sounds like maybe his strainer is bent or otherwise damanged. If you've swapped heads around & mucked around with tuning for hours, that's the only thing left.
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8th_note
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Post by 8th_note » Thu Sep 07, 2006 5:43 pm

The other strategy is to dampen the overtones with moon gel or tape+cotton swabs and make the snare sound dead. I've done that a few times when the snare has a ska type pong sound and it doesn't fit the song.

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Post by vsr600 » Thu Sep 07, 2006 9:07 pm

try a thinner head and some moon gel. Maybe an ambassador or even a powerstroke or whatever. Those Emporer X heads have that big dot in middle that has to be dampning the lower modes first.

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Post by Ethan Holdtrue » Thu Sep 07, 2006 10:22 pm

Thanks for the ideas everyone!! :]

We ended up using a Tama I have, which is sounding pretty good. Hopefully nothing magicly changes in the room overnight to change any of the sounds we got. This is poised to be the best project I have done in my life.

....cant wait....

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Post by Dave Nutz » Fri Sep 08, 2006 4:51 am

its the emperor x. Despite being one of the thickest snare heads made, it has more overtones than any other head ive ever heard. The regular reverse coated dot, or an ambassador should do the trick.
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Post by ckeene » Fri Sep 08, 2006 6:06 am

On a related note, how much time do you folks spend messing around with snare tension? I find that can make a big difference on whether a drum sounds choked or open. The trade off can be that you get more rattle, too. Boy, snares can really be a pain to get right.

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Post by KilledByAlbany » Fri Sep 08, 2006 6:56 am

My two most often used snare fixes in that kind of situation are the old standby of gaff taping a wallet to the rim to kill some of the overtones, and to send the signal to a second channel, distort it (using a Boss DS-1 has surprisingly good results here), gate the hell out of it, so only the initial attack will open it, and bring this track up under the original. If none of that works, that's when I begin to look at different snares.

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Post by MoreSpaceEcho » Fri Sep 08, 2006 9:58 am

ckeene wrote:On a related note, how much time do you folks spend messing around with snare tension? I find that can make a big difference on whether a drum sounds choked or open. The trade off can be that you get more rattle, too. Boy, snares can really be a pain to get right.
i try and keep an ear on it throughout a session. that and the tuning in general. while the band is listening to a playback or eating or smoking or whatever i'll go out and tappa tappa tappa on the snare and tweak if necessary. the snare tension does make a big difference for sure. and like everything else it totally depends on the player and the tune...guys who beat the hell out of the snare can have way looser tension and it still goes crack. i'm more of a reserved kinda drummer so i like the tension alot tighter when i play...

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Those "ringers"...

Post by mrclean » Fri Sep 08, 2006 10:11 am

I use an old snare head that I've trimmed the hoop off and made in to a ring. Just like those "ringers" they sell but cheaper.

If you have a few different weights of these, you can probably come up with a good tight sound.

And as mentioned - snare tension is important too. But yes - a bitch to get it just right sometimes.
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Post by logancircle » Fri Sep 08, 2006 1:26 pm

THe quick-and-dirty method is drape a sock onto the head and tape it there, or tape a light wallet or any number of things. Ringo taped a cigarette pack, but you should really quit smoking.
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Post by LeedyGuy » Sat Sep 09, 2006 10:12 am

Moongel is a godsend in the studio. i use it for all kinds of things. sometimes, large toms get 2 of them and so does the front of a kick drum occasionally. the problem is that you can eat up a little top end by using them, but overall it wins over "BONG!" any day.
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Post by drumsound » Sat Sep 09, 2006 10:21 am

ckeene wrote:On a related note, how much time do you folks spend messing around with snare tension? I find that can make a big difference on whether a drum sounds choked or open. The trade off can be that you get more rattle, too. Boy, snares can really be a pain to get right.
I like to vary the snare tension with the tempo of the song. A slower song can have a looser strainer so the snares fill a little more space. When I'm playing live its my way of "estimating" the snare drum changes made on the record.

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