I was wondering if anyone owns the ART DPS-II Pre-Amp. I'm contemplating getting one and I wanted to hear some samples of it.
In partaricular, I'd like to hear vocals from a SM 58 through the ART DPS-II. Also I'd like to know if you've had any technical difficulties with it. Is it built with quality in mind?
I chose the ART DPS-II because I could use a pre-amp with a digital out to take advantage of the 2 extra inputs on my PreSonus firebox (giving me 6 instead of 4).
ART DPS-II Pre-Amp
ART DPS-II Pre-Amp
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The song by Electric Eyes, I used the DPS II on one of the two bass mics, and on the snare. However, most of the snare is from the room mics, and there is another bass mic, so its not going to be the most helpful thing...
The song by Electric Eyes, I used the DPS II on one of the two bass mics, and on the snare. However, most of the snare is from the room mics, and there is another bass mic, so its not going to be the most helpful thing...
As it was in the begining, so shall it be in the end...
I don't have any samples handy. But I use a DPS 1 (along with the TPS II, the version of it without the digital out). I am of the opinion that ART preamps in general have a lot of bang for the buck.
Do they compare to Neve or API or other high-dollar boutique pres? Of course not. But can you get good-sounding recordings using them? If you are careful with how you set them.
These units offer quite a bit of tonal flexibility, between the different rotary switch settings and teh variable impedance. It gives you other options for tone-shaping, in addition to mic placement. Its results are serviceable at the very least, and pretty good at best.
I've never had a problem with noise with my units; if you do then my guess is either a) you have the gain structure set incorrectly, or b) you have a defective unit.
In short, go ahead and get this unit. It doesn't have "one sound" that you can hear with samples. It's pretty versatile, and there aren't many other options (with SPDIF out) in this price range.
Do they compare to Neve or API or other high-dollar boutique pres? Of course not. But can you get good-sounding recordings using them? If you are careful with how you set them.
These units offer quite a bit of tonal flexibility, between the different rotary switch settings and teh variable impedance. It gives you other options for tone-shaping, in addition to mic placement. Its results are serviceable at the very least, and pretty good at best.
I've never had a problem with noise with my units; if you do then my guess is either a) you have the gain structure set incorrectly, or b) you have a defective unit.
In short, go ahead and get this unit. It doesn't have "one sound" that you can hear with samples. It's pretty versatile, and there aren't many other options (with SPDIF out) in this price range.
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