Using Phase Relationships In Drum Mixing
-
- steve albini likes it
- Posts: 311
- Joined: Wed Oct 29, 2003 10:22 pm
- Location: Sacramento, CA
Using Phase Relationships In Drum Mixing
I got my hands on the Phasetone plugin. I have been using it to mix drums and I am amazed at the stereo imaging I can get with it.
I finally understand how some of the albums I have listened to can get something to sound like it is way left or right, as opposed to just sounding like it is panned hard left or right- completely different story.
I'd be interested to hear what kind of experiences you guys have had with this concept. It seems like a very powerful tool to have.
I finally understand how some of the albums I have listened to can get something to sound like it is way left or right, as opposed to just sounding like it is panned hard left or right- completely different story.
I'd be interested to hear what kind of experiences you guys have had with this concept. It seems like a very powerful tool to have.
-
- steve albini likes it
- Posts: 311
- Joined: Wed Oct 29, 2003 10:22 pm
- Location: Sacramento, CA
What I've been doing (since I got it earlier today) is I push the blend fader all the way up to 100% and keep the phase at 0 (as opposed to 90 or 180).
In this case I am only using the Phasetone on the tom track, not on the stereo bus.
Then I've been changing the delay on the Left side (L).
The more I increase the value, the more the stereo image moves to the left with the particular tracks I have.
It's cool because all of my tracks are panned to the very middle, but the sound seems to go more left and left and left the more I increase the delay value.
In this case I am only using the Phasetone on the tom track, not on the stereo bus.
Then I've been changing the delay on the Left side (L).
The more I increase the value, the more the stereo image moves to the left with the particular tracks I have.
It's cool because all of my tracks are panned to the very middle, but the sound seems to go more left and left and left the more I increase the delay value.
- Fletcher
- steve albini likes it
- Posts: 395
- Joined: Fri Jun 06, 2003 7:38 am
- Location: M?nchen
- Contact:
I don't know how the plug in works but the Littlelabs IBP works by "slowing down" a region of the frequency spectrum via the implementation of an "all pass" filter... I would guess this plug in is some sort of digital approximation of what can be made to occur in the analog domain... the thing is that the analog unit is all about "relationships" in phase between signals... and if that is happening in the digital domain you have the added anomaly of a minimum of 1 sample's worth of processing time [which further fucks with phase relationships].
- Bill @ Irie Lab
- suffering 'studio suck'
- Posts: 401
- Joined: Wed Dec 03, 2003 10:53 am
- Location: Boston, USA
- Contact:
Delay = phase change
Varying both parameters may yield unexpected results.
Use your ears!
Cheers,
Bill
Varying both parameters may yield unexpected results.
Use your ears!
Cheers,
Bill
Last edited by Bill @ Irie Lab on Mon Dec 11, 2006 9:52 am, edited 1 time in total.
I&TC - Intonation and Technology Company
Irie Lab Sound Studios
***** Sound Science & Soul *****
Irie Lab Sound Studios
***** Sound Science & Soul *****
- Mark Alan Miller
- dead but not forgotten
- Posts: 2097
- Joined: Wed Apr 14, 2004 6:58 pm
- Location: Western MA
- Contact:
As you're not using the plug as anything more than a fine-controllable delay as far as I can tell (leaving the phase setting at 0 and only twiddling delay times) you're simply playing with the Haas effect which give the brain localization cues based only on arrival time, with no amplitude cues to match. Panning a mono track uses only amplitude cues, inversely. Spaced-pair (and even to some degree, near-coicident pair) micing techniques use both.christiannokes wrote:What I've been doing (since I got it earlier today) is I push the blend fader all the way up to 100% and keep the phase at 0 (as opposed to 90 or 180).
In this case I am only using the Phasetone on the tom track, not on the stereo bus.
Then I've been changing the delay on the Left side (L).
The more I increase the value, the more the stereo image moves to the left with the particular tracks I have.
It's cool because all of my tracks are panned to the very middle, but the sound seems to go more left and left and left the more I increase the delay value.
You can do this, by the way, by simply using a delay on one channel or the other. A delay that can go finer than 1ms works best. Use the delay on the channel you don't want to feel like the source.
Cool stuff, but the potential downside is some nasty comb-filtering when summed to mono.
he took a duck in the face at two and hundred fifty knots.
http://www.radio-valkyrie.com/ao/aoindex.htm - download the new record (free is an option!) or get it on CD.
http://www.radio-valkyrie.com/ao/aoindex.htm - download the new record (free is an option!) or get it on CD.
- Bill @ Irie Lab
- suffering 'studio suck'
- Posts: 401
- Joined: Wed Dec 03, 2003 10:53 am
- Location: Boston, USA
- Contact:
To clairify my ealier post-
delay between tracks (or their mic to board feed) will result in phase changes.
While (as Mark pointed out) delays relative to the stereo channels will also cause location perception changes and may cause filtering or drop outs or unwanted re-inforcements when collapsed to mono.
Bill
delay between tracks (or their mic to board feed) will result in phase changes.
While (as Mark pointed out) delays relative to the stereo channels will also cause location perception changes and may cause filtering or drop outs or unwanted re-inforcements when collapsed to mono.
Bill
I&TC - Intonation and Technology Company
Irie Lab Sound Studios
***** Sound Science & Soul *****
Irie Lab Sound Studios
***** Sound Science & Soul *****
-
- steve albini likes it
- Posts: 311
- Joined: Wed Oct 29, 2003 10:22 pm
- Location: Sacramento, CA
- @?,*???&?
- on a wing and a prayer
- Posts: 5804
- Joined: Wed May 07, 2003 4:36 pm
- Location: Just left on the FM dial
- Contact:
I've got this plugin that screws with the phase too- it's the DUY Wide plug. Somehow effective at times. I only find myself pulling the trigger with it on hip hop as the music is usually so bland it needs the help.
As in the previous post, be absolutely certain to mind your mono compatibility.
Instead of even using a single plugin like the one you mention, use a simple delay and achieve the same result. 1' = 1ms of timeshift.
As in the previous post, be absolutely certain to mind your mono compatibility.
Instead of even using a single plugin like the one you mention, use a simple delay and achieve the same result. 1' = 1ms of timeshift.
Who is online
Users browsing this forum: No registered users and 124 guests