Altec lipstick mics?
- centurymantra
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Altec lipstick mics?
A friend of mine is loaning me a pair of these nutty little Altec lipstick tube mics. I fired one of them up last night just to test it out, and my initial reaction was a "...holy crap! These are cool". I was just throwing a little tambourine on a track and, in the process, I think I've discovered the world's best tambo mic! Seriously. If future experimentation yields similar results, I'll be mighty happy. Can't wait to try them out as drum overheads. My initial reaction is that it is definitely a 'flavor' mic, but such a cool vintage-y flavor. It seems to be a condenser that embodies certain qualities of a nice ribbon mic. Anyone ever work with these things? What have you had luck using them with?
I might have to try bending my friend's arm to sell me these if I like them as much as I think I will. He doesn't really record, and just pack-rats stuff like this. I'm wondering what these things are worth, and am just curious if someone here might give me some guidance on this. If he is willing to sell them, he probably would offer a bit of a 'good guy' price, being a friend and all. I know he found them cheap at an antique radio show. Still...would want to offer a fair price on them. I've got two mics in a greenish 'lipstick' body with a clip on them...kind of like a pen clip. There are two power supplies...appears to be all the original cables. I do not have the mic holders. It appears to be the microphone described at this link; http://www.triodeel.com/m20lit.jpg
Anyone have a clue on this...?
Thanks?
Gotta go record me some tambo now...
I might have to try bending my friend's arm to sell me these if I like them as much as I think I will. He doesn't really record, and just pack-rats stuff like this. I'm wondering what these things are worth, and am just curious if someone here might give me some guidance on this. If he is willing to sell them, he probably would offer a bit of a 'good guy' price, being a friend and all. I know he found them cheap at an antique radio show. Still...would want to offer a fair price on them. I've got two mics in a greenish 'lipstick' body with a clip on them...kind of like a pen clip. There are two power supplies...appears to be all the original cables. I do not have the mic holders. It appears to be the microphone described at this link; http://www.triodeel.com/m20lit.jpg
Anyone have a clue on this...?
Thanks?
Gotta go record me some tambo now...
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Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
+1 on percussion for the M20. And what brad said about snare drum. The M20 is first go to with me for those two applications. There are different capsules which you may or may not know. I don't think I'd grab one for drum OH, but I have a pair so may need to try that soon...
John Noll had one for sale here in the past few months for what I considered a very attractive price. Find that posting for a good assessment of value.
If you buy one, look around for an NOS tube and also maybe think about a recap on the power supply if it's noisy. The output level on mine is real sensitive to distance from source, and the output isn't huge to begin with. A placement far from source could mean cranking up input gain and raising noise floor, so watch for that.
John Noll had one for sale here in the past few months for what I considered a very attractive price. Find that posting for a good assessment of value.
If you buy one, look around for an NOS tube and also maybe think about a recap on the power supply if it's noisy. The output level on mine is real sensitive to distance from source, and the output isn't huge to begin with. A placement far from source could mean cranking up input gain and raising noise floor, so watch for that.
I thought this club was for musicians. Who let the drummer in here??
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Depending on which model you have, the caspules aren't all interchangeable. There are some mods you can do to make them work, but it's important to know which ones you have. I've used the 165s, 175s, and 195s and they're all cool. I own a 195 and I recently bought a 165 and am currently looking for a 525 power supply for it. They can be really nice on acoustic string instruments.
Chris Garges
Charlotte, NC
Chris Garges
Charlotte, NC
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You can find more detailed info on the M20 and M30 here;
http://purpleaudio.com/resource/pdflib.html
http://purpleaudio.com/resource/pdflib.html
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I don't know who's selling them, but here's our info on it.
http://www.electrical.com/item.php?page ... es/135.jpg
http://www.electrical.com/item.php?page ... es/135.jpg
- centurymantra
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I'm currently using ones that have a number 21 on the capsule and do not look like the one in that Electrical Audio pic. So these are probably the '21D' model...is that an omni? Looking forward to trying it on snare...
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Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
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That is the omni "saltshaker" style capsule. Does yours look kind of like a saltshaker? It wont sound good on snare, or at least, it hasn't for me. It will sound good used as a lapel mic, for your 1960s styled sports-talk TV show.centurymantra wrote:I'm currently using ones that have a number 21 on the capsule and do not look like the one in that Electrical Audio pic. So these are probably the '21D' model...is that an omni? Looking forward to trying it on snare...
Your mic, in good condition, can be a good acoustic instrument mic, or room mic with a flat response. They are built sturdy, and are easy to service.
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I was under the impression that the Altec 633 was the mic commonly known as the saltshaker. Totally different than the M20/M30/M50 mic systems. Wasn't the 21D one of the capsules for the "Coke Bottle" mics?gregnrom wrote:That is the omni "saltshaker" style capsule. Does yours look kind of like a saltshaker?
Chris Garges
Charlotte, NC
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I didn't mean to confuse it with the 633 mic, just describe the capsule itself. There is another omni capsule that has vents cut on the sides, as opposed to the holes on the top. I forget if that is the 21A or not.cgarges wrote:I was under the impression that the Altec 633 was the mic commonly known as the saltshaker. Totally different than the M20/M30/M50 mic systems. Wasn't the 21D one of the capsules for the "Coke Bottle" mics?gregnrom wrote:That is the omni "saltshaker" style capsule. Does yours look kind of like a saltshaker?
Chris Garges
Charlotte, NC
- centurymantra
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Thanks for the info/feedback on this, though it sounds like we're still wondering what capsule/mic this is. It definitely does not look like a saltshaker (I think I've seen the 'saltshaker' mics in the past), but definitely looks to be the 'lipstik' microphone.gregnrom wrote:I didn't mean to confuse it with the 633 mic, just describe the capsule itself. There is another omni capsule that has vents cut on the sides, as opposed to the holes on the top. I forget if that is the 21A or not.cgarges wrote:I was under the impression that the Altec 633 was the mic commonly known as the saltshaker. Totally different than the M20/M30/M50 mic systems. Wasn't the 21D one of the capsules for the "Coke Bottle" mics?gregnrom wrote:That is the omni "saltshaker" style capsule. Does yours look kind of like a saltshaker?
Chris Garges
Charlotte, NC
I found this pic, which appears to be the exact mic that I have.
And this is the power supply...
Any ideas on this. I think the mic sounds pretty cool.
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Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
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