Using pedals as insert effects?
- centurymantra
- buyin' a studio
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Using pedals as insert effects?
I'll have to confess that the whole balanced/unbalanced impedance matching, mismatching, etc. issues are something I have a very ambiguous understanding of, even though I should know much more than I do at this point. I always sort of skirt the topic, absorb enough to 'sorta' know the ins and outs and just soldier on with an "if it sounds good..." attitude.
That being said, I'm just curious how the textbook perfect system for integrating pedals into a console would generally be defined. When using them in a mix, I typically just send an Aux input to a pedal and run it back through a DI (or if I'm lazy, just plug it into a line input and say to heck with noise). I'm curious how this would be handled ideally, but am especially curious as to how folks would suggest incorporating pedals as an insert effect.
Thanks in advance for any and all info/insights!
That being said, I'm just curious how the textbook perfect system for integrating pedals into a console would generally be defined. When using them in a mix, I typically just send an Aux input to a pedal and run it back through a DI (or if I'm lazy, just plug it into a line input and say to heck with noise). I'm curious how this would be handled ideally, but am especially curious as to how folks would suggest incorporating pedals as an insert effect.
Thanks in advance for any and all info/insights!
__________________
Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
Bryan
Shoeshine Recording Studio
"Pop music is sterile, country music is sterile. That's one of the reasons I keep going back to baseball" - Doug Sahm
- farview
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Since pedals are active devices, the impedance thing isn't much of an issue. The only way to get into trouble would be gain staging. The inputs of those pedals are expecting guitar level signal (give or take), you could easily send it too much causing it to distort. You would easily hear that, unless it was a distortion pedal, but then it might be a good thing.
You really don't have to bother with the DI box unless the DI colors the sound in a way that you like.
Text-book wise, you would be using line level effects processors instead of pedals. So in this instance, if it sounds like you want it to, what you're doing is all good.
You really don't have to bother with the DI box unless the DI colors the sound in a way that you like.
Text-book wise, you would be using line level effects processors instead of pedals. So in this instance, if it sounds like you want it to, what you're doing is all good.
I use an inexpensive interface box from Peavey called the IA 10/4 which is a painless way to use guitar pedals inserted on mixer channels or with analog ins and outs on a DAW interface.
I've done it without, and you just have to be careful about how hot the level is that you're sending to the pedal. Most of them don't have much headroom, so you either will love the bonus of extreme distortion or else you'll need to pad the input level a lot.
Roger
I've done it without, and you just have to be careful about how hot the level is that you're sending to the pedal. Most of them don't have much headroom, so you either will love the bonus of extreme distortion or else you'll need to pad the input level a lot.
Roger
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centurymantra
I build the NYDave reamp to use for very purpose (reamping is also very cool) It is totally worth it, easy build and inexpensive. I was getting too much distortion from my pedals and things were sounding very blown out. The reamp gives you a lot more control.
Like farview said-
Some pedals are just fine without the reamp and some pedals sound trashy and cool when they are blown out.
I had a sans-amp on loan for years and man do I miss it.
I build the NYDave reamp to use for very purpose (reamping is also very cool) It is totally worth it, easy build and inexpensive. I was getting too much distortion from my pedals and things were sounding very blown out. The reamp gives you a lot more control.
Like farview said-
Some pedals are just fine without the reamp and some pedals sound trashy and cool when they are blown out.
I had a sans-amp on loan for years and man do I miss it.
Kyle
I like to use things like analog delays (EH stereo memory man, deluxe memory man, Boss DM-2, Ibanez Delay Champ), Dynacomps (great for trashy sounds), Chorus pedals (TC Chorus-which can actually handle line level pretty well, Boss Dimension C), any of the Alesis Mod-FX stuff (bitrman, smashup, metavox-again, they don't mind line level either), and of course various overdrive/distortions for texture. It seems really popular to put Sansamps on snares nowadays. It's nice blended in underneath a clean track for a little more bite or beef. I like using crazy fuzzes on bass tracks sometimes too.mjau wrote:Hey Roger, being the pedal guru you are, what are some of your favorite pedals to use as inserts?
I bought an 8-channel version of that Peavey interface, thinking that I could go crazy and mess up 8 things at once. Typically, I only do one thing at a time though.
Roger
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Ah, here's the thread, but the video has been pulled down
http://messageboard.tapeop.com/viewtopic.php?t=40703
http://messageboard.tapeop.com/viewtopic.php?t=40703
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