Looking for the Shure SM57 Modification

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DWPardoe
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Looking for the Shure SM57 Modification

Post by DWPardoe » Fri Jul 06, 2007 10:36 am

I searched for awhile but I can't go through 56 pages of badly named threads, does anyone have a link for this?
I can't have my signature here because it will only print.

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sonicmook56
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Post by sonicmook56 » Fri Jul 06, 2007 3:39 pm

I think you just take the xfmr out of it via boiling water.

Never tried it, as I like my 57 the way it is.

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ubertar
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Post by ubertar » Fri Jul 06, 2007 3:58 pm

Or you can just get a DY45G. It's got the mod "built in".

hulahalau
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Post by hulahalau » Sat Jul 07, 2007 2:15 pm

There is another mod by Paul Stamler that makes more sense than taking out the transformer (nutty mod). That would be adding a loading resistor in parallel across the output, in order to change the overall impedence seen by the mike pre input. I believe it was in Electronic Musician.

cactus
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Post by cactus » Sun Jul 08, 2007 8:41 am

if you're looking for an even better mod, tabfunkenwerk is making a higher quality transformer for it.
mercenary's selling pre-modded 57s & xformers for diy.

http://www.mercenary.com/tabfunkenwerk.html

AstroDan
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Post by AstroDan » Sun Jul 08, 2007 8:52 am

Anyone heard the Funkenwerk 57? I love that mic and would like to hear what a nice transformer does to it...
"I have always tried to present myself as the type of person who enjoys watching dudes fight other dudes with iron claws."

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KilledByAlbany
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Post by KilledByAlbany » Sun Jul 08, 2007 11:53 am

Woah, I would be interested as hell in taking one of those out for a test drive on a snare...

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Recycled_Brains
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Post by Recycled_Brains » Mon Jul 09, 2007 11:02 am

here's a post by Terry Manning over at his forum describing the mod....
Just finished my first 57 trans-x mod. It is actually pretty easy in general, but I tried a few things which I didn't know, before I started, whether they would be good ideas, or not.

Here's what I found out:

Unscrew the main body from the capsule body. Screw IN (anti-clockwise) the XLR retaining screw and pull out the XLR connector with small pliers. Cut the wires leading from the capsule towards the transformer. Cut the wires coming from the transformer to the XLR. Put the main body (NOT the capsule part, of course!) in boiling water for about 5 minutes. The glue softens, and the transformer can be pulled out (use the metal brace-holder inside with needle-nose pliers) from the body. There is some glue residue, but there is also a lot of white hard plastic gunk in there. I got most of the glue out, but just left the plastic. There will be a hole in the middle of it, and in the metal piece inside, plenty large enough for the wires. Marvel at the transformer; be amazed that you've been recording through one of these for many years. (Compare it to one inside of a U-87...also marvel that you've been recording through BOTH of them for many years!)

Now is the time to paint, if you choose to do so. Carefully cover the capsule with masking tape; first a piece (with both ends folded over for easy removal) across the top of the capsule. Then two separate pieces around the capsule circumference, exposed end piece folded, being sure to cover everything capsule-wise from any paint spray. I painted the two body pieces separated at first, with an old mic stand end and a pencil holding them up (like fingers pointing inside one end), both "planted" in the ground outside, with a plastic garbage bag underneath. This way the paint will cover even the edges which will almost disappear when screwed back together. Sprayed several coats, but I also tried to finish with a clear coat of lacquer spray. That just messed everything up (globs), and I had to sand with 400 paper and start over.

Meanwhile, make a new wire harness from leftover Mogami wire. The capsule end will say "A" on the hot wire. The ground/earth is in the centre, a black wire. The other one is...the other one (-). Solder harness to the capsule end. Thread harness through the hole in body centre, and solder to the XLR. "A" (or "+," thanks to Lance "Vertigo" for this information) to pin 2. Screw body together and put masking tape on the xlr connector, inside the cavity. Paint one or two more thin coats for overall professional finished look after it is assembled.

When dry, listen to mic.

I just did a quick voice test, but I immediately noticed increased low end. The volume was down about 10 dB or so, but that can be dealt with...anyway, how often do you have to pad a mic pre using one on snare anyway! It sounds more like an SM7 to me, which I now suspect may be the same basic mic with a better transformer.
here's a link to the thread: http://recforums.prosoundweb.com/index. ... 394/15103/

andrew,

there's some audio samples here of a modded/unmodded funkenwerk 57 that j.j. blair did. he has yet to indicate which is which though:
http://recforums.prosoundweb.com/index. ... 119/15103/

-ryan
Ryan Slowey
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