Why so few API knockoffs?
Why so few API knockoffs?
So there are a million and 1 Neve reproductions from the original copying himself (Portico) to Great River and Vintech and I don't know how many more. But when I think of API imitators, all I can come up with is Old School Audio. Given that APis are also a studio standard, why are there so many fewer imitators?
--JES
--JES
The 2520 is potted in epoxy and that makes it harder to reverse engineer. The uber DIY folks have versions of gain blocks similar to the 2520, but you gotta have yer geek firmly attached to make your own boards and stuff them with the requisite components.
I got 2 channels of real API for less than a grand by getting two 312 cards and doing the rack work myself. That may be the best, most cheapest route, but it requires some skill and equipment.
And yes, the SCA A12 is a very fine product that is similar and in some ways better than an old 312...
I got 2 channels of real API for less than a grand by getting two 312 cards and doing the rack work myself. That may be the best, most cheapest route, but it requires some skill and equipment.
And yes, the SCA A12 is a very fine product that is similar and in some ways better than an old 312...
I thought this club was for musicians. Who let the drummer in here??
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Also, API is still available, where the older Neve stuff is really not being produced, or has been produced in years. The only thing you have is used and knockoffs. API is obviously available used and new as well....and as is mentioned above, fairly inexpensive. A new 512 is around $600 or so, right? Even counting the price of the lunchbox, a channel of new API pre runs about $700-750...not too shabby.
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The only true great mic on this planet is the Shure SM-57. It is the most consistant in not totally sucking of anything ever built. All other mics are "application dependant".
-- Fletcher
-- Fletcher
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www.oldschoolaudio.com makes an API'ish pre for the lunchbox also. I have a couple of the MP1c's and a couple MP1a's I'm using now. I don't have any real API (yet) but these sound pretty darn good to me. I know some of the every early models had 2520's, but mine are newer and have unmarked black cased opamps (not sure what they are?)
John Hardy and Purple Audio also make 2520 compatible opamps and pres.
John Hardy and Purple Audio also make 2520 compatible opamps and pres.
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Problem solved.
Try the Eisen Audio 500 kits.
I bought a 3124 a few yrs back and loved the tone but sold it because I couldn't use them on drums (when I engaged the PAD, the TOMS magically turned into oatmeal).
I bought some Eisen kits and modded the PAD to implement after the O/P tranny so they'd keep their punch.
Now I have 8 channels of SUPER 312s that I built to my own specs for $2300!
http://www.anicorettenightmare.com/diy/ea312b.jpg
If you can't locate 2520s on the bay, the SCA SC25 & Avedis 1122 (both abt $80) are really nice substitutes.
Try the Eisen Audio 500 kits.
I bought a 3124 a few yrs back and loved the tone but sold it because I couldn't use them on drums (when I engaged the PAD, the TOMS magically turned into oatmeal).
I bought some Eisen kits and modded the PAD to implement after the O/P tranny so they'd keep their punch.
Now I have 8 channels of SUPER 312s that I built to my own specs for $2300!
http://www.anicorettenightmare.com/diy/ea312b.jpg
If you can't locate 2520s on the bay, the SCA SC25 & Avedis 1122 (both abt $80) are really nice substitutes.
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