Good Ribbon Mic Pre
Good Ribbon Mic Pre
My 12ay7 doesn't seem to like the Fathead too much, so I'm curious about affordable pres that compliment ribbons well. I'm considering some older altec pres like the 1588, but would love some suggestions. Thanks.
- RodC
- dead but not forgotten
- Posts: 2039
- Joined: Thu Dec 30, 2004 8:53 pm
- Location: Right outside the door
- Contact:
What are you going to record? Loud half stacks or soft Vox?
I have used ribbons with my 1588C preamps on pretty loud guitars. The 1588C alone dont provide quite enough gain for low level sources, but if it is still in a mixer and has one more stage it should be fine.
I have lots of posts about the 1588C around here, adding a gain control really brings out the best in these. Most mixers have them wired for full gain or an option for -10db. Being able to adjust it really makes them flexable. I love them on drums, especialy the snare if you take the gain down about 20 db.
I have used ribbons with my 1588C preamps on pretty loud guitars. The 1588C alone dont provide quite enough gain for low level sources, but if it is still in a mixer and has one more stage it should be fine.
I have lots of posts about the 1588C around here, adding a gain control really brings out the best in these. Most mixers have them wired for full gain or an option for -10db. Being able to adjust it really makes them flexable. I love them on drums, especialy the snare if you take the gain down about 20 db.
'Well, I've been to one world fair, a picnic, and a rodeo, and that's the stupidest thing I ever heard come over a set of earphones'
http://www.beyondsanityproductions.com
http://www.myspace.com/beyondsanity
http://www.beyondsanityproductions.com
http://www.myspace.com/beyondsanity
Mostly on electric guitar, but have also dug a pair as OHs on drums in Glynn Johns configuration. But, for low level sources my Soundcraft Spirit Studio can add another gain stage.RodC wrote:What are you going to record? Loud half stacks or soft Vox?
I have used ribbons with my 1588C preamps on pretty loud guitars. The 1588C alone dont provide quite enough gain for low level sources, but if it is still in a mixer and has one more stage it should be fine.
I have lots of posts about the 1588C around here, adding a gain control really brings out the best in these. Most mixers have them wired for full gain or an option for -10db. Being able to adjust it really makes them flexable. I love them on drums, especialy the snare if you take the gain down about 20 db.
Curious about the differences between 1588A, B & C....
- RodC
- dead but not forgotten
- Posts: 2039
- Joined: Thu Dec 30, 2004 8:53 pm
- Location: Right outside the door
- Contact:
I dont know much about the 1588A. The B seems to be the more popluar. It is an older design than the C. It has a smaller transformer and a different circuit. There are a few mods to these to increase the gain.palinilap wrote: Curious about the differences between 1588A, B & C....
I prefer the C, I have seen 2 different models. They both sound very similar, but one has electrolytic caps.
Here is a thread I did a while back with some inard pics:
http://messageboard.tapeop.com/viewtopic.php?t=46949
Or on my website:
http://beyondsanityproductions.com/inde ... &Itemid=28
Maybe someone else can fill you in on the A and B models. There are schematics for the B floating around.
'Well, I've been to one world fair, a picnic, and a rodeo, and that's the stupidest thing I ever heard come over a set of earphones'
http://www.beyondsanityproductions.com
http://www.myspace.com/beyondsanity
http://www.beyondsanityproductions.com
http://www.myspace.com/beyondsanity
Another affordable that I use a lot is the old joe meek vc3q, the little green box. Don't know about the new one though, haven't seen one. that meek can be downright colorful on it's own, with a ribbon it's a nice little combo. Plenty of gain, and it also has a comp in it that can be wonderful or way too much...
"If you will starve unless you become a rock star, then you have bigger problems than whether or not you are a rock star. " - Steve Albini
- vibesof20hz
- gettin' sounds
- Posts: 135
- Joined: Sun Mar 19, 2006 5:58 pm
- Location: North Jersey/Central PA
Ha!
I have the Meek, also, and it's my favorite vocal pre; I love the opto-compressor for use and sound, and the EQ is also helpful.
But they don't make it anymore, as the VC3Q. anyway.
The VTB1 has a starved-tube, which is surprisingly useful as a color thing, and a Polarity Reverse switch which is lovely for stereo recording, and a 70Hz HPF, also useful; I especially like the line-in switch and front line jack.
VTB1 middle left, VC3Q middle right.
That's an ART TPS2 on the bottom; OK for bass and guitars, but kind of smeary, especially with the starved tube engaged.
I have the Meek, also, and it's my favorite vocal pre; I love the opto-compressor for use and sound, and the EQ is also helpful.
But they don't make it anymore, as the VC3Q. anyway.
The VTB1 has a starved-tube, which is surprisingly useful as a color thing, and a Polarity Reverse switch which is lovely for stereo recording, and a 70Hz HPF, also useful; I especially like the line-in switch and front line jack.
VTB1 middle left, VC3Q middle right.
That's an ART TPS2 on the bottom; OK for bass and guitars, but kind of smeary, especially with the starved tube engaged.
- Jeff White
- ghost haunting audio students
- Posts: 3263
- Joined: Sun Feb 26, 2006 6:15 pm
- Location: Philadelphia, PA
- Contact:
I also endorse the VTB1 as an inexpensive preamp for ribbon mics, though I have not used it myself. I have a friend who runs and old RCA ribbon through it and bought it for the extra gain. It works very very well and he gets great results. I was surprised when I found out what he was using when he played me his bands' new record, but it's all over the place and stacks up well. Check out the Blank Pages "On My Street" for examples. http://www.blankpagespop.com/
I personally recommend the Sytek MPX-4Aii to anyone who needs a great souunding clean preamp with a ton of gain. There is one for sale over at B/S/T for $700 right now.
Jeff
I personally recommend the Sytek MPX-4Aii to anyone who needs a great souunding clean preamp with a ton of gain. There is one for sale over at B/S/T for $700 right now.
Jeff
I record, mix, and master in my Philly-based home studio, the Spacement. https://linktr.ee/ipressrecord
I've got 2 of those, but I've never tried them with a ribbon. the pots in mine are nasty as hell, need to be replaced. Sort of a gritty sounding pre.ned wrote:bellari makes a small pre called the MP105 that runs around $100 (you can get it at MF). never used one, but it has 75db of gain, which should be enough to get a good level out of a ribbon and i do believe the tube runs at full voltage (there is an IC in the output stage).
"If you will starve unless you become a rock star, then you have bigger problems than whether or not you are a rock star. " - Steve Albini
- micyourbrain
- takin' a dinner break
- Posts: 165
- Joined: Mon Aug 20, 2007 5:58 pm
- Contact:
the ART MPA gold has 75 db gain, is quiet, sounds good, and is cheap. Got enough juice on quiet sources. you can drive the signal with a compressor if you use it as a line amp
i just got a joemeek vc3 and I'm excited to use it, got it for 85 on craigslist and I haven't even plugged it in yet. in fact, I'm gonna go do that now!
i just got a joemeek vc3 and I'm excited to use it, got it for 85 on craigslist and I haven't even plugged it in yet. in fact, I'm gonna go do that now!
Who is online
Users browsing this forum: No registered users and 61 guests