Best pre you have for quiet sources.
- calaverasgrandes
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Best pre you have for quiet sources.
I was recording some rain last night because, well it was raining, I had drank too much coffee, and it was otherwise relatively quiet for Oakland.
I decided to turn it into a pre shootout of sorts. I used my highest output condenser, GT52 fet multipattern. I opened my side window, put the mic on omni, perched it on the window sill just out of the rain. Then I ran it through my different pres.
My 828MKII stock mic pres, okay, kinda plinky sounding for lack of a better term. Pretty flat. Not much depth.
The Summit 2ba221, didnt seem to get any noisier even at max settings. It got way more bass than either of the others. I was picking up the Macarthur Maze freeway from a mile away.
Yamaha PM180 (mixer modded to 6 way pre) this got the most interesting sound. At max gain it was the quietest? Not my experience with it on dynamics! But it got the most detail and dynamics of the three.
Looking at the waveforms was pretty illuminating. The Summit and motu pres resulted in a pretty even hash of peaks of all sizes. The PM180 had that, but it had peaks that were 6-8 db above the background noises. It was the only one that was able to actually make it sound like wet rain drops, not quarters falling in a can. Funny I have been using this pre as a thick pre for high gain guitar, drums etc. Never tried its wide open setting before!
Once again, transformers rule!
I decided to turn it into a pre shootout of sorts. I used my highest output condenser, GT52 fet multipattern. I opened my side window, put the mic on omni, perched it on the window sill just out of the rain. Then I ran it through my different pres.
My 828MKII stock mic pres, okay, kinda plinky sounding for lack of a better term. Pretty flat. Not much depth.
The Summit 2ba221, didnt seem to get any noisier even at max settings. It got way more bass than either of the others. I was picking up the Macarthur Maze freeway from a mile away.
Yamaha PM180 (mixer modded to 6 way pre) this got the most interesting sound. At max gain it was the quietest? Not my experience with it on dynamics! But it got the most detail and dynamics of the three.
Looking at the waveforms was pretty illuminating. The Summit and motu pres resulted in a pretty even hash of peaks of all sizes. The PM180 had that, but it had peaks that were 6-8 db above the background noises. It was the only one that was able to actually make it sound like wet rain drops, not quarters falling in a can. Funny I have been using this pre as a thick pre for high gain guitar, drums etc. Never tried its wide open setting before!
Once again, transformers rule!
??????? wrote: "everything sounds best right before it blows up."
- Jeff White
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+1airloom wrote:My sytek non Burr Brown channels work well for just that.
I record, mix, and master in my Philly-based home studio, the Spacement. https://linktr.ee/ipressrecord
- calaverasgrandes
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Interesting test except that it won't be coffee that I'm drinking. Here in Portland we are connoisseurs of rain so I could try it on light sprinkly rain, steady medium rain, or gully washing run-from-your-car-to-the-house rain. In Oakland you kind of have to take whatever you get.I was recording some rain last night because, well it was raining, I had drank too much coffee, and it was otherwise relatively quiet for Oakland.
I'll bet it's a good comparison of preamps. I'll try it. Then, when I get in a one-hand-clapping mood I could actually record what it sounds like if it's not raining. I'll have to wait till July to do that though.
- KilledByAlbany
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I think if it rained a yellow shitstorm every day at 4pm, I would still find Portland to be the nicest city in America. If anybody there has a fetish about shoveling snow 8 months a year and braving rampant street crime and wants to do a straight up house trade, get at me!8th_note wrote:Interesting test except that it won't be coffee that I'm drinking. Here in Portland we are connoisseurs of rain so I could try it on light sprinkly rain, steady medium rain, or gully washing run-from-your-car-to-the-house rain. In Oakland you kind of have to take whatever you get..
As for the quietest pre, I find my SCA C84s to be a little bit quieter than my Syteks (non Burr-Brown), which I found kind of strange.
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- KilledByAlbany
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Must be the excecution style triple homicide today that has me all riled up.Recycled_Brains wrote:KilledByAlbany wrote:If anybody there has a fetish about shoveling snow 8 months a year and braving rampant street crime and wants to do a straight up house trade, get at me!
oh, come on now. albany ain't that bad.
wait. yeah, it is.
- calaverasgrandes
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just to re-iterate, I'm talking your best pre on quiet sources. Which may not always be you quietest pre.
My MOTU 828MKII s the quietest of my 3 by a few DB. At least on my GT 52 it is. But it also has the limpist, most grey sound. The PM180 has more detail somehow, even though its the most colored, noisy thing I have. I mean it starts off transformer/3 leggy transistor, then the outputs are yamahas rip off of a API opamp. bi black epoxy square and all, which again hits a tranny. Youd think with all that stuff in there it would be smeared all over the place. But mostly it just loses a little bass and treble. Staying pretty decent in the mid.
My 2ba221 is usually my best pre on anything, but for quiet stuff it amplifies bassy background noise like crazy. Even with the shockmount, hipass on the mic, and hi pass on the pre I was still getting freeway rumble until I got up to about 200hz. Yikes!
Anybody try the AEA ribbon pre?
its got about 20db more gain than any of my other stuff.
My MOTU 828MKII s the quietest of my 3 by a few DB. At least on my GT 52 it is. But it also has the limpist, most grey sound. The PM180 has more detail somehow, even though its the most colored, noisy thing I have. I mean it starts off transformer/3 leggy transistor, then the outputs are yamahas rip off of a API opamp. bi black epoxy square and all, which again hits a tranny. Youd think with all that stuff in there it would be smeared all over the place. But mostly it just loses a little bass and treble. Staying pretty decent in the mid.
My 2ba221 is usually my best pre on anything, but for quiet stuff it amplifies bassy background noise like crazy. Even with the shockmount, hipass on the mic, and hi pass on the pre I was still getting freeway rumble until I got up to about 200hz. Yikes!
Anybody try the AEA ribbon pre?
its got about 20db more gain than any of my other stuff.
??????? wrote: "everything sounds best right before it blows up."
How do you like the C84s?KilledByAlbany wrote:
As for the quietest pre, I find my SCA C84s to be a little bit quieter than my Syteks (non Burr-Brown), which I found kind of strange.
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Sytek quietest here too, though I have an early one which has increasing hum in channel 3 and 4. Apparently this was improved along the way (later). Hum objectionable in channel 4 with spoken word and low output mic like SM7. That's the way they is, early on.
Gain wide open is drastically more hissy than when set at 98%; this is true of most preamps with variable gain based on negative feedback loops.
Gain wide open is drastically more hissy than when set at 98%; this is true of most preamps with variable gain based on negative feedback loops.
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ElectroMagnetic Radiation Recorders
Tape Op issue 73
ElectroMagnetic Radiation Recorders
Tape Op issue 73
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