Can this track be salvaged
- holidayhell
- pluggin' in mics
- Posts: 30
- Joined: Thu Aug 28, 2003 1:11 pm
Can this track be salvaged
Got a terrible sounding ride going on in the drum overheads. A horrible whooshing sound. Bad placement on the mics and lack of attention to them while recording. Can this be fixed/made less noticeable/salvaged with some EQing or something else? Or is it scrap em and rerecord.
Here's the offending sound
http://www.filefreak.com/pfiles/47893/R ... alvage.mp3
Here's the offending sound
http://www.filefreak.com/pfiles/47893/R ... alvage.mp3
Re: Can this track be salvaged
Scrap em and rerecord.holidayhell wrote:Got a terrible sounding ride going on in the drum overheads. A horrible whooshing sound. Bad placement on the mics and lack of attention to them while recording. Can this be fixed/made less noticeable/salvaged with some EQing or something else? Or is it scrap em and rerecord.
Here's the offending sound
http://www.filefreak.com/pfiles/47893/R ... alvage.mp3
Drum performance isn't the best.
Try a different mic placement. Stereo X/Y cardiod pair over the kit, Stereo coincident pair out in front of the kit or a mono overhead might help tame the cymbal whoosh.
I think the drummer is contributing mightily to the problem, not the mic placement so much.
- fossiltooth
- carpal tunnel
- Posts: 1734
- Joined: Sat Mar 24, 2007 3:03 pm
- Location: Brooklyn, NY
- Contact:
Re: Can this track be salvaged
Yeah. The ride isn't the only problem either.eh91311 wrote: Scrap em and rerecord.
Back to it. You can do better.
I believe in you, baby!
-
- zen recordist
- Posts: 7484
- Joined: Tue Jun 01, 2004 10:30 pm
- Location: Bloomington IL
- Contact:
When you re record make sure the cymbal isn't hitting the near tom rim. That or you need cymbal sleeves so there's no metal to metal contact with the stand.
Last edited by drumsound on Sun Feb 03, 2008 6:33 pm, edited 1 time in total.
I am with Tony on this one I also find raising all my cymbals a inch or two really helps with bleed problems. I used to get a lot of ride bell in my floor tom mic.I raised the ride a couple of inches & it helped greatly. I like my drums & cymbals pretty high anyway so it didn't bother me. A little
gaffers tape on the ride might help also to reduce the build up.
I think the real problem besides performance may be the cymbals them selves. What brand & model cymbals is he using?
Dave H.
gaffers tape on the ride might help also to reduce the build up.
I think the real problem besides performance may be the cymbals them selves. What brand & model cymbals is he using?
Dave H.
Will Drum For Money
If you can't re-record:
Just notch out the nasty sounds on the ride. It is a BAD sounding ride (sorry) so its going to need some EQ no matter what...
De-ess it.
Try placing in some samples.
Etc, etc...
There is always something that can be done to salvage this sort of thing. Usually its just lots of little things and some automation...
Just notch out the nasty sounds on the ride. It is a BAD sounding ride (sorry) so its going to need some EQ no matter what...
De-ess it.
Try placing in some samples.
Etc, etc...
There is always something that can be done to salvage this sort of thing. Usually its just lots of little things and some automation...
Please don't take any of my comments as being mean. I just want to help your problem.
I think you ought to look at what mic you are using on the hats. They sound real mushy & once again I have a strong feeling it may be the cymbals themselves. I have used Zildjian B20 cymbals for 35 years. They have worked for me. Yes they are expensive but for me worth the money. I have bought most of my cymbals used at Pawn shops for I have found that if a Zildjian is going to crack it will do it in the first few years. Also the metal is rearanging its molecules the first few years & the sound can change quite a bit. Zildjian sells "Preaged" cymbals at a premium price!
I get them preaged at less than half price.
All that said I think the High hats are as much of a problem as the ride.
Try borrowing some good cymbals for the project. Everyone says get it right at the source but the source has to be good for the rest of it to work.
I think with a little work & some good cymbals your project will be fine.
Please, no harm or meanness was meant or implyed.
Dave Huffman
I think you ought to look at what mic you are using on the hats. They sound real mushy & once again I have a strong feeling it may be the cymbals themselves. I have used Zildjian B20 cymbals for 35 years. They have worked for me. Yes they are expensive but for me worth the money. I have bought most of my cymbals used at Pawn shops for I have found that if a Zildjian is going to crack it will do it in the first few years. Also the metal is rearanging its molecules the first few years & the sound can change quite a bit. Zildjian sells "Preaged" cymbals at a premium price!
I get them preaged at less than half price.
All that said I think the High hats are as much of a problem as the ride.
Try borrowing some good cymbals for the project. Everyone says get it right at the source but the source has to be good for the rest of it to work.
I think with a little work & some good cymbals your project will be fine.
Please, no harm or meanness was meant or implyed.
Dave Huffman
Last edited by Dave-H on Mon Feb 04, 2008 5:33 pm, edited 2 times in total.
Will Drum For Money
- holidayhell
- pluggin' in mics
- Posts: 30
- Joined: Thu Aug 28, 2003 1:11 pm
The best way to fix this is to use a noise reduction plug-in.
Select a small snippet of background noise as a noise sample, then tell the plug-in to remove everything except the noise.
When done, listen carefully to the background noise left, and notice how much better it sounds than the same track with drums in it.
As a last step, go back into the studio and re-record the drums.
Or, if the drummer has ego issues, replace the drums with BFD or Drumagog, and tell him his kit recorded really well...
________
CHOLESTEROL ADVICE
Select a small snippet of background noise as a noise sample, then tell the plug-in to remove everything except the noise.
When done, listen carefully to the background noise left, and notice how much better it sounds than the same track with drums in it.
As a last step, go back into the studio and re-record the drums.
Or, if the drummer has ego issues, replace the drums with BFD or Drumagog, and tell him his kit recorded really well...
________
CHOLESTEROL ADVICE
Last edited by philbo on Sun Mar 20, 2011 12:19 am, edited 1 time in total.
-
- george martin
- Posts: 1347
- Joined: Mon Nov 13, 2006 8:47 pm
- Location: home on the range
- holidayhell
- pluggin' in mics
- Posts: 30
- Joined: Thu Aug 28, 2003 1:11 pm
- audioboffin
- pluggin' in mics
- Posts: 38
- Joined: Fri Jan 11, 2008 4:52 pm
Hmmm.. gating and/or using something like Sound Replacer will decrease the apparent level of the undesired sound in the mix, but really a good drum recording is reliant firstly on the player, then the cymbals and drums and then the gear involved. Great playing and great kit/cymbals will sound great no matter what mic/s and where you put them...philbo wrote:The best way to fix this is to use a noise reduction plug-in.
So if you are re-tracking, perhaps ask the drummer to use lighter sticks and try different cymbals lifted a bit higher... good luck. The few minutes it takes to re-record something versus the hours of forensic work to attempt to repair some problems are often the most worthwhile minutes you will ever spend.
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
- Hunter S. Thompson
- Hunter S. Thompson
Who is online
Users browsing this forum: No registered users and 111 guests