Andy Johns: Photo-Essay For Miking Drums
Andy Johns: Photo-Essay For Miking Drums
Not sure if this was posted already, but a very interesting series of photos showing Andy's mic placement for recording drums.
There are about 9 pages of photos.
https://www.platinumsamples.com/AndyTra ... g_001.html
Joe Barresi has some pix too from this site.
Enjoy...
There are about 9 pages of photos.
https://www.platinumsamples.com/AndyTra ... g_001.html
Joe Barresi has some pix too from this site.
Enjoy...
- Brad
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- audio school graduate
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- audio school graduate
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- @?,*???&?
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OMG. Are you guys that young?aaronburr wrote:although i dont know much about andy johns, so unless he is some sort of anti-glyn johns then i bet thats just for the samples thing.
Andy's discography:
http://www.allmusic.com/cg/amg.dll?p=am ... q95ldfe~T4
Holy crap. Every other great rock and roll record was recorded by him.
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- zen recordist
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I'll give him some credit-- the Woodstock record sounds pretty good, given the circumstances. Other than that, I've said it before and I'll say it again: the guy was there for some great records that had NOTHING to do with him being there aside from a stiff finger being able to hit "record." Jimi Hendrix could have made any of his records with two kindergarteners holding two Dixie cups and Piece of string and they would have been equally as cool as anything Eddie Kramer did. Maybe even better.
Tom Dowd and Glyn Johns? Engineering Gods! hard to compare anything when those two guys were making records at the same time.
Chris Garges
Charlotte, NC
Tom Dowd and Glyn Johns? Engineering Gods! hard to compare anything when those two guys were making records at the same time.
Chris Garges
Charlotte, NC
Last edited by cgarges on Fri Apr 11, 2008 9:54 pm, edited 2 times in total.
- Ryan Silva
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Are you kidding? Listen to 'Electric Ladyland' and then understand how people were working at the time. Like Geoff Emerick, Kramer was pushing the medium to it's limits.mjau wrote:Wow...I'm trying to think of a great Eddie Kramer mix, and I can't. Never really realized that.cgarges wrote:Eddie Kramer
i know WHO he is, DUH.@?,*???&? wrote:
OMG. Are you guys that young?
Andy's discography:
http://www.allmusic.com/cg/amg.dll?p=am ... q95ldfe~T4
Holy crap. Every other great rock and roll record was recorded by him.
i just dont know much about his TECHNIQUES.
geez
I love Ladyland, but definitely not for its sound. In fact, I think I love Ladyland despite its signature.@?,*???&? wrote:Are you kidding? Listen to 'Electric Ladyland' and then understand how people were working at the time. Like Geoff Emerick, Kramer was pushing the medium to it's limits.mjau wrote:Wow...I'm trying to think of a great Eddie Kramer mix, and I can't. Never really realized that.cgarges wrote:Eddie Kramer
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- re-cappin' neve
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Tastes, as far as "the sound" or "the sonic signature" change every few years. If you make a ground breaking, great sounding record today, your technique will be copied by many, improved upon by some & become cliche'd in just a few years. Electric Ladyland sounded like it came from outer space when it was fresh & new....so alien & different! It still inspires me to this day. Give me the chance to record a Hendrix or a Beatles & you can rag on my style all you want, but I will still be the guy who did it!
"The digital future sucks the boils off my white ass." McHugh
Listen to Magical Mystery Tour. When you hear the hack engineering on one particular track, look down at the credits and there will be Eddie Kramers name.
It seems Andy (like Geoff Emerick) has forgotten how he used to record records.
Don't hire these guys thinking they will use classic techniques. They are desperately trying to be "current" and losing the battle.
BTW. Those pictures look a bit like Sound City's control room.
It seems Andy (like Geoff Emerick) has forgotten how he used to record records.
Don't hire these guys thinking they will use classic techniques. They are desperately trying to be "current" and losing the battle.
BTW. Those pictures look a bit like Sound City's control room.
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