what is the best angle to point a mic at an Acoustic?
- infopimpster
- takin' a dinner break
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I like this technique too I usually have a second sdc pointing around the 12th fret in front and it works really well.firesine wrote:Over the shoulder! Put a mic as close to the players ear as possible, they will love it in their HP mix plus it will almost always sound good. Stereo acoustic guitar rocks!
You need headphones with really good isolation though or you may have to deal with click bleed, remember to mute or lower the click on sustained chords.
True, this works best with some nice Senn 280's or the like.Jon~T wrote: You need headphones with really good isolation though or you may have to deal with click bleed, remember to mute or lower the click on sustained chords.
Also, someone around here mention the MPC click in protools and now thats all I use. I has really helped cut down the click bleed, but muting at the end of songs and sustained chords is still neccisary.
Mmm, lung butter.
Re: what is the best angle to point a mic at an Acoustic?
The one that sounds the best. Close your eyes and move it...or, close your eyes and listen and have someone else move it for you.cooters wrote:I was wondering which angle i could get the best sound.
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- alignin' 24-trk
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Bob and weave. Seriously.
Point the boom at someone playing the guitar, and listen for sweet spots. Bob and weave towards the guitar with no headphones on for a good starting point.
There are no definitive rules, but I think the bulk of the great ideas have already been covered by the fellas in this thread. Just thought I'd remind you to bob and weave, and to listen like a mic would. That technique is outlined in a lot of pro books on the micing, as well.
Point the boom at someone playing the guitar, and listen for sweet spots. Bob and weave towards the guitar with no headphones on for a good starting point.
There are no definitive rules, but I think the bulk of the great ideas have already been covered by the fellas in this thread. Just thought I'd remind you to bob and weave, and to listen like a mic would. That technique is outlined in a lot of pro books on the micing, as well.
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