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Brian
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Post by Brian » Wed Mar 11, 2009 9:20 am

GT 66 into focusrite or board pre (modded soundcraft), no EQ no nuttin, post Comp with dbx 163x if any. Haven't found anything it sounds bad on.
Other than that a modded V67G or one of my supermodded Oktava 319's which sound awesome but are soild state, when I need that sound. V67G is a bit more high end emphasis, not much, just a little.
Harumph!

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scott macdonald
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Post by scott macdonald » Wed Mar 11, 2009 9:25 am

RefD wrote:for my voice: modded 219 -> "low noise mod" Aphex 107 with HPF engaged -> Torn Cork Systems 311 limiter -> Layla 24 converter
What is this "low noise mod" for the Aphex 107 you speak of?

bronsonmestizo
gimme a little kick & snare
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Post by bronsonmestizo » Wed Mar 11, 2009 9:44 am

Brian wrote:GT 66 into focusrite or board pre (modded soundcraft), no EQ no nuttin, post Comp with dbx 163x if any. Haven't found anything it sounds bad on.
Other than that a modded V67G or one of my supermodded Oktava 319's which sound awesome but are soild state, when I need that sound. V67G is a bit more high end emphasis, not much, just a little.
163x... pure love.

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Brian
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Post by Brian » Wed Mar 11, 2009 11:47 am

bronsonmestizo wrote:
Brian wrote:GT 66 into focusrite or board pre (modded soundcraft), no EQ no nuttin, post Comp with dbx 163x if any. Haven't found anything it sounds bad on.
Other than that a modded V67G or one of my supermodded Oktava 319's which sound awesome but are soild state, when I need that sound. V67G is a bit more high end emphasis, not much, just a little.
163x... pure love.
Thanks man, nice digs BTW, great music, I'm into it.
Harumph!

KennyLusk
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Post by KennyLusk » Wed Mar 11, 2009 1:48 pm

Omni 012 or 4033 > EH 12AY7 > 1814FW (w/BLA converters)

4033 > ZED14 > 1814FW more and more lately

Pro VLA when compression is desired.

Lots of love for the ZED14 pre's
"The mushroom states its own position very clearly. It says, "I require the nervous system of a mammal. Do you have one handy?" Terrence McKenna

llmonty
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Post by llmonty » Wed Mar 11, 2009 2:42 pm

most recently it is either a MXL V69 with NOS tube (for dark/warm) or Blue Dragonfly (present, upfront, airy) --> Hamptone JFet --> LA-4

Super flexible
richmond is a really cool town - supafuzz

Beastie
audio school
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mmm

Post by Beastie » Thu Mar 12, 2009 4:37 am

Either...

Soundfield MkV into SSL channel with light desk comp to AD16x

or

Brauner VMA into Cranesong Phoenix (although i prefer API 512c) into SSL channel to AD16x...

Peace :D
Beastie

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mjau
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Post by mjau » Thu Mar 12, 2009 7:19 am

I tracked some pretty good sounding vocals lately with:
Lomo M1/mc012 > HHb Radius 50 w/ NOS telefunken tube (input cranked pretty strongly) > Aardvark converters. No compression, and just a touch of High-pass eq.

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linus
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Post by linus » Fri Mar 13, 2009 11:37 am

Usually a Lomo 19A19.
Sometimes a Shure SM7
Rarely a Coles 4038
Really rarely an EV666

Into a

Usually a Telefunken V72
Sometimes a Neve 1272
Rarely a Quad Eight

Into a

Almost always an ELOP.


On rare occasion the mic goes straight into a GE UniLevel. It's got so much gain it needs no pre. It's got a FAT grind to it so sometimes it WORKS!! But usually it's too much.

The convertor is an Apogee Rosetta set to 88.2 into Nuendo.
Check out my website for cool songs recorded and played by me with Steve Goulding of the Mekons on drums. Drums were recorded by our own Joel H at Studio G.
www.linusNYC.com

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Ryan Silva
tinnitus
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Post by Ryan Silva » Fri Mar 13, 2009 12:08 pm

Ryan Silva wrote:AKG 414 buls > UA m610> DBX 160a

Mic could be either (GT66,RE-20,EH RH-1)
Alright, I have a corection to make. (new gear)

Red Type A w/R7 cap>UA m610>Drawmer 1968(maybe)>Nuendo.
"Writing good songs is hard. recording is easy. "

MoreSpaceEcho

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CarlWelden
audio school graduate
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Post by CarlWelden » Wed Jun 09, 2010 7:01 pm

Home studio:
SM7B or RE27n/d > ART Voice Channel (pre & comp integrated)

On the road:
AKG C3000B > Shure X2U > Steinberg Multicompressor
CARL WELDEN - Voice Overs, Performance art.
"A Welden voice is a well-done voice"

http://www.carlwelden.com

svbsound
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Post by svbsound » Thu Jun 10, 2010 12:33 pm

Most often a Wunder CM7 into a Voxbox...although I do have one client who insists on using the same mic with a Wunder PEQ1 and a Vari-Mu. Sounds great on his voice.
svbsound.com

svbsound.wordpress.com

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JGriffin
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Post by JGriffin » Thu Jun 10, 2010 3:02 pm

ott0bot wrote:
T-rex wrote:Soon to be my new AEA R84 into my sytek or N72, depending on what pre sounds best.
i hope to get an R84 some day. Heard it in a studio i was interning in....and I've been saving ever since.
Just did a bunch of R84-> old Ampex pre vocals. Worked out really well. Also had a great time with the Bock 195 into a Daking Mic Pre One. Those have been the home studio thingies lately. At work, it's been U87->GML 2020.
"Jeweller, you've failed. Jeweller."

"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno

All the DWLB music is at http://dwlb.bandcamp.com/

Mane1234
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Post by Mane1234 » Fri Jun 11, 2010 7:27 pm

The mic varies At4050, TLM 103, Blueberry, Fathead II, Beyer M160,
Pres: Usually a modded Yamaha PM1K or Dan Alexander 1272 unless I'm using the Fathead then it might be a Scully 280. Then on into an ART Pro VLA or TF Pro P38 but as always whatever seems or sounds appropriate.

Last year I used an Audix i5 through a Universal Audio 6176 and it was just perfect but a lot of it was the singer and the whole old school punk vibe they were looking for.
Of course I've had it in the ear before.....

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losthighway
deaf.
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Post by losthighway » Fri Jun 11, 2010 9:41 pm

AT4047 or SM7 or MD1 or C4000B -> Great River Mp-500nv -> Retro Sta Level.

Sometime I like the API 512c, but more often I turn to the Great River.

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