Does Anyone Like Bomb Factory BF76
Does Anyone Like Bomb Factory BF76
Does anybody else like the bf76 on a drum comp or anything else? I had written it off because it was the freebie plug from digi but I am thinking it sounds pretty good. It is doing something to the high end that I don't like but it's coming out pretty punchy.
- JGriffin
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It's not an "uncolored" compressor by any means. But it's useful for some stuff.
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- Brett Siler
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I like it on vocals. I use it on them all the time.
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I'm good friends with the guy who designed the BF plugs and they are the ONLY reason I wish I used PT. Dave was really a stickler for finding the soul of the gear he was copying when he designed the stuff. Like I say I wish I had PT so I could use that stuff.
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That's generally how I start with drum applications as well. I don't always keep the release fully clockwise though. I back it off to match the song. Fully clockwise is too fast for some songs, imho.Rodgre wrote:I like it as a drum bus/mono drum mic squasher. My settings are attack fully counterclockwise, release fully clockwise, ratio on 8 and adjust the input and output to suit.
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Now I feel like a freak for saying I use the BF76 almost all the time on snare, kick and bass guitar.
I also drop the BF3A on vocal tracks without thinking too much, and most of the time it stays there with just a bit of tweaking. I've also started to like the BF3A on acoustic guitars.
Actually, most of the plug-ins I use on a given song will be Bomb Factory, with some Massey and PT EQ III and Dynamics III thrown in there.
I also drop the BF3A on vocal tracks without thinking too much, and most of the time it stays there with just a bit of tweaking. I've also started to like the BF3A on acoustic guitars.
Actually, most of the plug-ins I use on a given song will be Bomb Factory, with some Massey and PT EQ III and Dynamics III thrown in there.
I think it's just OK. It has a slightly pinched tonality, even before you start to dig in with it, and that always bugs me in a plugin. But I still find it useful for things here and there, especially when you need something with very fast compression. I use it to compress reverb returns almost exclusively, that alone makes me glad it was a freebie!
I VASTLY prefer the BF3A in "limit" mode. Way nicer sounding to me...
But like I said, the BF76 is definitely useful, I'm glad it's in there.
I VASTLY prefer the BF3A in "limit" mode. Way nicer sounding to me...
But like I said, the BF76 is definitely useful, I'm glad it's in there.
- JGriffin
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Last album I mixed we compared the BF with the Purple Audio and pretty much always went with the Purple.
But, you know, it's situation dependent. Plus I don't have the Purple on the home system.
I use the BF3A on VO stuff a lot.
dtrider: don't dismiss stuff out of hand just 'cause it's a freebie.
But, you know, it's situation dependent. Plus I don't have the Purple on the home system.
I use the BF3A on VO stuff a lot.
dtrider: don't dismiss stuff out of hand just 'cause it's a freebie.
"Jeweller, you've failed. Jeweller."
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
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