Your Laziness in Recording
Your Laziness in Recording
Inspired by here, I ask yooze, "How does your laziness affect your recording?"
For example, on days that I wanna get something down, but just don't wanna deal with amps and mic's, I use a guitar amp simulator (I use a Zoom GM200, or a Hafler T2 pre into a Microcab).
Sometimes (yesterday, actually), I'll just plug a SM58 in for a vocal; it may not be best, but it'll work.
So, how does your laziness affect your recording?
For example, on days that I wanna get something down, but just don't wanna deal with amps and mic's, I use a guitar amp simulator (I use a Zoom GM200, or a Hafler T2 pre into a Microcab).
Sometimes (yesterday, actually), I'll just plug a SM58 in for a vocal; it may not be best, but it'll work.
So, how does your laziness affect your recording?
- DrummerMan
- george martin
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Sometimes, not always, but sometimes, accepting the reality of my laziness allows me to record more, mostly when just recording myself. When I feel like I can't record unless everything's perfect, I sometimes never get to the actual music-making part, because I get discouraged or bored or just lose momentum along the way.
like I said, not always, but sometimes...
like I said, not always, but sometimes...
the occasional POD Pro electric guitar track has slipped into a final version of a recording now and again.
also, i sometimes settle for a less than stellar take...but i've been lucky in that by the time it comes to mix they usually end up adding character rather than making me cringe.
heaps more examples to choose from.
also, i sometimes settle for a less than stellar take...but i've been lucky in that by the time it comes to mix they usually end up adding character rather than making me cringe.
heaps more examples to choose from.
?What need is there to weep over parts of life? The whole of it calls for tears.? -- Seneca
For my own music (most of what I record), I try hard not to use microphones on anything but vocals. This isn't out of laziness. This is about being realistic about my situation. In the 20 years I've been recording I've only rarely been able to use a space that was big enough or quiet or uninhabited ("There are peole trying to sleep around here, asshole!")
On the other hand, I'm all about recording everything, whatever that takes. Sometimes I'll just throw a digital video camera (CD quality stereo sound, built in compression) up and hit record. Capture it now and make it sound good later.
On the other hand, I'm all about recording everything, whatever that takes. Sometimes I'll just throw a digital video camera (CD quality stereo sound, built in compression) up and hit record. Capture it now and make it sound good later.
PS
That's from back when you had the tele and the beer gut. Before the hot chick.RefD wrote:also, i sometimes settle for a less than stellar take..
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- steve albini likes it
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im more creative, and productive with less gear. i could record a song or two a day when i have a little 4 track, but when im in the studio, i just sit there, and get frustraited... too much equipment to deal with.
recently, i just started setting up all my amp heads in the control room, and a speaker in the studio with a mic, and i just leave it. im running bass di, and just leaving the drums set up. im not recording any bands right now, so as long as i just dont touch anything, i can be productive, but the second i have to set up a mic, or touch a knob, im sure i wont get anything down.
recently, i just started setting up all my amp heads in the control room, and a speaker in the studio with a mic, and i just leave it. im running bass di, and just leaving the drums set up. im not recording any bands right now, so as long as i just dont touch anything, i can be productive, but the second i have to set up a mic, or touch a knob, im sure i wont get anything down.
- minorkeylee
- gettin' sounds
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- Jay Reynolds
- carpal tunnel
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ow.ashcat_lt wrote:PSThat's from back when you had the tele and the beer gut. Before the hot chick.RefD wrote:also, i sometimes settle for a less than stellar take..
but i've had a hot chick since 1997.
?What need is there to weep over parts of life? The whole of it calls for tears.? -- Seneca
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- steve albini likes it
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Maybe I shouldn't admit this here, but on my own stuff, I've been guilty more than once of throwing a mic up and just getting levels and not really trying for a better sound than what's there first try. Mainly I'm referring to drums- trying to run back and forth into my control room from the live room and get sounds drains me fast. Granted, most of the time it sounds fine...and it's just for me doing scratch recordings, but still...that's my guilty practice in my little space.
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- zen recordist
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Of course, this is also a convincing argument of why one maybe shouldn't record oneself.minorkeylee wrote:Wow. Good post. It's so hard to be creative and precise at the same time. I'm sure many of you are songwriters and multi-instrumentalists like me...and nothing kills the flow like fretting over mic placement, signal chain, bg noise, tuning, etc...well, except for maybe cell phones.
- Jay Reynolds
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When I look at the above post, I don't take it in the context of what's going on during tracking. When I'm working from this perspective, its when I'm demoing a song. I've got it in my head and if I spend too much time working out the engineering details it might very well disappear. When it comes time to "really" record the idea, its a different story.ashcat_lt wrote:Of course, this is also a convincing argument of why one maybe shouldn't record oneself.minorkeylee wrote:Wow. Good post. It's so hard to be creative and precise at the same time. I'm sure many of you are songwriters and multi-instrumentalists like me...and nothing kills the flow like fretting over mic placement, signal chain, bg noise, tuning, etc...well, except for maybe cell phones.
I might be reading too much of my own workflow into mklee's post.
Prog out with your cog out.
- DrummerMan
- george martin
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