Listen, I just picked up the Cascade Fathead Bluelein package, and I wanted to make sure I asked a few Q's before I put these guys to work.
I hear Ribbon Mics are rather fragile, so I just wanted to get an idea of how far I should keep them away from a guitar amp / drum set without blasting them.
Also, what are some techniques you use to record drums / guitars with these guys?
And does anyone understand the Suggested Placement / Panning Manual that comes along with the package?
thanks guys and gals!
Precautions of Ribbon Mics
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- alignin' 24-trk
- Posts: 73
- Joined: Tue Mar 07, 2006 8:53 pm
Ribbons are fun.
Note that it is mainly direct blasts of air on the fragile ribbon. Most ribbon mics can handle seriously high SPLs. So, for vocals always use a pop filter. If you move it around the room, cover it with the "sock" that comes with it. Keep the mic away from vents/ports on a speaker cabinet. etc. Do whatever you have to do in order to avoid a blast of air hitting the ribbon.
I love ribbons for guitars, both electric and acoustic. Just put on some headphones and play with placement.
If you are recording a band, put the blumlein pair in the center of the room. Have the bassist be placed opposite the drummer, and the 2 guitars or guitars/keys opposite, going into the other mic. Make sure they are acoustically balanced in the room, and you'll get a great recording there. Then close mic everything or take a direct signal. Plenty of good stuff to pick from during the mix.
Note that it is mainly direct blasts of air on the fragile ribbon. Most ribbon mics can handle seriously high SPLs. So, for vocals always use a pop filter. If you move it around the room, cover it with the "sock" that comes with it. Keep the mic away from vents/ports on a speaker cabinet. etc. Do whatever you have to do in order to avoid a blast of air hitting the ribbon.
I love ribbons for guitars, both electric and acoustic. Just put on some headphones and play with placement.
If you are recording a band, put the blumlein pair in the center of the room. Have the bassist be placed opposite the drummer, and the 2 guitars or guitars/keys opposite, going into the other mic. Make sure they are acoustically balanced in the room, and you'll get a great recording there. Then close mic everything or take a direct signal. Plenty of good stuff to pick from during the mix.
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