FMR-esque
FMR-esque
Hey All,
I'm getting the itch to get some new gear and was wondering if anyone had any suggestions for small companies that are along the same lines as FMR Audio, ie fantastic product at a relatively reasonable price. I've had the RNC now for about 4 years and potentially may end up getting the RNLA but was curious what other companies are out there that make good sounding (subjective i know but open to opinions) and reliable gear.
I'm mainly looking for a limiting amp or an outboard two channel EQ, but if you happen to have a favorite small company regarding any type of gear (amps, EQ's, mics, pre's etc) I'd appreciate some input.
Thanks!
I'm getting the itch to get some new gear and was wondering if anyone had any suggestions for small companies that are along the same lines as FMR Audio, ie fantastic product at a relatively reasonable price. I've had the RNC now for about 4 years and potentially may end up getting the RNLA but was curious what other companies are out there that make good sounding (subjective i know but open to opinions) and reliable gear.
I'm mainly looking for a limiting amp or an outboard two channel EQ, but if you happen to have a favorite small company regarding any type of gear (amps, EQ's, mics, pre's etc) I'd appreciate some input.
Thanks!
- joninc
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hmmm: let's see - reasonable price is also a relative term ...
i have been eyeing the sebatron stuff - not dirt cheap but WAY cheaper than other comparable high end tube pres. 4 channels for $1800! that's like $450 per channel for tube and transformer based pres.
the sytek pres are always popular and affordable too...
check out the chameleon labs stuff - again it's not dirt cheap - but gets very strong reviews and WAY cheaper than comparable boutique stuff. their 1073 pre and SSL comp - and tube sdc - all look like they are worth chequing out.
don't know about cheap eqs - they seem to be more expensive for ones that get strong reviews. maybe speck? except picking up some used UREI graphics on ebay - same frequency points as the API 560.
i have been eyeing the sebatron stuff - not dirt cheap but WAY cheaper than other comparable high end tube pres. 4 channels for $1800! that's like $450 per channel for tube and transformer based pres.
the sytek pres are always popular and affordable too...
check out the chameleon labs stuff - again it's not dirt cheap - but gets very strong reviews and WAY cheaper than comparable boutique stuff. their 1073 pre and SSL comp - and tube sdc - all look like they are worth chequing out.
don't know about cheap eqs - they seem to be more expensive for ones that get strong reviews. maybe speck? except picking up some used UREI graphics on ebay - same frequency points as the API 560.
the new rules : there are no rules
No I have not, just from what I've read they're high quality for the price.EvanMidds wrote:Excellent suggestions guys. I've also been checking out the Toft gear. I really like their ATB board which got me checking out their outboard gear.
Antilog, have you built anything from Seventh Circle?
"Artists to my mind are the real architects of change, and not the political legislators who implement change after the fact." William S Burroughs
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- re-cappin' neve
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I built two A12 (API) and two N72 (Neve) mic pres from Seventh Circle. They see constant use. The build is relatively easy as long as you're REALLY careful and don't put anything in the wrong spot. The boards can be a bit crowded and difficult to desolder, so be very careful. I had to repair some traces on one of mine after putting a resistor in the wrong spot and having to desolder it. But... it works great and sounds awesome. If you're handy with a soldering iron and can be meticulous when it comes to following instructions... go for it.
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ross ingram
[brainville]
ross ingram
[brainville]
More people should get hip to this:
http://bystromaudio.com/
I got mine for $1200 used and it's been quite wonderful really. Very transparent for an opto, and the makeup gain sounds really good. At around $400 a channel it's a complete steal.
http://bystromaudio.com/
I got mine for $1200 used and it's been quite wonderful really. Very transparent for an opto, and the makeup gain sounds really good. At around $400 a channel it's a complete steal.
+1. If you can solder well, absolutely amazing sound for the money IMHO.signorMars wrote:I built two A12 (API) and two N72 (Neve) mic pres from Seventh Circle. They see constant use. The build is relatively easy as long as you're REALLY careful and don't put anything in the wrong spot. The boards can be a bit crowded and difficult to desolder, so be very careful. I had to repair some traces on one of mine after putting a resistor in the wrong spot and having to desolder it. But... it works great and sounds awesome. If you're handy with a soldering iron and can be meticulous when it comes to following instructions... go for it.
[Asked whether his shades are prescription or just to look cool]
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In addition to the great companies already mentioned, there's one that comes to mind when I think "good and cheap, but good regardless of cheap" and that's Audio Technica, especially certain products. I know they're not a small company but I really respect what they're able to pull off price/performance wise on most of their products.
I've had great luck with their microphones, headphones, phono cartridges, etc. They just seem to be more able than the other 'big names' to strike the price/performance balance consistently. It seems that the affordable AT stuff is "good" stuff that happens to be cheap, as opposed to inferior products that trade on the name of a company's higher line stuff. The 4033 and 4050 LDC microphones, the ATM450 and Pro37R SDCs, the ATH-M50 headphones, tons of their under-$100 phono cartridges, etc... there is just tons of stuff in their product line that's not break-the-bank expensive but is decidedly un-cheesy-- much of it you will find in 'real' studios. They seem to constantly have a "best value" product or other that impresses me. It reminds me a bit of the FMR stuff in that way.
Agreed on the Seventh Circle products, I've got a few of those here, too.
Really the best way to build up a studio of good gear on a budget is to learn to build/repair yourself. But there are some good values out there.
I've had great luck with their microphones, headphones, phono cartridges, etc. They just seem to be more able than the other 'big names' to strike the price/performance balance consistently. It seems that the affordable AT stuff is "good" stuff that happens to be cheap, as opposed to inferior products that trade on the name of a company's higher line stuff. The 4033 and 4050 LDC microphones, the ATM450 and Pro37R SDCs, the ATH-M50 headphones, tons of their under-$100 phono cartridges, etc... there is just tons of stuff in their product line that's not break-the-bank expensive but is decidedly un-cheesy-- much of it you will find in 'real' studios. They seem to constantly have a "best value" product or other that impresses me. It reminds me a bit of the FMR stuff in that way.
Agreed on the Seventh Circle products, I've got a few of those here, too.
Really the best way to build up a studio of good gear on a budget is to learn to build/repair yourself. But there are some good values out there.
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- zen recordist
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There's not much clean about my Ashley SC-66 EQ. Lots of character there.lobstman wrote:Used Symetrix and Ashly gear can sometimes be had cheap, and it's quality stuff- they're "clean", not "character" though. I know both companies made parametric EQs.
Agreed and they've got a relatively long company history.??????? wrote:Audio Technica, especially certain products. I know they're not a small company but I really respect what they're able to pull off price/performance wise on most of their products.
Chris Garges
Charlotte, NC
D'oh! Forgot about that one, I was thinking of the later PQX series which are pretty surgical. Yeah, the earlier Ashly units were kind of dirty (in a good way), but the Symetrix stuff I've used has all been pretty transparent.cgarges wrote: There's not much clean about my Ashley SC-66 EQ. Lots of character there.
The Rane SP15 parametrics are pretty usable, and the DBX 242 is nice if you can find one. The Orban parametrics have a cool "analog grit" sound, and you can find those cheap.
Steve Albini used to like it
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