Anyone ever intentionally clipped a converter?
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Anyone ever intentionally clipped a converter?
So, last week or so I had one of those random 3-a.m. ideas; I turned on my computer, plugged my Microkorg into a preamp, and quickly set a level (using headphones). I turned the preamp up until I felt like it sounded good (i.e. a little dirty), looked at the computer's meters, and realized that one of the reasons it sounded a little dirty was because the synth was hitting 0 on the channel's meter. I decided I liked the way it sounded and recorded it, but now I'm kinda having second thoughts: the sound fits the part (which swells in and out rhythmically, clipping the converter when it swells all the way in), but it does sound like converters clipping. I plan on keeping it because I do like the way it sounds, but I'm feeling a little bit insecure about it, I guess. Anyone done anything similar, just out of curiosity? Anyone think clipping a converter is always a bad idea, period? Any other thoughts?
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"I liked the holes in it as much as I liked what was in them." -Tom Waits
"I liked the holes in it as much as I liked what was in them." -Tom Waits
Well, you know IISGIIG.
I think as long as it sounds like it's on purpose it'll be fine. For me, the annoying types of digital clipping come when you can hear that it's only the loudest attacks making that kind of clicking sound.
A while back, GuitarWorld Magazine did a series on "Dream Pop" where they mentioned some of those guys using digital distortion. I suspect that most of them were probably abusing the input of some digital effect box or other. I've used a DAT machine for a distortion box from time to time. I've also had fun just gaining stuff up "over" 0dbfs ITB. I'd be willing to bet that folks like Trent Reznor and Richard James have done something like this on multi-million-selling records.
I think as long as it sounds like it's on purpose it'll be fine. For me, the annoying types of digital clipping come when you can hear that it's only the loudest attacks making that kind of clicking sound.
A while back, GuitarWorld Magazine did a series on "Dream Pop" where they mentioned some of those guys using digital distortion. I suspect that most of them were probably abusing the input of some digital effect box or other. I've used a DAT machine for a distortion box from time to time. I've also had fun just gaining stuff up "over" 0dbfs ITB. I'd be willing to bet that folks like Trent Reznor and Richard James have done something like this on multi-million-selling records.
actually, that was early DSP hardware effects like the Yamaha REX-50 that had a distortion algorithm in them.ashcat_lt wrote:A while back, GuitarWorld Magazine did a series on "Dream Pop" where they mentioned some of those guys using digital distortion. I suspect that most of them were probably abusing the input of some digital effect box or other.
?What need is there to weep over parts of life? The whole of it calls for tears.? -- Seneca
I recorded an instrumental electronic song intentionally digitally clipping (heavily) on every track and it sounded awesome. Very raw. Of course I would only try it when recording very aggressive material. You should try hooking up a synthesizer and driving it hard to see if you like the way your interface deals with it. IISGIIG
well, it could be that they were punishing the front of the compander section of a funky old MXR DDL or maybe the MXR Pitch Shift Doubler (a great ramp/saw wave LFO rack chorus, which i used to use in series for serious warble) and got some dirt that way.ashcat_lt wrote:Well, that's not anywhere near as cool. Kind of shatters...something...from my youth. Thanks.RefD wrote:actually, that was early DSP hardware effects like the Yamaha REX-50 that had a distortion algorithm in them.
?What need is there to weep over parts of life? The whole of it calls for tears.? -- Seneca
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- Brett Siler
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yeah I've done it before. Did it recording drums on a track for my band Stationary Odyssey. We clipped the shit out of some drums, its really crunchy sounding. You can hear it here www.myspace.com/stationaryodyssey and the track is called "Cosmic Eddie Oceanographer"
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I haven't. I think it sounds terrible. With the cheap analog stages and PSUs inside most converters they don't sound great to me unless they're used in the lower range anyway. Intentionally clipping them is a step past that shittiness I've found lurking in so many converters.
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Oscar Wilde
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Some dance music guys - BT and folks like that - will make one or two samples at the very loudest hits clip, coming into a new section. They want the speaker cone to move as far as it possibly can. Which also, I would think, risks breaking it. Good for people writing dance music. Bad for people owning clubs that play dance music.
What you're talking about is different though, since you're talking about distortion with repeated clipping. I would think there's no problem with it, as long as you gain it back down for mixing.
What you're talking about is different though, since you're talking about distortion with repeated clipping. I would think there's no problem with it, as long as you gain it back down for mixing.
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