The lure of 2-buss compression
Great stuff, guys.
Unfortunately, (and don't tell my clients and collab'rs), I'm broke, cheap, and an amateur.
I'm not in PT, (I use CEP Pro 2.1 ) can't really afford massey and chandler stuff, and certainly not good outboard.
Yet.
Just wondering if anyone is using any "magic" (no such thing, but next best?) compressor and/or chain to mix into.
By what I mean, I got my ways, like what I get done (see the link below), but wondering if there was another approach I could afford to try ...
Unfortunately, (and don't tell my clients and collab'rs), I'm broke, cheap, and an amateur.
I'm not in PT, (I use CEP Pro 2.1 ) can't really afford massey and chandler stuff, and certainly not good outboard.
Yet.
Just wondering if anyone is using any "magic" (no such thing, but next best?) compressor and/or chain to mix into.
By what I mean, I got my ways, like what I get done (see the link below), but wondering if there was another approach I could afford to try ...
If you're running the whole 2-buss through outboard, who cares about latency? Yes, the signal is delayed while running out and back through a hardware insert... but as long as you're not expecting that to sync up with some strictly ITB elements, there's no issue as far as I can see. ?ott0bot wrote:Unfortunately I'm running an LE system so you can't use a bus without latency while tracking, let alone plug-ins. If I had the hardware....there'd still be latency with the da then ad conversion right? so not really an option unless you have an HD system...or maybe a UAD card?
Leigh
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The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
I know the chandler is expensive, but the massey is not.
Worth it.
Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
I know the chandler is expensive, but the massey is not.
Worth it.
Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....
$65 for the plug, but I'm not Pro Tools ...joel hamilton wrote:The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
As for, "Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....", yep.
But I do so love it!
(Just askin' re VST or DX that peoples use; mebbe I shoulda been more DAW-specific in my question; I'm CEP2.1.)
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Always mix with a 2-buss compressor. And I usually get it going right after I've got the rhythm section figured out. I bring in the 2-buss comp and adjust to taste then move on. I'll often tweak the buss comp as I go too but it rarely changes that much. The compressor is usually set at 2:1 and is only compressing 1-2 dB and it's almost always set with a slow attack and fast release. That's just how I've grown to like it. Works for me.
shawn
And to add to what Joel was saying, Massey plugins rule. Like really fucking rule.
shawn
And to add to what Joel was saying, Massey plugins rule. Like really fucking rule.
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I forgot that the massey stuff is protools specific.vvv wrote:$65 for the plug, but I'm not Pro Tools ...joel hamilton wrote:The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
As for, "Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....", yep.
But I do so love it!
(Just askin' re VST or DX that peoples use; mebbe I shoulda been more DAW-specific in my question; I'm CEP2.1.)
There's a VST called "The Glue" made by Cytomic that's supposed to be quite good. It's $99 and there's a downloadable demo.vvv wrote:$65 for the plug, but I'm not Pro Tools ...joel hamilton wrote:The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
As for, "Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....", yep.
But I do so love it!
(Just askin' re VST or DX that peoples use; mebbe I shoulda been more DAW-specific in my question; I'm CEP2.1.)
- Jeff White
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Check out the Stillwell stuff. It's VST and sounds fantastic. Haven't used it on the 2-bus yet (I've been using the Nomad Factory Leveling Amplifier from time to time), but I know that you will find a use for their stuff. Demos are free to try with nag screens, and you can pay when you can afford it.
Jeff
Jeff
I record, mix, and master in my Philly-based home studio, the Spacement. https://linktr.ee/ipressrecord
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vvv wrote:For us bedio guys who are in ITB, does anyone mix into a software compressor, and what do you think you get good results with?
FWIW, I do not.
I guess I fall into that category. I always mix with a little VST Dynamics plugin across my stereo buss in Cubase. I set the compressor to 1.5:1 and the limiter to -0.5db I set the threshold until it's taking off 3db or so on the loudest parts and then I set the make up gain so that the little limiter light flickers once in a while. My stuff never goes to mastering, so I consider that my mastering phase. I will usually audition the mix without the comp and try a few different settings near the end of the mix, but that's usually around where I wind up.
Recently I discovered longer attack times and it's really helping the sound. Transients are good. I've also been edging my tracking levels down towards that -12db range (man, old habits (from the 16bit days) die hard.) So I think all that stuff is coming together to give me both perceptually louder mixes that are also more dynamic at the same time. Good stuff. I recently modded the mic pres I use most with much faster opamps. I think this is going to require a rethinking of a lot of stuff. I'm getting weird clipping now on tracks that I've never seen before, also more treble, etc. I think it's all good, but it might require a different approach to compression in the end because "headroom" has taken on a whole new meaning for me across the board.
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Are you talking stereo compressor? NOT- REAL- COOL. Average to semi-average at best. No personality. Nearly invisible. If anything, too upright without any personality. I'd avoid this. It's a weak version of the L1-style.joel hamilton wrote:The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
I know the chandler is expensive, but the massey is not.
Worth it.
Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....
And there you have it, proof that it is impossible to get gear advice on the internet.
You have to try it for yourself. The only test is how disappointed, if at all, you are with your work when you listen to it later.
You have to try it for yourself. The only test is how disappointed, if at all, you are with your work when you listen to it later.
Real friends stab you in the front.
Oscar Wilde
Failed audio engineer & pro studio tech turned Component level motherboard repair store in New York
Oscar Wilde
Failed audio engineer & pro studio tech turned Component level motherboard repair store in New York
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I am talking about the CT4 which is not the limiter thingy, it is the compressor thingy.@?,*???&? wrote:Are you talking stereo compressor? NOT- REAL- COOL. Average to semi-average at best. No personality. Nearly invisible. If anything, too upright without any personality. I'd avoid this. It's a weak version of the L1-style.joel hamilton wrote:The massey compressor is like 65 dollars.
It is absolutely, without a doubt, my #1 favorite plug in compressor for general use.
Considering i have a ton of outboard stuff, and I STILL throw a massey CT4 on the main vocal chain ITB before it comes screeching out in to a hardware chain, says something.
I know the chandler is expensive, but the massey is not.
Worth it.
Nobody ever said this whole craft was going to be cheap, simple, easy, or profitable.....
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