Best way to get 16 analog in

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JefffM
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Best way to get 16 analog in

Post by JefffM » Wed Jun 24, 2009 9:23 am

Hi Guys,

have a load of 16 track analog multi's which we want to transfer to hard disk.

I would be interested in suggestions for the best audio interface to get.

Most seem to have only 8 analog ins so we would need to be able to install 2 of them and synch them together, unless anyone knows of an affordable interface that has 16 analog ins.

All suggestions gratefully received.

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Stevil
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Post by Stevil » Wed Jun 24, 2009 9:57 am

you want best or affordable? whats the budget?

16 channel
http://www.lynxstudio.com/product_detail.asp?i=1
http://sonic-core.net/en/products/a16ultra.html

theres a ton of Multi-Channel converters w/ Preamps
Adat & Firewire?

could go with 2x 8 channel converters, on the low end there's the B ADA8000 for about $200 a pop.

SSL Alpha Link has 24 just in case you think 16 might not be enough someday in the $3k range.

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hyde maintenance
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Post by hyde maintenance » Wed Jun 24, 2009 10:04 am

Yeah I don't know what price range you are looking at, but the Echo Audiofire 12 has great converters for the money. The channel count doesn't match up with what you're after, but if it's archived material you're just dumping to HD two passes isn't a problem is it? Otherwise you could get 2 and link them up. The nice thing is that you're not paying for mediocre preamps that you don't need anyhow...and they sound good.

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Post by chris harris » Wed Jun 24, 2009 10:52 am

Everyone wants both "the best" and something "affordable." Unfortunately, those are usually two different products.

JefffM
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Post by JefffM » Wed Jun 24, 2009 3:37 pm

Stevil wrote:you want best or affordable? whats the budget?
Thanks for your advice. I did say affordable in my original post which in our case is probably up to about $1000

The Sonic Core looks good but not sure how to get it into the computer - what's z-link? A lightpipe card or whatever I'd need to get from the ADAT into the computer would probably push us over the budget.

Suggestions for specific 8-in cards within our budget gratefully accepted.

Thanks

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Stevil
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Post by Stevil » Wed Jun 24, 2009 4:07 pm

JefffM wrote: what's z-link? A lightpipe card or whatever I'd need to get from the ADAT into the computer would probably push us over the budget.
also are we talking PC or Mac? USB or PCI?
what software are you using to capture?

Zlink is SonicCore's version of Firewire. (same technology different protocol).
SC was originally a company called creamware so you can find the same stuff used for slightly cheaper under the creamware name. might bring you under yer budget.

aphex systems also has an adat converter
http://www.aphex.com/144.htm
http://www.frontendaudio.com/Aphex_144_p/9999-00428.htm

emu has a $300 sound card with adat. that's the cheapest retail i'm aware of. EMU1616

i'm currently running a creamware project card & 2 Behringer ada8000's for 16 channels to the pc. that setup is a few hundred over yer budget. next time it rains money i'm looking to upgrade the adat interface.

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Stevil
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Post by Stevil » Wed Jun 24, 2009 4:19 pm

hyde maintenance wrote:the Echo Audiofire 12 has great converters for the money. The channel count doesn't match up with what you're after, but if it's archived material you're just dumping to HD two passes isn't a problem is it?
echo makes good stuff as well. my first real card was an echo darla.
echo layla has 8 ins and the adat option, could go with one of those & an ada8000 & be at 16 channels well under budget.

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Post by Chris_Meck » Fri Jun 26, 2009 1:14 am

honestly, for $1000 you could get a used MOTU 24 i/o and have 24 ins and outs.

If that's more than you'd ever need (or will never mix outside the box) you could pick up a couple of MOTU 2408 mkii or mk3's and a PCI-424 card.

I think the MOTU stuff is pretty great in it's price range.
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signorMars
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Post by signorMars » Mon Jun 29, 2009 8:16 pm

2 Delta 1010s would work pretty well. They're not Lynx or Radar Nyquist quality, but they work just fine. Sync via S/PDIF. Their word clock sucks.
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bickle
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Post by bickle » Thu Jul 02, 2009 12:17 pm

Funny, I was just thinking about upgrading my two 1010s, which I sync via wordclock - where can I find out more about the improvement using S/PDIF? I've never heard this before...

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Post by newfuturevintage » Thu Jul 02, 2009 1:13 pm

cmez wrote:honestly, for $1000 you could get a used MOTU 24 i/o and have 24 ins and outs.

If that's more than you'd ever need (or will never mix outside the box) you could pick up a couple of MOTU 2408 mkii or mk3's and a PCI-424 card.

I think the MOTU stuff is pretty great in it's price range.
This would probably be the easiest, least space consuming path to take.

Alternately, you could pick up an RME hammerfall 9652 (used, about $450) and two of the Behri 8000's (new about $200) for under a grand, or any other 8-channel analog to ADAT box out there. The drivers would probably be a little more stable than the MOTU if you're on a PC.

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Post by signorMars » Thu Jul 02, 2009 3:22 pm

bickle wrote:Funny, I was just thinking about upgrading my two 1010s, which I sync via wordclock - where can I find out more about the improvement using S/PDIF? I've never heard this before...
Basically the issue is that the clock itself is located on the PCI card, so to sync via word clock, it has to travel pretty far, making it more prone to jitter. Also, the particular way they implement the word clock is not so great. Most importantly, unless your 1010 happens to be vastly exceeding its specifications, it can only reliably sync via word clock at 44.1k or 48k, IIRC. When I used the word clock to sync, I got tons of pops and clicks and noise. Never had any trouble like that with S/PDIF sync, at any sample rate.
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bickle
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Post by bickle » Fri Jul 03, 2009 8:25 am

Interesting - I've never had any such problems, but I only run them at 44.1, so maybe that's it. I'll have to do some experimenting with that when I get a chance - thanks!

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Post by TapeOpLarry » Mon Jul 06, 2009 10:28 am

HAve you considered having a place that specializes in tape transfers do the job? They'll get more off your tape than you will, as in better tape heads, signal path, convertors, etc. We did this for the Elliott Smith archive work and I was amazed at how much better the sound was than anything I could do in my own studio. The real limitation was the quality of the playback decks I was using... Here's the folks I used.

http://www.mrtoads.com/
Larry Crane, Editor/Founder Tape Op Magazine
please visit www.tapeop.com for contact information
(do not send private messages via this board!)
www.larry-crane.com

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