Weird/Makeshift Percussion Sounds
Weird/Makeshift Percussion Sounds
What are some of the unusual percussion sounds you've been able to get with ordinary objects or instruments used in unorthodox ways? It can be either things you've "invented" yourself or clever techniques reputed to have been used on recordings you like. What were the results?
I recently tried the tapping on a matchbox thing on a mostly acoustic track. It sounded okay, though its surprisingly hard to accent the notes you want on a matchbox while keeping the groove. I ended up doing a separate track with me tapping on the head of a cu?ca in a complimentary rhythm and panning those to tracks hard L and hard R. It sounded pretty cool. I probably could have gotten a better or similar result with bongos and a matchbox.
I recently tried the tapping on a matchbox thing on a mostly acoustic track. It sounded okay, though its surprisingly hard to accent the notes you want on a matchbox while keeping the groove. I ended up doing a separate track with me tapping on the head of a cu?ca in a complimentary rhythm and panning those to tracks hard L and hard R. It sounded pretty cool. I probably could have gotten a better or similar result with bongos and a matchbox.
- JGriffin
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Eh, all sorts of stuff. Seems we have a thread like this every few months, they're always fun.
I've made shakers out of two paper plates gaff-taped together with coffee beans in between them, I've pounded on PVC pipes with mallets, I've gotten a bunch of use out of this great big metal bowling locker in my control room--just bang on the doors! I've used that on a bunch of stuff. For the Pink Floyd cover I did when Rick Wright died, I used soft orchestral mallets on two plastic tubs and a road case to play a tom-tom part. Once I used an oven door slam as a "kick drum" and a stick hitting the oven's grille as a "snare."
Basically the rule is "hit whatever's near you until you hit something that sounds good."
I've made shakers out of two paper plates gaff-taped together with coffee beans in between them, I've pounded on PVC pipes with mallets, I've gotten a bunch of use out of this great big metal bowling locker in my control room--just bang on the doors! I've used that on a bunch of stuff. For the Pink Floyd cover I did when Rick Wright died, I used soft orchestral mallets on two plastic tubs and a road case to play a tom-tom part. Once I used an oven door slam as a "kick drum" and a stick hitting the oven's grille as a "snare."
Basically the rule is "hit whatever's near you until you hit something that sounds good."
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"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
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Television as bass drum
Box of cereal as shaker
Pringles as shaker
Spoons, forks, and knives, in the drawer as snare drum
Parts of the physical structure as whatever
Bottles as whatever (with and without liquid)
Soda can tops
The air vents on top of a CBS Volumax compressor as guiro
A blank rack panel as guiro
Empty boxes as bass drum
Rubbing a Super Ball across various objects for eerie sound effects
Car keys, house keys, etc.
Paper-- torn, rubbed, or played with brushes, sticks, or fingers
Two paperback books rubbed together in various rhythms
One time, I was hired as a co-producer on a record with another engineer when the artist realized that he had intended to put a drum loop on a four-bar section of a song, which never got done. He brought this up at the mix. It was an out of town session and we decided to put something together in the hotel that night and get started mixing another tune until we got the loop together. The keyboard player had his laptop with him, but didn't have any stock loops that were acceptable, so we decided to record one in the hotel room using a few things I had in the car, a few things we found, and the built-in mic on the side of his laptop. I played a kind of shaker-type subdivision with brushes on the open pages of the hotel bible, right next to the laptop mic. Then, I added a "bass drum" part by playing an 8" tom I had in the car, tuned as low as possible VERY LIGHTLY with my finger, again, right next to the laptop mic. Then, we added a snare drum in a similar manner and the resulting "loop" was quite exciting-sounding. I've got pictures of it somewhere. I'll try to post them.
Chris Garges
Charlotte, NC
Box of cereal as shaker
Pringles as shaker
Spoons, forks, and knives, in the drawer as snare drum
Parts of the physical structure as whatever
Bottles as whatever (with and without liquid)
Soda can tops
The air vents on top of a CBS Volumax compressor as guiro
A blank rack panel as guiro
Empty boxes as bass drum
Rubbing a Super Ball across various objects for eerie sound effects
Car keys, house keys, etc.
Paper-- torn, rubbed, or played with brushes, sticks, or fingers
Two paperback books rubbed together in various rhythms
One time, I was hired as a co-producer on a record with another engineer when the artist realized that he had intended to put a drum loop on a four-bar section of a song, which never got done. He brought this up at the mix. It was an out of town session and we decided to put something together in the hotel that night and get started mixing another tune until we got the loop together. The keyboard player had his laptop with him, but didn't have any stock loops that were acceptable, so we decided to record one in the hotel room using a few things I had in the car, a few things we found, and the built-in mic on the side of his laptop. I played a kind of shaker-type subdivision with brushes on the open pages of the hotel bible, right next to the laptop mic. Then, I added a "bass drum" part by playing an 8" tom I had in the car, tuned as low as possible VERY LIGHTLY with my finger, again, right next to the laptop mic. Then, we added a snare drum in a similar manner and the resulting "loop" was quite exciting-sounding. I've got pictures of it somewhere. I'll try to post them.
Chris Garges
Charlotte, NC
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acoustic stringed instruments are my favorite drums. also a 2 litre soda bottle mic'd right at the spout can produce some cool sounds.
oh and, i haven't recorded it yet but i was walking around my studio space (which is actually a huge basement storage space/scene shop, with tons of really great random stuff in it (do you want a tablesaw in your song?)) with drumsticks one night, and found that this huge industrial fan that i have down here has the most incredible sounds depending on where you hit it, it's resonance creates this really awesome reverby effect to it. i plan on using it as the rhythmic basis for a song somewhere down the line but now that i'm thinking about it i'll have to go mic it up for a test this week and see what happens. stay tuned!
go beat on shit!
oh and, i haven't recorded it yet but i was walking around my studio space (which is actually a huge basement storage space/scene shop, with tons of really great random stuff in it (do you want a tablesaw in your song?)) with drumsticks one night, and found that this huge industrial fan that i have down here has the most incredible sounds depending on where you hit it, it's resonance creates this really awesome reverby effect to it. i plan on using it as the rhythmic basis for a song somewhere down the line but now that i'm thinking about it i'll have to go mic it up for a test this week and see what happens. stay tuned!
go beat on shit!
the tape is rolling, the ones and zeros are... um... ones and zeroing.
http://www.davewatkinsmusic.com
http://www.davewatkinsmusic.com
The record I'm mixing at the moment has loads of this stuff on. We recorded it in an old church with a great reverby sound. We (me and the artist) just recorded ourselves walking around the church, hitting things, clapping, whatever came to mind. What was recorded has been cut up into loops/percussion parts.
The song I'm mixing right now has 4 tracks of me and the artist continually pounding bibles into the floor of the church as a kind of galloping rhythm for the chorus. A bit sacrilegious but it sounds cool!
The song I'm mixing right now has 4 tracks of me and the artist continually pounding bibles into the floor of the church as a kind of galloping rhythm for the chorus. A bit sacrilegious but it sounds cool!
- losthighway
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I'm working on something now that's going to have a lot of this kind of thing. I always love how it sounds drumming along to the radio in the car, so I'm going to mic the car floor as a bass drum, hand hitting leg as snare, etc. I've used a pick hitting completely muted strings through a gated reverb and distortion for a really weird snare sound. I also worked on an electronic song for a video where I miced a cup of ice in water being stirred really slowly..it added a really strange sound that sounds 100% not electronic.
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ha! I know pringles were suggested but for some reason this is funnier to me.firesine wrote:A bag of Doritos as a shaker.
I wanna see a percussion set made of nothing but junk food and deli meats.
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