Mixing things louder without it sounding messy?
- vivalastblues
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Mixing things louder without it sounding messy?
Whenever I start compressing things and making them louder in Logic I always end up with a louder but way messier mix. Am I doing something wrong in tracking or should I not be trying to mix loud? I 'master' my stuff myself so I'm trying to get things to be as loud as they should.
I record on tape (8-track) and then bounce to computer.
I record on tape (8-track) and then bounce to computer.
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- zen recordist
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Not trying to be a smartass, just going through the basics - loud things need space to be loud, and also need to be surrounded by quiet things. How many things are you trying to have loud at once ? How many quiet things surround these ? Mastering is well past the stage of deciding what should be loud in a mix, you might just need more quiet things, and that can be achieved by panning and EQ as much as levels and compression. The more compression you apply, the more space you eat up, and you are relying on that space to allow the loud things to cut through.
- LazarusLong
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I've never heard this. I could see it creating momentary distortion at the moment that the gain reduction begins as there's a voltage (or modeled voltage) change over time... but something that warrants EQing?drumsound wrote:Compression adds harmonic distortion. EQ a bit of the mess out and you should be good.
The truth of a proposition has nothing to do with its credibility. And vice versa.
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It changes the waveform envelope (i.e. attack, decay, sustain, release), but not the contents of the complex wave.LazarusLong wrote:I've never heard this. I could see it creating momentary distortion at the moment that the gain reduction begins as there's a voltage (or modeled voltage) change over time... but something that warrants EQing?drumsound wrote:Compression adds harmonic distortion. EQ a bit of the mess out and you should be good.
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Right. Especially when the attack and release times are too short.thethingwiththestuff wrote:yeah, i could swear the contents of a wave include harmonic overtones.
i've also heard people occasionally use compressors to drive things almost to distortion, radically altering the balance of overtones in the original signal.
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Complex waves have many components. Frequencies of a sound are related to pitch, timbre, overtones and related harmonic series. The waverform envelope would contain all of these things independent of the amount of compression.thethingwiththestuff wrote:yeah, i could swear the contents of a wave include harmonic overtones.
i've also heard people occasionally use compressors to drive things almost to distortion, radically altering the balance of overtones in the original signal.
The statement above said that 'compression adds harmonic distortion' which simply isn't the case, but it will change the waveform envelope.
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Would you prefer "can" add distortion?@?,*???&? wrote:Complex waves have many components. Frequencies of a sound are related to pitch, timbre, overtones and related harmonic series. The waverform envelope would contain all of these things independent of the amount of compression.thethingwiththestuff wrote:yeah, i could swear the contents of a wave include harmonic overtones.
i've also heard people occasionally use compressors to drive things almost to distortion, radically altering the balance of overtones in the original signal.
The statement above said that 'compression adds harmonic distortion' which simply isn't the case, but it will change the waveform envelope.
Either way, split all the hairs and spout all the "I know more than you" statements you like.
Last edited by drumsound on Wed Mar 17, 2010 5:25 pm, edited 1 time in total.
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