Strange Weather construction blog
- Snarl 12/8
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- Marc Alan Goodman
- george martin
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- Marc Alan Goodman
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- losthighway
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Looks amazing.
Quick question for Marc, and really anyone of the Brooklyn gang that all built amazing new studios (Bunker dudes, Joel, Marc) in the last couple years:
The wall of 703 absorption with wooden slats added to taste seems like a new standard in studio walls. It makes a lot of sense that you could get things much more linear down in the lows and low mids with consistent absorption calculated for depth, or space away from the solid wall behind it....
I guess what I wonder is if you add more slats (not really like the new Strange Weather's control room which seems to be set for minimum reflections) does it turn out to sound just as 'live' as the more old school solid wooden/sheet rock wall?
Quick question for Marc, and really anyone of the Brooklyn gang that all built amazing new studios (Bunker dudes, Joel, Marc) in the last couple years:
The wall of 703 absorption with wooden slats added to taste seems like a new standard in studio walls. It makes a lot of sense that you could get things much more linear down in the lows and low mids with consistent absorption calculated for depth, or space away from the solid wall behind it....
I guess what I wonder is if you add more slats (not really like the new Strange Weather's control room which seems to be set for minimum reflections) does it turn out to sound just as 'live' as the more old school solid wooden/sheet rock wall?
- Marc Alan Goodman
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Thanks guys :) It's like heaven getting to work here. Still totally unbelievable to me.
To answer your question about the slats: it depends on the design, but no it shouldn't be exactly the same. Some frequencies will pass right through the slats and get absorbed by the 703 behind them. I've found that overall you can get a really nice, even balance in the midrange with a tad bit of life in the high end, but it's never going to be as live as plain old drywall, even if you covered it with plain old drywall.
The walls in our control room are three inches deep. The pattern changes for each layer, so in some spots it's three inches of wood, in some it's three inches of fiberglass, in some it's an inch of fiberglass in front of two inches of wood, etc. The fiberglass density changes from place to place as well. The pattern is based on a mathematical algorithm, and is an attempt to balance the whole spectrum evenly. To my ears it seems to be doing a pretty damn good job. Wes really killed it.
To answer your question about the slats: it depends on the design, but no it shouldn't be exactly the same. Some frequencies will pass right through the slats and get absorbed by the 703 behind them. I've found that overall you can get a really nice, even balance in the midrange with a tad bit of life in the high end, but it's never going to be as live as plain old drywall, even if you covered it with plain old drywall.
The walls in our control room are three inches deep. The pattern changes for each layer, so in some spots it's three inches of wood, in some it's three inches of fiberglass, in some it's an inch of fiberglass in front of two inches of wood, etc. The fiberglass density changes from place to place as well. The pattern is based on a mathematical algorithm, and is an attempt to balance the whole spectrum evenly. To my ears it seems to be doing a pretty damn good job. Wes really killed it.
- losthighway
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- zen recordist
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- Marc Alan Goodman
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amazing!!!
I cant wait to see it in person.......it looks like a dream...
Super 70 Studio.. Never tell a perfectionist that the mix is perfect!
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now in glorious HD3
- Snarl 12/8
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Marc, are there any parts of the plans that you could share without stepping on your architect/designer's toes? I'm interested in wall cross-sections of that slat on insulation on drywall[?] more than room shape, etc. I mean I'm interested in the overall design, academically, but I can't really do what you did and I have a real need to figure out exactly how I'm gonna build my walls. And what materials went into the walls, exactly.
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