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casey campbell
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Post by casey campbell » Tue Nov 09, 2010 12:39 pm

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MoreSpaceEcho
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Post by MoreSpaceEcho » Tue Nov 09, 2010 1:18 pm

can we have a show of hands of everyone who's been approached by someone wanting to use one of your tracks for something, and they say there's no money but guarantee that it'll be "Great Exposure"...

this is especially cute when the someone is a large corporation with vast reservoirs of cash at their disposal.

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JGriffin
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Post by JGriffin » Tue Nov 09, 2010 1:46 pm

MoreSpaceEcho wrote:can we have a show of hands of everyone who's been approached by someone wanting to use one of your tracks for something, and they say there's no money but guarantee that it'll be "Great Exposure"...

this is especially cute when the someone is a large corporation with vast reservoirs of cash at their disposal.
* raises hand *
"Jeweller, you've failed. Jeweller."

"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno

All the DWLB music is at http://dwlb.bandcamp.com/

Artifex
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Post by Artifex » Tue Nov 09, 2010 1:54 pm

Sooo true.
I am the terrible byproduct of the erosion of Jeff's 'society'.

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casey campbell
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Post by casey campbell » Tue Nov 09, 2010 1:54 pm

one time as a "favor," i agreed to do a 3 song demo for a band to help them get on their feet. when i got there, they informed me that they decided to do a full length album! too funny indeed. needless to say, i had to bow out.

CurtZHP
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Post by CurtZHP » Tue Nov 09, 2010 1:55 pm

Like my dad once said: "You can drop your drawers on a street corner and get lots of exposure!"
"TEMPUS FUGIT" the Novel -- Now Available!!
http://www.curtyengst.com

Artifex
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Post by Artifex » Tue Nov 09, 2010 1:56 pm

Casey, I see fine print on the bottom. Is that a 'for more information link'?

Just curious.
I am the terrible byproduct of the erosion of Jeff's 'society'.

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casey campbell
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Post by casey campbell » Tue Nov 09, 2010 2:00 pm

Artifex wrote:Casey, I see fine print on the bottom. Is that a 'for more information link'?

Just curious.
i dunno. i can't read it. i just found this picture on a random blog and thought it was really good advice for the recording industry.

cgarges
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Post by cgarges » Tue Nov 09, 2010 2:46 pm

Man, people can die from exposure.

Chris Garges
Charlotte, NC

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casey campbell
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Post by casey campbell » Tue Nov 09, 2010 2:49 pm

cgarges wrote:Man, people can die from exposure.

Chris Garges
Charlotte, NC
or get arrested! :D

cgarges
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Post by cgarges » Tue Nov 09, 2010 2:55 pm

Indeed.

CG

MoreSpaceEcho
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Post by MoreSpaceEcho » Tue Nov 09, 2010 3:45 pm

well played mr garages.

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Snarl 12/8
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Post by Snarl 12/8 » Tue Nov 09, 2010 4:39 pm

My local craigslist goes absolutely apeshit about this every time some coffee house or bar posts an ad asking if anyone wants to play for free (or tips and a beverage or something.)

Personally, I think it should be up to the individual to decide if they want to do something for free or not. Although keeping that sign in mind when deciding is a really good idea.

I gotta say, back when I was gigging, the absolute bestest gigs I ever played were either the ones where we played for free, like for a benefit concert, or the ones where we got paid way too much. It seemed like on the free gigs they were really appreciative of what we were doing and on the expensive gigs they figured they should treat us great if we were getting paid that much money. Those were the gigs with the "green room" and the fruit platter and a cooler full of beverages for the band. It was all those $50-100 (for the whole band) gigs that kinda sucked and they would expect unreasonable things for the amount they were offering.

That's just my [outdated] experience though.
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Post by kslight » Tue Nov 09, 2010 7:02 pm

I don't play free gigs at for profit establishments but if I really enjoy working with/for someone I might cut them a break if the work is a treat for me.

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Jon Nolan
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Post by Jon Nolan » Tue Nov 09, 2010 7:45 pm

dwlb wrote:
MoreSpaceEcho wrote:can we have a show of hands of everyone who's been approached by someone wanting to use one of your tracks for something, and they say there's no money but guarantee that it'll be "Great Exposure"...

this is especially cute when the someone is a large corporation with vast reservoirs of cash at their disposal.
* raises hand *

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