Show us your recording space, right NOW
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- zen recordist
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- Joined: Wed May 07, 2003 11:15 am
Felt bad hijacking a thread about a space being broken into, so brought this over here instead.
Here's a shot from where the drum kit should be, but in fact is currently home to a tablesaw. Still some ragged edges and corner trapping to take care of...
screen shot pc
here's the $25 i spent on rack space 12 years ago at a thrift store. It's solid walnut, true 1" planks. It's clunky, awkward, no room for a mixer... thinking of hacking it on down to two angled carts that can be placed either side of the 388.
print screen windows
Here's a shot from where the drum kit should be, but in fact is currently home to a tablesaw. Still some ragged edges and corner trapping to take care of...
screen shot pc
here's the $25 i spent on rack space 12 years ago at a thrift store. It's solid walnut, true 1" planks. It's clunky, awkward, no room for a mixer... thinking of hacking it on down to two angled carts that can be placed either side of the 388.
print screen windows
Village Idiot.
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- zen recordist
- Posts: 6677
- Joined: Wed May 07, 2003 11:15 am
i love that telefunken, Car Talk and David Dye just sound better on it. All original tubes, tho the seeing eye tuner tube went out recently. the multi-cap can has a price sticker so i'm guessing it was serviced at some point. i like that it has a little slot inside for the envelope containing the complete schematic and board layout, w/ german, english, and french annotations - imagine a modern day consumer product doing that.
the entire rest of that guitar collection cost less than the squier. love my cheap gitfiddles.
drum is evil.
the entire rest of that guitar collection cost less than the squier. love my cheap gitfiddles.
drum is evil.
Village Idiot.
- Darlington Pair
- takin' a dinner break
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- Location: Staunton, VA
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- Darlington Pair
- takin' a dinner break
- Posts: 197
- Joined: Tue Jun 03, 2008 12:27 pm
- Location: Staunton, VA
- Contact:
shows up on my phone, tho it's hard to see much detail. what's the box below the 2bx? how is your altec set up? use mine as a summer/DI, with six 600 ohm inputs and two 15k's.
just picked up the shure boxes on the board and the 'bay this spring. modded the m68 to function as 3 standalone dual stage preamps, i'm liking what i've heard in initial glynn johns setups, summing the overheads to one m63 and fok to the other for broad eq massage.
just picked up the shure boxes on the board and the 'bay this spring. modded the m68 to function as 3 standalone dual stage preamps, i'm liking what i've heard in initial glynn johns setups, summing the overheads to one m63 and fok to the other for broad eq massage.
Village Idiot.
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- alignin' 24-trk
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Cheap tubey goodnessfloid wrote:what's the box below the 2bx?
http://www.soundonsound.com/sos/apr05/a ... boards.htm
I use the T8100 myself.
"lamps are fitted behind the tubes for extra glow."
rofl. both VU lamps on my MPA have bit it and i've no intention of replacing them, think maybe i'll have to keep an eye out for one of these bad boys to get my DAW desk closer to the Enterprise bridge look.
seriously tho, how do they sound? is the tube circuit one of the sidechain distortion types?
rofl. both VU lamps on my MPA have bit it and i've no intention of replacing them, think maybe i'll have to keep an eye out for one of these bad boys to get my DAW desk closer to the Enterprise bridge look.
seriously tho, how do they sound? is the tube circuit one of the sidechain distortion types?
Village Idiot.
- Gregg Juke
- cryogenically thawing
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>>>>i like the economy size can of drum.<<<<
Panned mono-center, so it can be "correct perspective" either way...
GJ
Panned mono-center, so it can be "correct perspective" either way...
GJ
Gregg Juke
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
Nocturnal Productions Music Group
Drum! Magazine Contributor
http://MightyNoStars.com
"He's about to learn the most important lesson in the music business-- 'Never trust people in the music business.' "
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