first listen back from mastering
first listen back from mastering
...and it never fails. you get what you pay for. Holy shit!
Emily Lazar @ The Lodge,...fellas,....the lady (aside from being a knockout) has got bat ears!
Unreal.
So exciting to get that fed-ex!
Just a shout out to the lodge - they fucking rule.
Emily Lazar @ The Lodge,...fellas,....the lady (aside from being a knockout) has got bat ears!
Unreal.
So exciting to get that fed-ex!
Just a shout out to the lodge - they fucking rule.
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Ha, made me laugh, Scott! I know it's nervous-making from both the band's end and the ME. But like christmas if the magic arrives. Hmm, Santa Sound Mastering, has a ring.MoreSpaceEcho wrote:phew....i'm glad this is a positive thread!
Definitely agree with OP that you do get what you pay for. Frustrating when good music is released hobbled and lumpy by either skipping mastering because the band doesn't understand, or awkwardly ozoned through some hyped presets.
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Re: first listen back from mastering
So Emily used tape slap effects during mastering...or...?kRza. wrote:the lady (aside from being a knockout) has got bat ears!
http://books.google.com/books?id=Wp_GsW ... 22&f=false
One wonders how echolocation could help during mastering...
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i used to always be SUPER nervous sending masters back to people. at this point i'm pretty confident in my ears and my room, so i feel like if it sounds good to me here, people are going to be happy. and they are! but still....i think we've all, at one time or another, gotten stuff back from mastering and been like "WTF did they do to my beautiful mixes?"Dakota wrote: I know it's nervous-making from both the band's end and the ME.
and that really, profoundly sucks.
i could go on a long-winded rant about ME's doing too much, but we're keeping this thread positive!
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