One mic or two?
- shakestheclown
- takin' a dinner break
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One mic or two?
I'm at a crossroads here, and I'm unable to answer my own questions.
I've got a budget of about $2500 and I'm trying to decide between one great mic, or a pair of good mics.
Discuss...
Also, any ideas about what these mics could be might be fun as well...
I've got a budget of about $2500 and I'm trying to decide between one great mic, or a pair of good mics.
Discuss...
Also, any ideas about what these mics could be might be fun as well...
- shakestheclown
- takin' a dinner break
- Posts: 168
- Joined: Mon Jul 03, 2006 11:36 am
I record all things that come through the door, from drums to melodica glockenspiel to chainsaws, whatever...
I've done everything from one instrument at a time with a metronome, to a full rock band plus organ and three horns all live at once with vocals.
Mics I have...
Rode NT-5 pair
Audio Technica 4033
Audio Technica 4040
Heil-PR30
Audio Technica 3035
Shure SM7
Shure Beta 87
2 modified MXL 604
1 modified MXL 603
Oktava MK-319
Modified SM57
4 Behringher ECM-8000
2 Cascade FAT HEAD
3 Nady RSM-4
Sennheiser E-602
2 Rode NT-1A
2 Shure SM58
Shure Beta 52
2 modified Realistic(Crown) PZM
You know, stuff!
I'm thinking one vintage u87 or a pair of UM70's... but there are obviously other options.
I've done everything from one instrument at a time with a metronome, to a full rock band plus organ and three horns all live at once with vocals.
Mics I have...
Rode NT-5 pair
Audio Technica 4033
Audio Technica 4040
Heil-PR30
Audio Technica 3035
Shure SM7
Shure Beta 87
2 modified MXL 604
1 modified MXL 603
Oktava MK-319
Modified SM57
4 Behringher ECM-8000
2 Cascade FAT HEAD
3 Nady RSM-4
Sennheiser E-602
2 Rode NT-1A
2 Shure SM58
Shure Beta 52
2 modified Realistic(Crown) PZM
You know, stuff!
I'm thinking one vintage u87 or a pair of UM70's... but there are obviously other options.
I typically mic chainsaw with two Shure Beta 181's in XY config. I have the chainsaw player point the chainsaw at a 45 degree downward angle as this most accurately mimics the typical use of a chainsaw in the wild as it were. Often I find it helps to distribute a bucket or two of pine cones on the floor to help diffuse the signal and also for the helpful ambiance they provide.
Shure Beta 181's have a nice flat even response which works well with chainsaw and most importantly they handle an incredible 150 db of spl which as we all know with chainsaw is hugely important. They are also very rugged and stout so in case of slippage and accidental bar placement, the mic will survive. Shure is well known for building tough mics which, when it comes to chainsaws, is paramount.
Shure Beta 181's have a nice flat even response which works well with chainsaw and most importantly they handle an incredible 150 db of spl which as we all know with chainsaw is hugely important. They are also very rugged and stout so in case of slippage and accidental bar placement, the mic will survive. Shure is well known for building tough mics which, when it comes to chainsaws, is paramount.
"Analog smells like thrift stores. Digital smells like tiny hands from far away." - O-it-hz
musicians are fuckers, but even worse are people who like musicians, they're total fuckers.
musicians are fuckers, but even worse are people who like musicians, they're total fuckers.
- shakestheclown
- takin' a dinner break
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- Joined: Mon Jul 03, 2006 11:36 am
- Mudcloth
- steve albini likes it
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I like to buy mics in pairs when I can, but with the mics you have and what you record maybe you should buy one great mic.
I noticed the only omni mics on your list were the ECM-8000's.
A multi-pattern tube mic might be the ticket.
I noticed the only omni mics on your list were the ECM-8000's.
A multi-pattern tube mic might be the ticket.
Matt Giles
Austin, Tx
http://www.mattguitargiles.com
http://www.myspace.com/mattguitargiles
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How much is a stamp? I'll buy the goddamn stamp.
Austin, Tx
http://www.mattguitargiles.com
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How much is a stamp? I'll buy the goddamn stamp.
Sorry mate, didn't really catch that from your initial post of "I record all things that come through the door, from drums to melodica glockenspiel to chainsaws, whatever".shakestheclown wrote:I feel like I should stress that I am looking for advice on purchasing one great mic, or a pair of good mics for use on most overdubs including my go-to vocal mic.
I'm not sure ribbons have a place in this thread.
Thus I recommended getting three different mics with different characters. Ribbons can work for vocals. If you can borrow them for a demo try the Coles (the 4040 has more top end so maybe that one) or the AEA R44.
- SafeandSoundMastering
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I guess you could always hire a U87.
Give me the 4033 any day over that.
A fun but tricky situation.
I would not rush into it, consider what you record the most of, would a flexible preamp give better mileage (maybe something with adjustable impedance) from your existing mics?
It's fun but a tricky choice, dwell on it I love that dwelling stage when I have money burning a hole in my pocket, lol.
cheers
Give me the 4033 any day over that.
A fun but tricky situation.
I would not rush into it, consider what you record the most of, would a flexible preamp give better mileage (maybe something with adjustable impedance) from your existing mics?
It's fun but a tricky choice, dwell on it I love that dwelling stage when I have money burning a hole in my pocket, lol.
cheers
SafeandSound Mastering
Well it doesn't say Neumann on it but in a head 2 head test on vocals I have consistently preferred the Shure KSM44 over a U87, and I also love a spaced pair on drums if you like LDCs on drums.
Honestly looking at your selection I might take a different path and replace the weak points with more solid and versatile choices. For example the NT1a I never touch after I got a KSM44..and you already have LDCs so they might be redundant. And maybe the NT5s replace with Shure KSM141s...
And then maybe get yourself a good vocal chain if you don't have one already.
Honestly looking at your selection I might take a different path and replace the weak points with more solid and versatile choices. For example the NT1a I never touch after I got a KSM44..and you already have LDCs so they might be redundant. And maybe the NT5s replace with Shure KSM141s...
And then maybe get yourself a good vocal chain if you don't have one already.
Ribbons are relevant, IMO. If I had $2500 to spend, I'd be looking at the R44CE, no doubt. Gotta be OK with working a bit further out, though.shakestheclown wrote:I feel like I should stress that I am looking for advice on purchasing one great mic, or a pair of good mics for use on most overdubs including my go-to vocal mic.
I'm not sure ribbons have a place in this thread.
Cheers,
Otto
Daddy-O Daddy-O Baby
AEA 44CNE is a sick value for what it is...an authentic sounding 44, and a Toasty Brick in the Fire. You really can't beat a pair of Coles 4038's.....or one 4038. A most interesting, but beautiful animal. You might also check out the Coles 4040, which has an immeasurably cool top end clarity with all the cozy invites you might expect of a traditional ribbon.
Adam J. Brass
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www.DSPdoctor.com
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adam@dspdoctor.com
(1) 866 988 9111
"Where High End is Still King"
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