STRINGS/MELLOTRON ADVICE NEEDED
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STRINGS/MELLOTRON ADVICE NEEDED
What are my options for getting mellotron sounds? I do not use a computer for recording. i don't plan on buying a mellotron. I do know about the nord electro 3. Any other suggestions?? Thanks boys and girls.
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I have an Alesis Fusion that I loaded with the Pinder samples, and it rocks as a standalone Mellotron/Chamberlin...
I've owned real 'Trons and Chamberlins, and the Fusion is a great tool to have around, without all the maintenance issues...
I've owned real 'Trons and Chamberlins, and the Fusion is a great tool to have around, without all the maintenance issues...
"You see, the whole thing about recording is the attempt at verisimilitude--not truth, but the appearance of truth."
Jerry Wexler
Jerry Wexler
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Juno G, or the newer Juno Gi (or I must assume, the pricier Phantom X) by Roland.
My G has a fairly decent mellotron sound, but by adding and editing various string patches, I made a pretty cool "super-mellotron."
That's assuming that you want the strings, not the Beatles flute-y sound or the jazz drum & bass sample...
GJ
My G has a fairly decent mellotron sound, but by adding and editing various string patches, I made a pretty cool "super-mellotron."
That's assuming that you want the strings, not the Beatles flute-y sound or the jazz drum & bass sample...
GJ
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All true, but I actually think the best part is the keyboard sensitivity. Absolutely nothing feels as weird as a mellotron keyboard.Jim Williams wrote:If you use a real one you can get those attributes that made them famous, like warble, wow and flutter and all that tape hiss.
Don't forget the time limits before the tape rewinds!
Also, it may be the harshest, brightest instrument ever made. All the sample sets I've heard have had the treble rolled all the way off and the level cranked back to nothing to keep it from distorting.
But this is all off topic... the Op just wants typical mellotron sounds. I still say a cheap sampler would be the best low cost option.
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SOT, but I used these a lot in the early 1980's as decent string tracks cost an arm & two legs.
De-mag, clean every few passes and so forth I was able to retain some top end without external filters. The real secret sauce was soaking them in a Lexicon 224 reverb.
Ought to be a whole lot easier these days...
De-mag, clean every few passes and so forth I was able to retain some top end without external filters. The real secret sauce was soaking them in a Lexicon 224 reverb.
Ought to be a whole lot easier these days...
Jim Williams
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The Pinder samples all replicate the wow and flutter, and the 8 second (?) time limit...Jim Williams wrote:If you use a real one you can get those attributes that made them famous, like warble, wow and flutter and all that tape hiss.
Don't forget the time limits before the tape rewinds!
It's very similar to having a real 'Tron under your fingers...
And tuned samples are also provided...
"You see, the whole thing about recording is the attempt at verisimilitude--not truth, but the appearance of truth."
Jerry Wexler
Jerry Wexler
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LOL.roscoenyc wrote:Very awesome says has used a real one too guy.Nick Sevilla wrote:GForce M-TRon Pro.
Yes, a computer is required.
And yes, it is awesome.
No, I've never had the pleasure.
I've seen a broken one once up close... does that count?
PS I did not buy it... it was broken after all.
Howling at the neighbors. Hoping they have more mic cables.
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