Broken gear is a never ending moving target. In the last week:
Rebuilt Lexicon PCM60 (all new caps, new ram corrected the freaking out it was doing)
Fixed Orange Tiny Terror( loose internal connector, that made it seem like it had a bad tube)
Got Wurly 200 back up and running (speakers)
All ready for this weeks issues....
Aiight, let's talk broken shite, and other outstanding work
- ulriggribbons
- steve albini likes it
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- Joined: Sun Oct 26, 2003 7:50 pm
- Location: Seattle, WA
Re: Aiight, let's talk broken shite, and other outstanding work
I mostly use it on loud amps; it's a nicely un-hyped, slightly un-dimensional, kinda thick sound that's particularly useful on higher-gain amps, and where the amp seems a little too bright for the part. It's good for a close dynamic mic when using a room mic where you want the latter track a little more detailed.
I also use it on something dynamic (no phantom power, of course) and omni for room.
It is quite nice when used against or with a racked PM1000, which is a bit faster and brighter.
On vocals, it has a similar use of being thick and not bright - what I think of as "vintage w/transformer". Put a ribbon and a 1176-type onnit and holler.
As far as only having the one knob, I often use it into a 20db pad.
For me, electronics on the input chain are about EQ, y'know?
- A.David.MacKinnon
- ears didn't survive the freeze
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Re: Aiight, let's talk broken shite, and other outstanding work
Hmmm. Interesting. I should add it to my repair pile and start giving it a better workout.
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