For recording, my first choice is a Milab dc-196; barring that, a ribbon: m130 or R121; also have gotten good results with the C414B-ULS.
For live stuff, a KMS105 is usually first choice, but RE20 is good, too.
Be a bit out in front of and above the bell, aiming across it at the keys. Don't let them stick the mic IN the bell.
Best mics/mic-ing approaches for sax?
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AndersonSoundRecording
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Re: Best mics/mic-ing approaches for sax?
https://www.facebook.com/AndersonSoundRecordingI heard they inserted a Jimmy Hendrix into the chain somewhere before the preamp.
...Anybody know what that preamp was, 'cause I'd also love to get that sound.
- Mike Tate
andersonsoundrecording.com
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