uh huh wrote:, Zeppelin4Life (whose real name is Dave Lombardo, isn't it?) and a Beyer m160 will never help you get there.
yeah it is. I cant buy drum stuff without the whole store going nuts. thnx for the suggestions
uh huh wrote:, Zeppelin4Life (whose real name is Dave Lombardo, isn't it?) and a Beyer m160 will never help you get there.
Ha, fuck 'em. I went in to a shop once to get a Rat pedal for use with my bass, and the reaction those ponytailed wankers has was amazing. You would have thought I'd pissed on their larger-than-life cutout of Stevie Ray Vaughn while screaming about how bad Eric Clapton sucked. So I played a lot of Joy Division type chord stuff to REALLY bum them out. (OK, one guy there was pretty cool).Zeppelin4Life wrote:I cant buy drum stuff without the whole store going nuts.
I'm totally down with this concept. I only use Led Zeppelin recordings as a "reference" for things like feel, groove and balls. Well except of course now I use some of them for drum samples! But technically, they're not that great recordings. But I find I'm more into Page for reasons like that famous whammy bar "Berroooooing" sound on the beginning of the guitar solo to "In The Evening" (WTF?) or the slide guitar sound on "What Is And What Should Never Be" or the solos on "Presence" that in guitar/music terms are like, what kind of fractured nonsense garbage is he playing? But they rock. And see, that's all music I'm talking about and not really the production. "The Wanton Song" sounds cool, but it's really just a pretty straight recording, it doesn't really *sound* that awesome at all.Uh Huh wrote: I used to think that my Led Zeppelin CDs (the remastered ones, 2, and 4, and grafitti primarily) were the best recordings I owned and used them as mix references. One day, while trying to analyze the production techniques of "Heartbreaker" on headphones I realized that these recordings are all pretty mediocre - really nothing to be impressed by at all. What happened? I stopped listening to the music and I could finally hear the recordings. Ignoring Page, Bonham, and JPJ (ignoring plant is 100% necessary IMHO) was one of the hardest things I've had to do as a music listener since they're one of my favorite groups, but when I did it was a revelation. I realized that the impressive qualities were ALL THEM, and the recordings were nothing to write home about at all. I've stopped using these discs as references and mine are getting better.
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