compression seting or tips for voice over

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dungeonsound615
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compression seting or tips for voice over

Post by dungeonsound615 » Tue Feb 08, 2005 12:39 pm

Well I may be doing a voice over session this week, the first one i have ever done. Any tips, compression setings to try or anything of the sort or mic suggestions from what i have here is my gear page
dungeonsoundlab.com/gear.jsp

thanks Mike

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Re: compression seting or tips for voice over

Post by JGriffin » Tue Feb 08, 2005 12:55 pm

mike--

The KSM32 or the Beyer m88 should be nice, depending on the voice. I don't know the Octava or MXL mics though. I'd go through whichever of those pre's you like and then lightly (2:1) compress with the dbx. If you have a pop filter, think about using it--watch (listen) for p-pops.

Try to have the VO guy put his script on a music stand so it doesn't rattle in his hand as he holds it--put a carpet remnant or towel over the stand (but, y'know, under the script) to kill reflections off the stand surface.

have fun!
"Jeweller, you've failed. Jeweller."

"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno

All the DWLB music is at http://dwlb.bandcamp.com/

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Re: compression seting or tips for voice over

Post by SKEETER » Tue Feb 08, 2005 3:34 pm

Compression always depends on the singer or speaker. Some singers are very dynamic or have little skills with mics, others have very controlled volume levels. I would think the same applies to speakers to some degree. I always use no more compression than is neccesary to chop off transient peaks.

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snuffinthepunk
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Re: compression seting or tips for voice over

Post by snuffinthepunk » Tue Feb 08, 2005 3:38 pm

what is your voice-over for?
"no dream is worth being underachieved"
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JGriffin
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Re: compression seting or tips for voice over

Post by JGriffin » Tue Feb 08, 2005 3:52 pm

SKEETER wrote:Compression always depends on the singer or speaker. Some singers are very dynamic or have little skills with mics, others have very controlled volume levels. I would think the same applies to speakers to some degree. I always use no more compression than is neccesary to chop off transient peaks.
Yes. My suggestion for compressor setting was a starting point to tame peaks a little.
"Jeweller, you've failed. Jeweller."

"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno

All the DWLB music is at http://dwlb.bandcamp.com/

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I'm Painting Again
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Re: compression seting or tips for voice over

Post by I'm Painting Again » Tue Feb 08, 2005 3:58 pm

if its for tv..i will let you know that tv speakers distort real easy..if for tv compress the snot out of it..but keep it natural sounding..use a tv speaker for reference..

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Re: compression seting or tips for voice over

Post by dungeonsound615 » Tue Feb 08, 2005 5:03 pm

I should have mentioned this is for a small documentary film

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Re: compression seting or tips for voice over

Post by SKEETER » Tue Feb 08, 2005 7:09 pm

If it is for film, compress it good, and gate it, preferebly with a downward expander, or something else that only gates higher frequencies and make the gate decay slow.

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