me and Black keys and pals
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- zen recordist
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me and Black keys and pals
just a heads up about this project, I am really excited about it.
Me and dan and pat produced it, damon dash executive prooduced...
blakroc.
http://blakroc.com/
Enjoy.
lots of fun gear shots at my studio and some fun stuff going on. I engineered the whole thing. we had Tchad blake mix some of it, I mixed some of it, clay holly mixed a couple also... lots of great performances.
be sure to check out the photos and video pages.
this is like hip hop for a tapeop world....
Me and dan and pat produced it, damon dash executive prooduced...
blakroc.
http://blakroc.com/
Enjoy.
lots of fun gear shots at my studio and some fun stuff going on. I engineered the whole thing. we had Tchad blake mix some of it, I mixed some of it, clay holly mixed a couple also... lots of great performances.
be sure to check out the photos and video pages.
this is like hip hop for a tapeop world....
- HeavyHand
- takin' a dinner break
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yeah man. yeah. im excited for the real deal.
Ok, who brought the dog? - Louis Tully
www.facebook.com/BigTerribleMusic
www.facebook.com/BigTerribleMusic
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- suffering 'studio suck'
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holy shit, i had to turn on my subwoofer and watch it a second time.
the tape is rolling, the ones and zeros are... um... ones and zeroing.
http://www.davewatkinsmusic.com
http://www.davewatkinsmusic.com
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- audio school
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- Dr Rubberfunk
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- Recycled_Brains
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- joninc
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welcome back joel! seems like you've been away from these parts lately..
(must be working
the drum sounds are wicked on those clips. i am not really a big hiphop guy but i really want to check this one out.
is there a lot of room mic stuff goin on or just a few well placed close mics with some phat old school compression?
the bass sounds are great too. di's? amp's?
and last but not least... did tracks go to/through the tape machine or just to ptools?
(must be working
the drum sounds are wicked on those clips. i am not really a big hiphop guy but i really want to check this one out.
is there a lot of room mic stuff goin on or just a few well placed close mics with some phat old school compression?
the bass sounds are great too. di's? amp's?
and last but not least... did tracks go to/through the tape machine or just to ptools?
the new rules : there are no rules
- Dr Rubberfunk
- pushin' record
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Yesjoel hamilton wrote:Okay:joninc wrote:alright joel - we need some more nitty gritty insider goodness on this one...
Beta 52 as the bottom snare mic RULES.
M88 as a MONO overhead was awesome.
recording to make it sound screwy on purpose = fun.
Having Tchad blake mix a few for us = fun.
anything else?
Is Mos Def really rhyming into an SM57?
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- zen recordist
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There are some room mic type things happening. Not too far away though.
the overhead (in mono) had enough room in it usually. sometimes with a bit of RCA 77 from across the room, and a bit of bova ball omni over the shoulder type position.
certainly some compression was used. mostly just fader position that is giving the sound. really not much of anything going on processing wise, as this porject is more about the raw sounds (on the way in, anyway). the song "hoochie coo" with mos on it in the video is just my rough mix from the day we finished it. Tchad blake is remixing that one for us, and a few others. He is doing it at real world.
Yes, Mos did his ad lib tracks into a handheld 57. I did the main track on a 47 though.
the ad libs sound great on that 57.
I tried to use the "wrong" mic for everything on this project, and it really paid off with unique sounds.
The bass AND the guitar were simply recorded through a 12" supro combo amp I have. SM7 on the center of the speaker, right up on the grill.
I love bass through that kind of thing if it is appropriate to the form.
being one of the producers means I can make really stupid decisions about what to use and justify it with some bullshit historical precedent...
the overhead (in mono) had enough room in it usually. sometimes with a bit of RCA 77 from across the room, and a bit of bova ball omni over the shoulder type position.
certainly some compression was used. mostly just fader position that is giving the sound. really not much of anything going on processing wise, as this porject is more about the raw sounds (on the way in, anyway). the song "hoochie coo" with mos on it in the video is just my rough mix from the day we finished it. Tchad blake is remixing that one for us, and a few others. He is doing it at real world.
Yes, Mos did his ad lib tracks into a handheld 57. I did the main track on a 47 though.
the ad libs sound great on that 57.
I tried to use the "wrong" mic for everything on this project, and it really paid off with unique sounds.
The bass AND the guitar were simply recorded through a 12" supro combo amp I have. SM7 on the center of the speaker, right up on the grill.
I love bass through that kind of thing if it is appropriate to the form.
being one of the producers means I can make really stupid decisions about what to use and justify it with some bullshit historical precedent...
- Recycled_Brains
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