Your Definitive Sound
Moderator: cgarges
Your Definitive Sound
Do you have a definitive sound?
If so, how did you arrive at it?
I'm prompted by Gary Glitter's stompy, clap-rich rhythm section
and his 'elephant lead', a mix of (tone-down) fuzz guitar and perhaps some kind of horn.
Everything I've heard sounds like this, and I got to thinking, how does this happen?
He could've 'butt rawked', gone 'progressive', rehashed the 50's, but nope, we get
'elephant lead'.
If so, how did you arrive at it?
I'm prompted by Gary Glitter's stompy, clap-rich rhythm section
and his 'elephant lead', a mix of (tone-down) fuzz guitar and perhaps some kind of horn.
Everything I've heard sounds like this, and I got to thinking, how does this happen?
He could've 'butt rawked', gone 'progressive', rehashed the 50's, but nope, we get
'elephant lead'.
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- zen recordist
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I believe as a player and as a producer and as an engineer I have a 'sound.' My brain is unique unto me and therefore I react certain ways and thus do certain things. Sometimes that means I place the lead vocal in a certain place. Sometime it means I tune toms a certain way. Whatever way that might be based on the situation at hand my reaction to it will be mine and thus "my sound."
Tony definitely has a sound, because a commercial for a local pawn shop has a song that, upon first hearing, I instantly knew was recorded by him. The first snare hit made me go, "Yup, that was done at Tony's place, by Tony. It's the Tony snare sound." Good stuff.drumsound wrote:I believe as a player and as a producer and as an engineer I have a 'sound.' My brain is unique unto me and therefore I react certain ways and thus do certain things. Sometimes that means I place the lead vocal in a certain place. Sometime it means I tune toms a certain way. Whatever way that might be based on the situation at hand my reaction to it will be mine and thus "my sound."
- scott anthony
- suffering 'studio suck'
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I have an engineer friend that once said that all engineers' work can be divided into one of 4 categories:
Big Room - Big Sound
Big Room - Little Sound
Little Room - Big Sound
Little Room - Little Sound
Please note: there is nothing negative implied by "little sound" or any of the combinations.
He then added that my own work fell under Big Room, Big Sound.
Big Room - Big Sound
Big Room - Little Sound
Little Room - Big Sound
Little Room - Little Sound
Please note: there is nothing negative implied by "little sound" or any of the combinations.
He then added that my own work fell under Big Room, Big Sound.
- Monkeyfist
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I haven't really developed an sound in my recording that I know of yet. On drums, I guess a blend of Mitch Mitchell and Michael Shrieve.
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M. Hedberg R.I.P.
www.10lblibido.com
www.hotlaundry.net
www.myspace.com/10lblibido
www.myspace.com/hotlaundry
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- zen recordist
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And I didn't even play on that, though it's my drums.mjau wrote:Tony definitely has a sound, because a commercial for a local pawn shop has a song that, upon first hearing, I instantly knew was recorded by him. The first snare hit made me go, "Yup, that was done at Tony's place, by Tony. It's the Tony snare sound." Good stuff.drumsound wrote:I believe as a player and as a producer and as an engineer I have a 'sound.' My brain is unique unto me and therefore I react certain ways and thus do certain things. Sometimes that means I place the lead vocal in a certain place. Sometime it means I tune toms a certain way. Whatever way that might be based on the situation at hand my reaction to it will be mine and thus "my sound."
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