The Cult vs. Smashing Pumpkins
Moderator: cgarges
The Cult vs. Smashing Pumpkins
Seems kind of funny, to my 1997 self, comparing these two bands' latest records, but here in 2007...
Anyway, these are arguabley state-of-the art hard pop-rock productions, (and without Bob Rock or Andy Wallace.)
The Cult is produced by Youth (from Killing Joke, etc.) and it really does sound clear, big and not too smashed. The songs are fair, with a couple of real good ones and a couple dogs; you can hear some stolen hooks, AC/DC and including a cool lift from the Stones' "Emotional Rescue" and the performances are good, especially Duffy on guitar sounding like he's playing on Electric.
The Pumpkins is Roy Thomas Baker producing on a few, Terry Date on a few, Corgan on a few, etc. I think the songs are better (100% than Corgan's solo wimp-out and the last one, Machina), and the album also sounds pretty good; nowhere near as harsh and smashed as the Zwan stuff. The performances sound like Siamese Dream, which is good, except Chamberlain is even better.
To me, both of these records sound better than the recent Velvet Revolver, Audioslave and Cornell, and Army of Anyone records (and I count myself a big Brendan O'Brien and Steve Lilliywhite fan, and I liked Ezrin's work on the last Jane's Addiction record)...
Anyway, these are arguabley state-of-the art hard pop-rock productions, (and without Bob Rock or Andy Wallace.)
The Cult is produced by Youth (from Killing Joke, etc.) and it really does sound clear, big and not too smashed. The songs are fair, with a couple of real good ones and a couple dogs; you can hear some stolen hooks, AC/DC and including a cool lift from the Stones' "Emotional Rescue" and the performances are good, especially Duffy on guitar sounding like he's playing on Electric.
The Pumpkins is Roy Thomas Baker producing on a few, Terry Date on a few, Corgan on a few, etc. I think the songs are better (100% than Corgan's solo wimp-out and the last one, Machina), and the album also sounds pretty good; nowhere near as harsh and smashed as the Zwan stuff. The performances sound like Siamese Dream, which is good, except Chamberlain is even better.
To me, both of these records sound better than the recent Velvet Revolver, Audioslave and Cornell, and Army of Anyone records (and I count myself a big Brendan O'Brien and Steve Lilliywhite fan, and I liked Ezrin's work on the last Jane's Addiction record)...
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longtime pumpkins fan here... held on through Adore, Machina, ZWAN, his book of poetry... you get the idea.
i don't much care for the way the new one sounds. i keep putting it on and hoping that it will grow on me, and it is a little... but not much. it sounds oddly mixed and chamberlain's drums sound weird and there is singing in places where maybe there didn't need to be.
i'm not doing a very good job of describing... but the drum sounds on Mellon Collie get me air drumming like a fiend and the ones on Zeitgeist just kinda make me shrug. they're missing something.
i don't much care for the way the new one sounds. i keep putting it on and hoping that it will grow on me, and it is a little... but not much. it sounds oddly mixed and chamberlain's drums sound weird and there is singing in places where maybe there didn't need to be.
i'm not doing a very good job of describing... but the drum sounds on Mellon Collie get me air drumming like a fiend and the ones on Zeitgeist just kinda make me shrug. they're missing something.
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Probably because the songs just aren't that great. I think Chamberlain's drumming always rocked because of the way he played in the context of the song.steve3b1 wrote:Yeah, I agree, the drums don't sound that great.Smitty wrote: i'm not doing a very good job of describing... but the drum sounds on Mellon Collie get me air drumming like a fiend and the ones on Zeitgeist just kinda make me shrug. they're missing something.
Lackluster songs=lackluster drumming.
This coming from a onetime Smashing Pumpkins freak of a superfan. The new record just doesn't do it for me.
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I kind of like some of the more 'out' things on the SP record. There's one song with filtered drums and some other things. I also think Billy didn't sing very loud and I think that's a good thing because the nails on a chalkboaard that tends to be his voice is not such a problem if he doesn't push too hard.
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That's what you get with Roy Thomas Baker.Vogon wrote:...the BV's sound about *6db* too loud to me...
I bought this album on iTunes right before my band went on tour this summer and we all listened to it the first day out. It took 3 songs before I remembered that RTB was one of the producers. The guitars are Billy Corgan-riffic. The Queen style vocal arrangements weird me out. The songs are horrible (with a couple exceptions). All the vocals and lyrics sounded really tossed off. While I can't pretend to understand the line "coil my tongue 'round a bumblee be mouth," at least it's better than "I love you every day, each and every way." Seriously... a little effort would be nice. The really long epic, atmospheric song (I don't remember the name) was pretty awesome though.
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Smitty wrote:going to see the pumpkins tonight.
why hello, my own adolescence! is that you?
why yes, it is!
And?
I do find the BV's kind of distracting when they are not just the chorus, as in the "doomsday" song (of which they play a snippet during the Bears' last game.)
As a matter of fact, they are kind of like the snare on that last Metallica album; not fatal, but distracting.
I have to wonder if someone was riding the straw when they set those levels...
seriously bummed out.
i love probably 80% of everything they've recorded, and they somehow managed to put together a set composed almost entirely of the other 20%.
they played all the new songs (yawn), the 4 big radio players off Mellon Collie (yawn), Heavy Metal Machine (why?) and Hummer (High point of the show for me). they had more than a few long, feedbacky, echoey, abstract instrumental segments between songs that sincerely lacked substance. they closed with a cover of I Love Rock and Roll, for god's sake... extra cheeseball. then they sleepwalked through Today and 1979 for their multiple encores.
to me, the show was obviously aimed at: 1) casual radio fans from back in the day, and 2) people who bought/are buying the new album. i fall into neither group.
i love the pumpkins and their music dearly, but the $50 i ended up dropping on the show between Ticketmaster and parking was nowhere near worth the experience i got (their light show was frickin' amazing, though... trumped only by Sigur Ros' a few years ago).
i am SO going to slam the door to my room now!
i love probably 80% of everything they've recorded, and they somehow managed to put together a set composed almost entirely of the other 20%.
they played all the new songs (yawn), the 4 big radio players off Mellon Collie (yawn), Heavy Metal Machine (why?) and Hummer (High point of the show for me). they had more than a few long, feedbacky, echoey, abstract instrumental segments between songs that sincerely lacked substance. they closed with a cover of I Love Rock and Roll, for god's sake... extra cheeseball. then they sleepwalked through Today and 1979 for their multiple encores.
to me, the show was obviously aimed at: 1) casual radio fans from back in the day, and 2) people who bought/are buying the new album. i fall into neither group.
i love the pumpkins and their music dearly, but the $50 i ended up dropping on the show between Ticketmaster and parking was nowhere near worth the experience i got (their light show was frickin' amazing, though... trumped only by Sigur Ros' a few years ago).
i am SO going to slam the door to my room now!
"I try to hate all my gear equally at all times to keep the balance of power in my favor." - Brad Sucks
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