What are you listening to today?
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- shedshrine
- deaf.
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Alejandro Escovedo's latest - excellent, and Visconti's production is beautiful, especially the acoustic guitars and the vox.
Latest Smashing Pumpkins - how prog! And I don't even mind it, altho' I prefer the rockers and even the balads to the Yes-influenced stuff.
Coltrane, Transitions - this record, not one of his most famous, is fascinating to me, combining as it does the kinda trad ("Happy Birthday" quote, anyone?) with the idiosyncratic. If I hadda pick one jazzer, it would be 'Trane right after Miles.
Latest Smashing Pumpkins - how prog! And I don't even mind it, altho' I prefer the rockers and even the balads to the Yes-influenced stuff.
Coltrane, Transitions - this record, not one of his most famous, is fascinating to me, combining as it does the kinda trad ("Happy Birthday" quote, anyone?) with the idiosyncratic. If I hadda pick one jazzer, it would be 'Trane right after Miles.
- Gregg Juke
- cryogenically thawing
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- zen recordist
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Yeah, I'm doing it in a couple weeks. I've played it I think six times now in the last 22 years or something. I love the show and can pretty much play it in my sleep, but I'm gonna go through the book and make some notes. They want to do it kind of true to the original 70s version.Gregg Juke wrote:Are you going you to be playing the show? I've done it two or three times, it's a fun gig. Sometime I can tell you the funny story about how "Godspell" almost broke my finger!
Chris Garges
Charlotte, NC
- Gregg Juke
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OK, remember that country tune? I forget the name, but kind of a hoedown deal, where the chorus is shouting out various "virtues," and the drum part answers each one with a big flammy snare thing on "2?"
The director of one production I did wanted that really big, and kept instructing the music director to instruct me to accent it harder. I was mostly playing the whole show with blasticks, to keep the volume down in the theater, but I switched to sticks on that one at her insistence. So finally, during a live show, I think "You want rimshot? I'll give you rimshot!" and blam, almost blast the stick through the snare head. But I had gotten really used to holding the blasticks quite gingerly, and when I switched to sticks for the big accent, I caught my right middle finger between the stick and the snare rim. Nobody ever had to work harder to stiffle a swear and/or keep from bursting into tears during a performance of "Godspell" than I did that day...
GJ
The director of one production I did wanted that really big, and kept instructing the music director to instruct me to accent it harder. I was mostly playing the whole show with blasticks, to keep the volume down in the theater, but I switched to sticks on that one at her insistence. So finally, during a live show, I think "You want rimshot? I'll give you rimshot!" and blam, almost blast the stick through the snare head. But I had gotten really used to holding the blasticks quite gingerly, and when I switched to sticks for the big accent, I caught my right middle finger between the stick and the snare rim. Nobody ever had to work harder to stiffle a swear and/or keep from bursting into tears during a performance of "Godspell" than I did that day...
GJ
- No Wave Casio Kitsch
- re-cappin' neve
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- Gregg Juke
- cryogenically thawing
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Picked-up a couple of nice doo-wop collections on CD. Also a 2-disc Charly funk/r&b/instrumental backbeat jazz/dance collection called "Blaxsplosion."
This stuff would be great for the sampling cats, but as-is it's an awesome soundtrack to a fantasy time-travel trip back to NYC in the 70's, and a never-did-but-shoulda-happened meeting between Sweet Sweetback, Superfly, Shaft, and Charles Bronson (as the Vigilante in Deathwish) for an all-out Kung Fu fight and barbecue.
While I was shopping for discs just like that "Blaxplosion" thing yesterday, I happened to be checking out what the store had on the sound system, and I snatched it up it was so raw and awesome: a "best of" type comp culled from two discs by an Indianapolis jazz/funk/blues band called "Funk Inc." Produced by Bob Porter and recorded by Rudy Van Gelder (original LP's came out on Prestige, but I never heard this stuff before!!!!), the performances and production are glorious in their simplicity and visceral sweetenaciousness. If you can find Funk Inc. on Prestige, grab whatever it is.
Also just finished some vinyl transfers of some Big Star singles and a Beatles rarity/out-takes/boot LP I picked-up awhile back. The Beatles stuff is interesting historically, but I wouldn't play it over and over, mostly due to sound quality (pretty awful recordings, which when scrubbed clean through pristine and judicious use of Sound Forge tools and EQ, still sounds pretty crappy). The Big Star is awesome though.
GJ
This stuff would be great for the sampling cats, but as-is it's an awesome soundtrack to a fantasy time-travel trip back to NYC in the 70's, and a never-did-but-shoulda-happened meeting between Sweet Sweetback, Superfly, Shaft, and Charles Bronson (as the Vigilante in Deathwish) for an all-out Kung Fu fight and barbecue.
While I was shopping for discs just like that "Blaxplosion" thing yesterday, I happened to be checking out what the store had on the sound system, and I snatched it up it was so raw and awesome: a "best of" type comp culled from two discs by an Indianapolis jazz/funk/blues band called "Funk Inc." Produced by Bob Porter and recorded by Rudy Van Gelder (original LP's came out on Prestige, but I never heard this stuff before!!!!), the performances and production are glorious in their simplicity and visceral sweetenaciousness. If you can find Funk Inc. on Prestige, grab whatever it is.
Also just finished some vinyl transfers of some Big Star singles and a Beatles rarity/out-takes/boot LP I picked-up awhile back. The Beatles stuff is interesting historically, but I wouldn't play it over and over, mostly due to sound quality (pretty awful recordings, which when scrubbed clean through pristine and judicious use of Sound Forge tools and EQ, still sounds pretty crappy). The Big Star is awesome though.
GJ
'Trane, Giant Steps: a fave.
Joan Osborne, Breakfast in Bed: I was bored with this when it came out (2005) but re-listening now, a truly beautiful work, with Steely Dan recording quality, the only flaws are in her voice, what keeps it human.
Latest Dino, Jr., I Bet on the Sky: this one is pretty good, a little mellower, and growing on me. I always like Agnello's mixing, and love Mascis's guitar. Notable is the The Cure influence on a cuppla songs, what I also found on at least one on the latest Smashing Pumpkins' latest.
Joan Osborne, Breakfast in Bed: I was bored with this when it came out (2005) but re-listening now, a truly beautiful work, with Steely Dan recording quality, the only flaws are in her voice, what keeps it human.
Latest Dino, Jr., I Bet on the Sky: this one is pretty good, a little mellower, and growing on me. I always like Agnello's mixing, and love Mascis's guitar. Notable is the The Cure influence on a cuppla songs, what I also found on at least one on the latest Smashing Pumpkins' latest.
- Gregg Juke
- cryogenically thawing
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- Gregg Juke
- cryogenically thawing
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- Brett Siler
- moves faders with mind
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The new Converge album!
http://www.youtube.com/watch?v=t-vZRGK4 ... redirect=1#!
http://www.youtube.com/watch?v=t-vZRGK4 ... redirect=1#!
My musical endeavors!
My Music: http://www.brettsiler.bandcamp.com/
StudioMother Brain Sound Infrastructure
My Music: http://www.brettsiler.bandcamp.com/
StudioMother Brain Sound Infrastructure
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