Every time I hear "Penny Lane" lately,
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Every time I hear "Penny Lane" lately,
I'm struck by how fucking hard that song swings. What happened to swing in rock?
- A.David.MacKinnon
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It don't mean a thing if it ain't got that swing. Or at least some. Maybe that's why I don't listen to much that was recorded in the past decade.
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Re: Every time I hear "Penny Lane" lately,
Grid editing.lysander wrote:I'm struck by how fucking hard that song swings. What happened to swing in rock?
- suppositron
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Re: Every time I hear "Penny Lane" lately,
That and click tracks probably.Dakota wrote:Grid editing.lysander wrote:I'm struck by how fucking hard that song swings. What happened to swing in rock?
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Re: Every time I hear "Penny Lane" lately,
+10Dakota wrote:Grid editing.lysander wrote:I'm struck by how fucking hard that song swings. What happened to swing in rock?
modern recordings are so STIFF
the new rules : there are no rules
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Re: Every time I hear "Penny Lane" lately,
Of course. Whatever you do, don't blame the musicians.suppositron wrote:That and click tracks probably.Dakota wrote:Grid editing.lysander wrote:I'm struck by how fucking hard that song swings. What happened to swing in rock?
War is Peace
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Freedom is Slavery
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- alex matson
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I've been thinking about this more throughout the day (instead of thinking about other stuff) and a lot of it has to do with the players, specifically the rhythm section. A lot of people give Ringo flack for not being a great rock drummer, and I think that has to do in part with how well he played FOR the songs and not OVER the songs. He and Paul are very musical in their approaches to the rhythm parts and that has a lot to do with the songs' swing.
And yeah, I think you could blame the musicians a little, but when you learned to play in the computer age with that kind of technology at your disposal, why wouldn't you use it? Yes, the net result is poorer skills, but it's a chicken and the egg question: Did grid locked tempo and playing to clicks hinder musicians' development or were they solutions to a problem?
I personally never track my band to a click. I do track other bands to a click.
And Alex, without context, I have no idea why you posted those two videos. Throw us a bone.
And yeah, I think you could blame the musicians a little, but when you learned to play in the computer age with that kind of technology at your disposal, why wouldn't you use it? Yes, the net result is poorer skills, but it's a chicken and the egg question: Did grid locked tempo and playing to clicks hinder musicians' development or were they solutions to a problem?
I personally never track my band to a click. I do track other bands to a click.
And Alex, without context, I have no idea why you posted those two videos. Throw us a bone.
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- A.David.MacKinnon
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A lot of people also have no idea what their talking about.sad iron wrote:A lot of people give Ringo flack for not being a great rock drummer, and I think that has to do in part with how well he played FOR the songs and not OVER the songs.
If you ever get a chance to hear the Beatles demo with Pete Best on drums you realize how good Ringo is in that band (I think it's I Want To Hold You Hand but I could be wrong). You can be a good band with a bad singer or guitar player but if your drummer sucks your band will suck.
- alex matson
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Oh. Well, they're both examples of more modern tunes that swing in the Penny Lane style, as opposed to, say, Glenn Miller. I remember showing the guitarist in a band I was in the guitar part from Baby Britain, referencing it to 'It's Getting Better' and the band having a similar discussion to the one here. I always thought it was interesting that, without the backing instruments, one might think of 'Psycho Killer' or something equally...non-swingy.
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A click track has zero to do with how a track feels if the musicians are competent. Plenty of the Beatles recordings were done to metronomes and there are literally thousands of great-feeling tracks cut to click tracks. For that matter, there are at least hundreds of grreat-feeling tracks that use drum machines for the groove.sad iron wrote:And yeah, I think you could blame the musicians a little, but when you learned to play in the computer age with that kind of technology at your disposal, why wouldn't you use it? Yes, the net result is poorer skills, but it's a chicken and the egg question: Did grid locked tempo and playing to clicks hinder musicians' development or were they solutions to a problem?
If you can't make music feel good with a quarter-note pulse helping ensure a consistent tempo, it's your fault, not the click track's.
Chris Garges
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