I think it's just that the vocal and backups have distortion on them and are mixed too prominently. I'm always having hot vocals, but I like to hear the vocal so, y'know, that's how it comes out.
I was just realizing this weekend (I'm a little slow) that the sound of indie rock, in general, is characterized by relatively buried vocals. Or maybe it's just that it's risky to put the vocal way out there b/c a voice can be so off-putting. .... Anyway I bought an old Mary Wells record this weekend, and her performance on "Bye Bye Baby" is totally distorted and fantastic, apparently just because she was singing really fucking loud and doing about 100 takes of the song.
At the risk of incurring the wrath of the RIAA, here's
the last 20 seconds of "Bye Bye Baby," which will rock you hard if you have not already encountered this song.
That acoustic guitar on my track is just an AKG D790 (which is the only mic I own) into my crappy little Tascam US122 converter with the level turned all the way up. And the accordian is a Casio! Strictly lo-fi, but whatever. Thanks for yer kind words.
With my Les paul, I know I'm small.