micing the hi-hats?
micing the hi-hats?
is this very common? how many of you spend more than eight seperate feeds on a drum kit?
Do you mic underneath that snare?
Do you mic underneath that snare?
- Doublehelix
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This was just discussed wtihin the last couple of weeks...try a quick search.
Personally, I usually throw up a hat mic for the benefit of the drummer who swears he needs one, but rarely use it in the mix, at least not very loud in the mix. The OHs and the snare bleed usually give me *plenty* of hats!
I mic top and bottom snare all the time.
Personally, I usually throw up a hat mic for the benefit of the drummer who swears he needs one, but rarely use it in the mix, at least not very loud in the mix. The OHs and the snare bleed usually give me *plenty* of hats!
I mic top and bottom snare all the time.
DH
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- joninc
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lately i have been getting sick of normal overheads and find myself liking
to mic the hihat. i have a akg 535 which actually sounds really good on it - i mic opposite where you'd hit it with the stick about 4 inches above pointing down steeply.
in the past year i have started micing btm snare too and find it helps get a better snare sound, again - without having to crank the overheads. so it kind of depends on the sound you are going for i think....
to mic the hihat. i have a akg 535 which actually sounds really good on it - i mic opposite where you'd hit it with the stick about 4 inches above pointing down steeply.
in the past year i have started micing btm snare too and find it helps get a better snare sound, again - without having to crank the overheads. so it kind of depends on the sound you are going for i think....
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Take a measuring tape and measure 7' from the beater straight up in the air. Place one mic there facing down. Go to the front of the kick and measure from the inside head, back 7' and put your second mic there, about two feet off the floor. That's it.
Oh yeah, this only works with a great drummer but then... doesn't any technique?
Oh yeah, this only works with a great drummer but then... doesn't any technique?
- billiamwalker
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i've always used hi hat micing in my recordings as well. but now when i go back and listen, the hi hats are cutting through too much. if you do mic the hi hat... use some bass roll off and tweak up the top hi's JUST a bit to get a nice shiny hi hat sound. but make sure it's very low so that in the mix it's not making the hi hat any louder.. it's only making it brighter.
and i use top and bottom snare as well.
But i've discovered i'm going to just try two overheads kick and snare. (professor made me do it) and if i can't get a good drum sound that way.. then i'll add what needs to be added to the kit to bring it out.
Oh, and a quick question.. if you're micing the hi hat opposite of the drummer then shouldn't the polarity be flipped (considering the OH are micing the inside of the drums)
and i use top and bottom snare as well.
But i've discovered i'm going to just try two overheads kick and snare. (professor made me do it) and if i can't get a good drum sound that way.. then i'll add what needs to be added to the kit to bring it out.
Oh, and a quick question.. if you're micing the hi hat opposite of the drummer then shouldn't the polarity be flipped (considering the OH are micing the inside of the drums)
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you should try it. you get a nice, dry snare sound when you can't seem to get a balanced snare sound from micing the top. so you just pull the mic down a little bit, it'll put up a little more snare from the bottom.MichaelAlan wrote:What exactly are you going for with the shell mic?drumsound wrote:No hat mic here. Or under snare. Sometimes I use a snare schell mic though.
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