Making harmony vocal sound like someone else
Making harmony vocal sound like someone else
Hi guys,
I am doing some recording and the vocalist has overdubbed a harmony part on a couple of songs. Ideally we would like it to sound like another person singing it.
Anyone know of a plugin or other trick I could try?
Thanks
I am doing some recording and the vocalist has overdubbed a harmony part on a couple of songs. Ideally we would like it to sound like another person singing it.
Anyone know of a plugin or other trick I could try?
Thanks
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Re: Making harmony vocal sound like someone else
Hmm. I know Antares makes some kind of a vocal modeller. You could look into that. Waves also makes a vocal plugin that lets you mess with the formant and some other stuff.
If the singer's pretty versatile, you could always have him sing it a little different (more nasaly, more of a deeper sound, etc) and record it with a different mic, slightly off-axis. It won't sound EXACTLY like a different person, but still.
If the singer's pretty versatile, you could always have him sing it a little different (more nasaly, more of a deeper sound, etc) and record it with a different mic, slightly off-axis. It won't sound EXACTLY like a different person, but still.
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Re: Making harmony vocal sound like someone else
Hmmm... I know this is goig to sound a little too blunt and obvious.JefffM wrote:Hi guys,
I am doing some recording and the vocalist has overdubbed a harmony part on a couple of songs. Ideally we would like it to sound like another person singing it.
Anyone know of a plugin or other trick I could try?
Thanks
If you want a vocal to sound like someone else, then RECORD SOMEONE ELSE.
You will have to deal with the original singer's ego, so be prepared.
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Depending how many layers you want in the vocal stack, you can also try some "bozo takes". This doesn't work unless you already have some legitimately decent background tracks to begin with, and you will not want to put these takes out front. But ask your vocalist (or add 'em yourself) to "do one like Bootsy Collins is singing it". Then "do one like James Brown". Then I like to try "Roy Orbison". Get creative with your choices and there's really no way to mess it up. Its a great way to blow off some steam at the end of a session. The more caricatured sounding, the better and you won't want to use all of them (expect for when you do ). But just one or two of the right bozos can give a lot of character to a chorus or background.
The only thing you want to be careful of is making sure that the vocalist isn't going to get uptight on you about it. This style isn't for everyone. You will also probably want to take a minute and work out the blends for your bozo takes with the vocalist present. They may think you're crazy.
The only thing you want to be careful of is making sure that the vocalist isn't going to get uptight on you about it. This style isn't for everyone. You will also probably want to take a minute and work out the blends for your bozo takes with the vocalist present. They may think you're crazy.
Prog out with your cog out.
You could try a formant shifting plugin (or for a similar effect, try recording it slower using varispeed), but it's only going to do so much. Obviously recording with a different mic & signal path wouldn't hurt either.
Formant shifting plugins:
http://www.xoxos.net/vst/vst.html#effects
http://www.olilarkin.co.uk/index.php?p=freeplugins#ff
Formant shifting plugins:
http://www.xoxos.net/vst/vst.html#effects
http://www.olilarkin.co.uk/index.php?p=freeplugins#ff
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I am always wanting a backing female vocal, which is tough to get at 2:00 AM when I first think of it...
One thing not mentioned is to alter the "tape speed", ex., sing to a slower play back so that at the proper speed the vocal is a higher pitch.
The "bozo" approach is cool! I suggest having the singer sing with a different accent, ex., a Brooklyn, or a Latino...
Also, a whispered vocal, vs. a screamy one, can be a change-up.
One thing not mentioned is to alter the "tape speed", ex., sing to a slower play back so that at the proper speed the vocal is a higher pitch.
The "bozo" approach is cool! I suggest having the singer sing with a different accent, ex., a Brooklyn, or a Latino...
Also, a whispered vocal, vs. a screamy one, can be a change-up.
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i had the same quandry a bit ago.
If you want yr backing vocals to sound like a baby's coffin...use that Antares plug. It worse than shit.
I had one vocalist on a project and tried that turd plug. Then asked a neighbor (for some beers) to sing it and voila problem solved. He couldn't hold a tune for much...but pitch correction is much better than trying to fuck with the formant of a duplicate tibre ...especially the same voice.
grab a neighbor...bro....girlfriend.....whoever....free beer - pitch correct it if they suck - or do multiple tracks to add natural chorus for any wacky intonation and there you have it - my 2 cents.
If you want yr backing vocals to sound like a baby's coffin...use that Antares plug. It worse than shit.
I had one vocalist on a project and tried that turd plug. Then asked a neighbor (for some beers) to sing it and voila problem solved. He couldn't hold a tune for much...but pitch correction is much better than trying to fuck with the formant of a duplicate tibre ...especially the same voice.
grab a neighbor...bro....girlfriend.....whoever....free beer - pitch correct it if they suck - or do multiple tracks to add natural chorus for any wacky intonation and there you have it - my 2 cents.
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woo
antares throat.
it's in their "vocal toolkit"
I'm not sure if it's sold separately or not. but it does some pretty interesting things - it's at least a good place to start for this sort of thing.
there's a lot of other non hardware/software options though.
sing your a separate track after warming up a TON, like do vocal warm ups almost too much, until the voice gets ever so slightly worn out (don't worry it will feel just fine the next day unless you waaaaay over do it, I'm talking singing a little more than a vocalist's comfort level, not vocal chord suicide)
you could just tryout different vocal stylings (try singing along to a cd with a unique sounding singer for a long while, and keep the 'vibe' it has in mind when your tracking). pronounce things different. sort of like you have an accent, but not really. a lot of artists do this, but I don't think anyones given it a name. change your body position, like, sit down for one vocal part. alter facial expression. It does have a significant impact on the sound when a singer is smiling vs. frowning, etc. open up the throat a LOT and try to sound a bit like an opera singer. Not everyone can pull that off, but it sounds good when not overdone.
are you going for a choral thing or what exactly? I just finished a three part harmony and it turned out pretty decent, I don't think it's obvious that all three parts are my voice, if you want to take a listen and decide you want to take a crack at it, let me know and I'll give you the technique info and the vocal chain specs:
http://www.mediafire.com/?3vd93httmwn
P.S. 100th post - woo! I almost feel like a real fake person.
it's in their "vocal toolkit"
I'm not sure if it's sold separately or not. but it does some pretty interesting things - it's at least a good place to start for this sort of thing.
there's a lot of other non hardware/software options though.
sing your a separate track after warming up a TON, like do vocal warm ups almost too much, until the voice gets ever so slightly worn out (don't worry it will feel just fine the next day unless you waaaaay over do it, I'm talking singing a little more than a vocalist's comfort level, not vocal chord suicide)
you could just tryout different vocal stylings (try singing along to a cd with a unique sounding singer for a long while, and keep the 'vibe' it has in mind when your tracking). pronounce things different. sort of like you have an accent, but not really. a lot of artists do this, but I don't think anyones given it a name. change your body position, like, sit down for one vocal part. alter facial expression. It does have a significant impact on the sound when a singer is smiling vs. frowning, etc. open up the throat a LOT and try to sound a bit like an opera singer. Not everyone can pull that off, but it sounds good when not overdone.
are you going for a choral thing or what exactly? I just finished a three part harmony and it turned out pretty decent, I don't think it's obvious that all three parts are my voice, if you want to take a listen and decide you want to take a crack at it, let me know and I'll give you the technique info and the vocal chain specs:
http://www.mediafire.com/?3vd93httmwn
P.S. 100th post - woo! I almost feel like a real fake person.
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