Can the public radio model work for bands?
Moderator: cgarges
I didn't say I don't support public radio, or dislike it's programming. Quite the opposite. I just hate the fundraising model. I'd also point out there are many public radio fundraising models, I was just bitching about the most common one.
More to the point, I don't see how a band can compete with any of these models. I may support my local public radio station with a pledge, or purchase of a bauble, but how does that translate to artists' needs? It's just not sustainable. NPR is 24/7/365. Bands are periodic shows, and infrequent albums. There is a model for this: CDs and tours (not necessarily either or, but maybe, depending on the artist). It's kind of a mis-match of media - ad supported movies and theater don't work for similar reasons.
All payment models have to relate to the medium in question. Continuous programming like radio or TV breeds continuous support in one form or another because it requires it. Sporadic output, like movies or CDs, or even tours and theatrical events, breed sporadic, short-term support.
-d-
More to the point, I don't see how a band can compete with any of these models. I may support my local public radio station with a pledge, or purchase of a bauble, but how does that translate to artists' needs? It's just not sustainable. NPR is 24/7/365. Bands are periodic shows, and infrequent albums. There is a model for this: CDs and tours (not necessarily either or, but maybe, depending on the artist). It's kind of a mis-match of media - ad supported movies and theater don't work for similar reasons.
All payment models have to relate to the medium in question. Continuous programming like radio or TV breeds continuous support in one form or another because it requires it. Sporadic output, like movies or CDs, or even tours and theatrical events, breed sporadic, short-term support.
-d-
Dave Davis
bands.theallnightparty.com
bands.theallnightparty.com
So far I've raised about $700 from 25 people. I've contacted about 150-200 friends, family members and people who've bought CDs in the past. If at least 50 more of them come through, I should be good to go. I'm also playing a food event/fundraiser next month, so that should bump me up quite a bit. I think it's going to work! This sort of thing seems like it would be a breeze for bands with more of a following than myself. Even in a crappy economy.
Leviethan
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Aren't all bands pretty much working on a public radio model? Music is generally available for free (if illegally), and people who choose to buy it instead of stealing it often do so because they want to support the artist.
The missing part of the equation is the public financing. I think most public stations get about half their funding thru the government. I've heard that Canadian bands can get different grants and so forth.
I think the "public radio model" is a misnomer. For it to be more accurate, the alternative would be advertising supported music (okay, maybe that is where we are, I'm looking at you, Prince). What you're talking about is setting up your musical endeavors as a sort of charity.
The missing part of the equation is the public financing. I think most public stations get about half their funding thru the government. I've heard that Canadian bands can get different grants and so forth.
I think the "public radio model" is a misnomer. For it to be more accurate, the alternative would be advertising supported music (okay, maybe that is where we are, I'm looking at you, Prince). What you're talking about is setting up your musical endeavors as a sort of charity.
- ;ivlunsdystf
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But you are ignoring a key difference, previously discussed: public radio stations with nonprofit status don't have to pay taxes.darjama wrote:Aren't all bands pretty much working on a public radio model? Music is generally available for free (if illegally), and people who choose to buy it instead of stealing it often do so because they want to support the artist.
The missing part of the equation is the public financing. I think most public stations get about half their funding thru the government. I've heard that Canadian bands can get different grants and so forth.
I think the "public radio model" is a misnomer. For it to be more accurate, the alternative would be advertising supported music (okay, maybe that is where we are, I'm looking at you, Prince). What you're talking about is setting up your musical endeavors as a sort of charity.
Well any money I'm given will be totally written off because every cent will go into either production or sales of the product. And since there's no sales tax in Oregon, I won't be paying any taxes on these "donations" at all. I'll be lucky to break even. Really, they're just pre-orders. You couldn't call this a charity either. I'm one person, and I'm not in desperate need of anything besides funding for a CD. It's not really a necessity for my life. I'll live healthy and happy whether this works or not.
Leviethan
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- JGriffin
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Joke's on you; due to his horrible non-hiero-approved business model and refusal to put barcodes on his CDs, Young Winston doesn't have ten bucks.
"Jeweller, you've failed. Jeweller."
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
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And on the other hand, he's not wrong--you are spelling "leviathan" wrong. It's "Levi Ethan" you're spelling right. It's more a question of intent.
"Jeweller, you've failed. Jeweller."
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
"Lots of people are nostalgic for analog. I suspect they're people who never had to work with it." ? Brian Eno
All the DWLB music is at http://dwlb.bandcamp.com/
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