Stereo Bus / Mastering compressor for home studio
- alexdingley
- buyin' a studio
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Stereo Bus / Mastering compressor for home studio
I've got a great little home studio going in my new place. Everything tied to a Toft ATB-16, then mix-down to a Tascam DVRA-1000HD... The room is starting to sound good, and I want to find a master comp for the mix-downs.
This isn't a commercial facility, so I'm not cranking out work all the time. This is mostly for pet projects and my band. I'm also into hi-res audio stuff... so I'm thinking about getting a compressor that lets me get some beef in the final mix without squashing it to hell. In an ideal world, I would mix to the Tascam in DSD format & NOT bring it back into the computer for final mastering ??just putting out DSD audio files. Pipe-dreamy? Sure! But it's my dream... and I'm thinking about how to make it real.
So, without spending $3K and Up... I'm looking to get some beef in my master chain. I've been thinking about the following choices. Any insights would be much appreciated:
Chameleon 7720 (seems like I can only get those used now, but they're super cheap)
Daking FET III
Elysia Xpressor
Drawmer 1968
Drawmer 1973
Any other suggestions? Ideally... I'd like to stay under $1500 since this is not going to make me any significant money back.
This isn't a commercial facility, so I'm not cranking out work all the time. This is mostly for pet projects and my band. I'm also into hi-res audio stuff... so I'm thinking about getting a compressor that lets me get some beef in the final mix without squashing it to hell. In an ideal world, I would mix to the Tascam in DSD format & NOT bring it back into the computer for final mastering ??just putting out DSD audio files. Pipe-dreamy? Sure! But it's my dream... and I'm thinking about how to make it real.
So, without spending $3K and Up... I'm looking to get some beef in my master chain. I've been thinking about the following choices. Any insights would be much appreciated:
Chameleon 7720 (seems like I can only get those used now, but they're super cheap)
Daking FET III
Elysia Xpressor
Drawmer 1968
Drawmer 1973
Any other suggestions? Ideally... I'd like to stay under $1500 since this is not going to make me any significant money back.
- alexdingley
- buyin' a studio
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- Joined: Fri Feb 13, 2004 10:00 am
- Location: Greater Philadelphia Area
- Contact:
Chameleon is interesting
I'm definitely interested to give the Chameleon a try???can anyone speak to whether that can do a "bigger, but not squishier" sound?
- joninc
- dead but not forgotten
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Big fan of the portico 5043. Very classy and adds nice dimension and richness with transformers. Feedback mode !!! Compares favourably with Api 2500. Doesn't have a side chain but I find that's not a problem for me.
Check out the Greg wells thread on gslutz about it.
Check out the Greg wells thread on gslutz about it.
the new rules : there are no rules
- alexdingley
- buyin' a studio
- Posts: 806
- Joined: Fri Feb 13, 2004 10:00 am
- Location: Greater Philadelphia Area
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- Nick Sevilla
- on a wing and a prayer
- Posts: 5574
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- Location: Lake Arrowhead California USA
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Under 3K.
The real SSL compressor, in a 500 series form factor.
http://www.sweetwater.com/store/detail/GComp
The real SSL compressor, in a 500 series form factor.
http://www.sweetwater.com/store/detail/GComp
Howling at the neighbors. Hoping they have more mic cables.
You might be able to get a used Foote Control Systems P3S for that price.
Hippocratic Mastering: Do No Harm to your carefully recorded and mixed audio.
http://www.hippocraticmastering.com/
http://www.hippocraticmastering.com/
Can't recommend the tk audio compressor enough.
http://tkaudio.se/portfolio-items/tk-bc1-s/
Think it's great at any price but the price is great too
http://tkaudio.se/portfolio-items/tk-bc1-s/
Think it's great at any price but the price is great too
- Recycled_Brains
- resurrected
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I've been using the Drawmer 1968 for a while now. It's nice and usually works well for me, BUT as I get better at mixing and my ears hear how compression affects a mix better, I find myself wishing it had variable attack/release controls and a variable HPF. A lot of the time, the fixed att/rel constants and the fixed freq. LPF work, but they are limiting (har har) and I often wish I could fine tune it more.
For now, it's fine, but eventually I'm looking to upgrade.
For now, it's fine, but eventually I'm looking to upgrade.
- alexdingley
- buyin' a studio
- Posts: 806
- Joined: Fri Feb 13, 2004 10:00 am
- Location: Greater Philadelphia Area
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Thanks man! That's exactly the kind of stuff I need to hear. I mean, obviously?? all of these devices are good units in their own way, but those kind of controls are going to be the kinds of things that make me want to upgrade eventually too... So, while it may not be the eventual deal-breaker on a device, it helps to know.Recycled_Brains wrote:... I find myself wishing it had variable attack/release controls and a variable HPF. A lot of the time, the fixed att/rel constants and the fixed freq. LPF work, but they are limiting (har har) and I often wish I could fine tune it more.
For now, it's fine, but eventually I'm looking to upgrade.
Based on some of the input here & from what I'm hearing on my local facebook recording community page ??I think the Xpressor is the winner for me. It sounds like a ton of amazing control, so that I can squash a little more for clients that want shit louder-than-god, and then a lot ore articulate & gentle options for the stuff I'm doing.
- Recycled_Brains
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I've been looking into the Xpressor as well. I was pretty shocked at how affordable it is. I've also been eyeing the TK Audio comp, which seems rad too. I've heard good things about it, but the Xpressor seems to offer more control.alexdingley wrote:Thanks man! That's exactly the kind of stuff I need to hear. I mean, obviously?? all of these devices are good units in their own way, but those kind of controls are going to be the kinds of things that make me want to upgrade eventually too... So, while it may not be the eventual deal-breaker on a device, it helps to know.Recycled_Brains wrote:... I find myself wishing it had variable attack/release controls and a variable HPF. A lot of the time, the fixed att/rel constants and the fixed freq. LPF work, but they are limiting (har har) and I often wish I could fine tune it more.
For now, it's fine, but eventually I'm looking to upgrade.
Based on some of the input here & from what I'm hearing on my local facebook recording community page ??I think the Xpressor is the winner for me. It sounds like a ton of amazing control, so that I can squash a little more for clients that want shit louder-than-god, and then a lot ore articulate & gentle options for the stuff I'm doing.
- joninc
- dead but not forgotten
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i am sure that the xpressor is a great dynamics shaping tool and it may serve you well BUT let me play devil's advocate here and say - some of us use compressors for the tone they impart AS MUCH AS the way they compress.
your initial post said "I'm looking to get some beef in my master chain"
BEEF is somewhat subjective.
This unit will probably be very clean and won't add a lot of tone to your chain. Something with tubes or transformers will likely color and add harmonic content more.
It's just something to keep in mind. I am always chasing TONE and most gear that i have bought which you'd describe as "transparent" i find boring and eventually sell.
Thinking of RNC, RNP etc...
I find that the portico adds a richness and depth to the signal. when I bypass it - it's just flatter and less wide sounding. Maybe one day i'll be able to afford some kind of varimu style comp that really adds more glue tooo... dreaming of a Thermionic Phoenix or the Shadow Hills Mastering comps...
your initial post said "I'm looking to get some beef in my master chain"
BEEF is somewhat subjective.
This unit will probably be very clean and won't add a lot of tone to your chain. Something with tubes or transformers will likely color and add harmonic content more.
It's just something to keep in mind. I am always chasing TONE and most gear that i have bought which you'd describe as "transparent" i find boring and eventually sell.
Thinking of RNC, RNP etc...
I find that the portico adds a richness and depth to the signal. when I bypass it - it's just flatter and less wide sounding. Maybe one day i'll be able to afford some kind of varimu style comp that really adds more glue tooo... dreaming of a Thermionic Phoenix or the Shadow Hills Mastering comps...
the new rules : there are no rules
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