Looking for mixer to pair with Fostex R8
- Snarl 12/8
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Looking for mixer to pair with Fostex R8
Hi folks,
I'll try to keep this brief. I bought a Tascam M-1600 a while ago to pair with my Fostex R8. At first I thought it was a great match because I really like the feature set, the auxes, the busses, the D-sub out, and the -10 standard on the outs (iirc), for the most part works seamlessly with the Fostex. Just a super easy workflow.
Recently, I've been trying to record an unmuffled, 26" bass drum played very quietly (fingertips). The low-end coupled with needing a lot of gain has really showed the limitations of the Tascam, I believe. It gets easily pushed into ugly, unusable, clipping distortion if I tap too hard on the drum. I tried using external preamps and it didn't really solve the problem. I don't think it's just the pres on the M1600 that lack headroom, I think everything downstream is pretty brittle too.
I tried plugging the same two mics and headphones into my Ashly MM508 mixer and it just sounds so much better, and when it does distort it sounds fine to me. (I love, love, love distortion on low-end sources).
I also love compression and parallel compression. The Tascam makes it easy to have a compressor on an aux buss or two in addition to the inserts. I thought about using the Ashly as the front end for the Fostex, but if I use the direct outs, I can't have compression on the inserts, I could use the main stereo outs into the fostex, and then have my serial/parallel compression going in, but then I'm repatching constantly and how would I monitor inputs and the tape at the same time for overdubs? And in the end, I'm mixing through the M-1600 if I want all my compression choices and some reverb, etc.
Can you guys brainstorm a list of mixers that would be a big step up from the Tascam sonically, but still give me recording features? Things that sell for cheap these days? Maybe something newer though that's not a maintenance nightmare? I kinda hate to do this to the price of those mixers though? I'm not in a huge hurry, so what should I be on the lookout for? I'd love to stay with a 16 channel, but 8 channel "in line" would be great if it was a sonic improvement.
So, I'm basically wondering what mixers would have the sound quality of the Ashly MM508 with the recording/routing features of the Tascam M-1600?
Any ideas?
Thanks,
ck
I'll try to keep this brief. I bought a Tascam M-1600 a while ago to pair with my Fostex R8. At first I thought it was a great match because I really like the feature set, the auxes, the busses, the D-sub out, and the -10 standard on the outs (iirc), for the most part works seamlessly with the Fostex. Just a super easy workflow.
Recently, I've been trying to record an unmuffled, 26" bass drum played very quietly (fingertips). The low-end coupled with needing a lot of gain has really showed the limitations of the Tascam, I believe. It gets easily pushed into ugly, unusable, clipping distortion if I tap too hard on the drum. I tried using external preamps and it didn't really solve the problem. I don't think it's just the pres on the M1600 that lack headroom, I think everything downstream is pretty brittle too.
I tried plugging the same two mics and headphones into my Ashly MM508 mixer and it just sounds so much better, and when it does distort it sounds fine to me. (I love, love, love distortion on low-end sources).
I also love compression and parallel compression. The Tascam makes it easy to have a compressor on an aux buss or two in addition to the inserts. I thought about using the Ashly as the front end for the Fostex, but if I use the direct outs, I can't have compression on the inserts, I could use the main stereo outs into the fostex, and then have my serial/parallel compression going in, but then I'm repatching constantly and how would I monitor inputs and the tape at the same time for overdubs? And in the end, I'm mixing through the M-1600 if I want all my compression choices and some reverb, etc.
Can you guys brainstorm a list of mixers that would be a big step up from the Tascam sonically, but still give me recording features? Things that sell for cheap these days? Maybe something newer though that's not a maintenance nightmare? I kinda hate to do this to the price of those mixers though? I'm not in a huge hurry, so what should I be on the lookout for? I'd love to stay with a 16 channel, but 8 channel "in line" would be great if it was a sonic improvement.
So, I'm basically wondering what mixers would have the sound quality of the Ashly MM508 with the recording/routing features of the Tascam M-1600?
Any ideas?
Thanks,
ck
Re: Looking for mixer to pair with Fostex R8
There are lots out there. When I was using 8 track RTR I wanted a board Allen and Heath had designed for the purpose. 8 input channels, 8 busses. I think it was MixWizard 20:8:2. It looked very cool, but I couldn't afford it at the time.
Up until a few years ago I had a SoundWorkshop board that sounded good and was reasonably small.
There's a lot out there. Sony? Sometimes small Sony's turn up cheap. I assume money IS an issue or you'd just get an API...
Up until a few years ago I had a SoundWorkshop board that sounded good and was reasonably small.
There's a lot out there. Sony? Sometimes small Sony's turn up cheap. I assume money IS an issue or you'd just get an API...
- A.David.MacKinnon
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Re: Looking for mixer to pair with Fostex R8
I had a Soundcraft Spirit Studio on loan for a while and it was quite good. Lots of routing options - auxes, bus & direct outs. PreAmps and EQs were pretty good and it’s was pretty solid and reliable.
- Nick Sevilla
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Re: Looking for mixer to pair with Fostex R8
I am a fanboi of Allen & Heath consoles.
Since you have a 8 channel tape machine, I recommend you get a 16 channel (or more) console for mixing etc.
You can NEVER have too many console channels.
Since you have a 8 channel tape machine, I recommend you get a 16 channel (or more) console for mixing etc.
You can NEVER have too many console channels.
Howling at the neighbors. Hoping they have more mic cables.
- Snarl 12/8
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Re: Looking for mixer to pair with Fostex R8
Any particular A&H or Soundcraft mixers I should be looking for? Aren't some way better than others? Seems to be a buyer's market for used Analog mixers these days.
- I'm Painting Again
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Re: Looking for mixer to pair with Fostex R8
someone recently brought their entire tape machine (tascam 1/2"-8) and soundcraft spirit folio
this version
https://www.gumtree.com/p/audio-dj-mixe ... 1319001717
and it worked very nicely for tracking routing, etc.
I used all external preamps though so I can't say if those are any good or not
he does use it to record and mix at home and his records do sound fantastic so it's probably worth a look
it's super lightweight
this version
https://www.gumtree.com/p/audio-dj-mixe ... 1319001717
and it worked very nicely for tracking routing, etc.
I used all external preamps though so I can't say if those are any good or not
he does use it to record and mix at home and his records do sound fantastic so it's probably worth a look
it's super lightweight
- markjazzbassist
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Re: Looking for mixer to pair with Fostex R8
do you record by yourself 4 or less inputs at at time? or are you recording 5-8 tracks? i ask because you can get away with a 4 buss machine if you're recording by yourself. the fostex machines have a feature where you plug inputs into Input 1-4, and leave 5-8 empty. when you are tracking those 5-8 tracks you arm that track (say 6) but the input comes from 2. 1 to 5, 2 to 6, so on. i use it on my model 80 fostex, nice feature saves me from getting some bigger mixers.
- Snarl 12/8
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Re: Looking for mixer to pair with Fostex R8
Yes. My model 80 had that feature, but I'm not sure if the R8 has it. I've been wondering about that when I look at 4 buss mixers. I'll have to do some digging on that one.markjazzbassist wrote: ↑Mon Jul 15, 2019 12:57 pmdo you record by yourself 4 or less inputs at at time? or are you recording 5-8 tracks? i ask because you can get away with a 4 buss machine if you're recording by yourself. the fostex machines have a feature where you plug inputs into Input 1-4, and leave 5-8 empty. when you are tracking those 5-8 tracks you arm that track (say 6) but the input comes from 2. 1 to 5, 2 to 6, so on. i use it on my model 80 fostex, nice feature saves me from getting some bigger mixers.
- Nick Sevilla
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Re: Looking for mixer to pair with Fostex R8
The 2800 series is good. Also, widely available parts, nothing exotic or weird. So serviceable for the foreseeable future.Snarl 12/8 wrote: ↑Sun Jul 14, 2019 2:58 pmAny particular A&H or Soundcraft mixers I should be looking for? Aren't some way better than others? Seems to be a buyer's market for used Analog mixers these days.
Howling at the neighbors. Hoping they have more mic cables.
- Snarl 12/8
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Re: Looking for mixer to pair with Fostex R8
Does anyone know if one of those huge Allen & Heath 40 channel GL2800's can be easily made smaller? It seems like it could just be a matter of unscrewing something and disconnecting a ribbon cable to bring it down to 16-24 channels. Is that something a hack like me could manage? I really don't need a working 40 channel board, (and I don't have the space) but having spare channels in storage would be super cool.
- Nick Sevilla
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Re: Looking for mixer to pair with Fostex R8
Um, no. Although they do have 8 channel buckets, what would you do with the extra space?Snarl 12/8 wrote: ↑Wed Jul 17, 2019 3:06 pmDoes anyone know if one of those huge Allen & Heath 40 channel GL2800's can be easily made smaller? It seems like it could just be a matter of unscrewing something and disconnecting a ribbon cable to bring it down to 16-24 channels. Is that something a hack like me could manage? I really don't need a working 40 channel board, (and I don't have the space) but having spare channels in storage would be super cool.
If you are not good at electronics, don't. You do need to solder stuff, it is not just "grab a hacksaw and off you go" type situation.
YOU CANNOT HAVE ENOUGH CHANNELS.
Howling at the neighbors. Hoping they have more mic cables.
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